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Pierce BrownA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Pierce Brown examines vengeance as a guiding force through hot-headed Darrow, who alternately resists and indulges his vendettas. As Darrow embarks on his hero’s journey, Darrow tells Dancer he wants to kill Eo’s murderer, ArchGovernor Augustus. Dancer answers, “I said I would give you justice. Vengeance is an empty thing, Darrow” (65). Dancer knows that killing Augustus will not bring Eo back to life, nor will it create the more equitable social vision Eo described to her husband. Later, Dancer elaborates:
When your wife died, she didn’t just give you a vendetta. She gave you her dream. You’re its keeper. Its maker. So don’t be spitting anger and hate. You’re not fighting against them, […]. You’re fighting for Eo’s dream, for your family that is still alive, your people (102).
Before Darrow enters the vindictive world that Augustus helped build, Dancer urges the young man to commit himself to improving lives, rather than tearing down the man who wronged him.
Other characters demonstrate the toxic effects of revenge upon the soul. In Dancer’s partner Harmony, Darrow sees a vengeful spirit, since “she lost someone. [...] She is like me—brimming with a rage that makes all else so inconsequential” (91). Titus too is “a creature of vengeance” (219), out to torture the Golds who hurt a woman he loved. Bloodthirsty and brutal, he lives and dies by revenge at Cassius’s hand. Darrow, having allowed Cassius to avenge his brother, realizes “how hollow it seems” (221) to let revenge rule the day. True justice, on the other hand, requires impartial moral decisions and demonstrates the consequences of wrongdoing. Moreover, as Darrow learns, justice upholds social order, while vengeance brings chaos.
Darrow commits himself to acting as a just leader after Titus’s trial. However, learning that the ArchGovernor has interfered in the game stokes Darrow’s latent revenge. Not only does he seek retribution for Eo’s death, but also he craves revenge as his Golden friends continue to suffer and die.
The final series of battles in Part 4 develops the tension between Darrow’s vengeance and sense of justice. In particular, his murder of Apollo channels the hatred he feels against his erstwhile oppressors and Mustang’s captor:
‘You reap what you sow!’ I scream at him as he fades. All the rage I’ve felt swells in me, blinding me, and fills me with a pulsing, tangible hatred that seeps away only as Apollo’s boots deactivate and he tumbles down through the swirling storm. [...] I had not intended to kill him. But he should not have taken her. And he should not have called me a puppet (354).
After Darrow takes Olympus, he acknowledges the raging, impulsive nature that leads to violence like this. Faced with the ArchGovernor’s apprenticeship offer, he lets this anger seethe again as he imagines the tyrant’s future death. Darrow is still developing as a hero and, arguably, allowing revenge to fester, despite Dancer’s plea to relinquish it. Although he wins the game, Darrow might lose himself in the future if he continues to let personal offense trump fair punishment.
The Institute’s war game teaches young Golds how their ancestors accomplished the Conquering and how their leaders maintain control of the Colors: through military strategy, speed, cunning, and brute force. ArchGovernor Augustus notes that students must surrender personal comfort and noble ideals to rule as the Peerless Scarred. As a Red, Darrow understands this lesson more readily than his peers. He tells Mustang,
There are no Golds here. I’m a Red. You’re a Red. We are all Reds till one of us gets enough power. Then we get rights. Then we make our own law. [...] That is the point of all this. To make you terrified of a world where you do not rule. Security and justice aren’t given. They are made by the strong (213).
Winning the game requires young Golds to trample on—even kill—one another, thus proving their right to lead the human race. In Darrow’s mission to become the ultimate Gold and win the game, he must mimic his oppressors by enslaving others as they enslaved him. He once believed what the Society repeated to its lowest caste: “Obedience is the highest virtue” (12). The Golds met disobedience—such as Darrow’s father’s protest—with severe consequences to reinforce their might and quell resistance. Training for the Institute shows Darrow that Golds themselves succeed not through obedience but manipulation, aggression, and oppression. His story bears out Plato’s words, which Darrow quotes during Tactus’s trial: “The measure of a man is what he does when he has power,” (301).
Pierce Brown examines this statement through several different characters. An early oppressor in the book is the cruel Gray enforcer Ugly Dan. Mickey the Carver adds fantastical appendages to young Pinks’ bodies “for his own pleasure” (85). Titus uses his power for revenge; Augustus seeks to promote his son. Dancer utilizes power for a resistance against the Society, a resistance which he says will require bloodshed to succeed.
Darrow begins the story as a powerful member of a powerless class and ends it as the ArchPrimus of a war against hundreds of young Golds. Gaining physical and social capital as a Gold inflates his ego and thirst to succeed, so his successes threaten to corrupt him almost as much as his failures do. Misusing power, he learns, bears serious consequences for others’ lives as well as the health of the soul. Eventually Darrow discovers power is a privilege he must steward with care. Moreover, he takes the burdens of leadership upon himself rather than trampling others to succeed.
Darrow begins his story committed to making his wife Eo happy and whole. Eo urges him to expand his vision and lead a resistance against the Society. As Eo prepares to die, she reminds him, “‘Live for more,’ she mouths to me” (45). Holding onto her words, Darrow discovers that he was destined not only to be a Helldiver and husband; he is destined to be a hero.
Eo’s dream cuts against the Society’s philosophy. This totalitarian government perpetuates systemic oppression against the Colors. Color designates appearance, occupation, and socioeconomic status, all of which are strictly enforced. Each Color has certain value to the Society, with Reds deemed the least valuable.
Speaking to the students at the Institute, ArchGovernor Nero au Augustus refers to democracy as “the Noble Lie—the idea that men are brothers and are created equal” (122). Even people within single Colors are not considered equal. The Passage, as Roque explains, exists to kill off a portion of the Gold population “Because they believe civilization weakens natural selection. They do nature’s work so that we do not become a soft race” (145). The Institute’s students exploit and maul each other to demonstrate their value to the Society and hone themselves into pitiless conquerors.
Darrow’s transformation from Red to Gold—and, moreover, his extraordinary prowess at the Institute—proves that Color determines neither one’s worth nor the limitations of one’s gifts. Indeed, his Red identity is an asset: an idea that would shock Golds if they knew the truth. Darrow puts his quick, strong Helldiver hands to good use, and he has weathered harsh conditions that pampered Golds have never experienced.
Mustang, describing Tactus’s iron Gold heritage, states, “He is bound to his fate” (299). Darrow thinks, “Yet I’m a Red acting like a Gold. No man is bound to his fate” (299). Furthermore, he breaks free of his enslavement by setting his sights as high as he can, committing himself to shattering the Society’s bondage. Darrow’s transformation proves Eo was right: anyone can be a hero, and all people deserve an equal chance to thrive.
The inciting incident of Red Rising is Eo’s death, before which she sings a song about a new order rising from the ashes of an oppressive empire. Eo has told Darrow, “‘I want you to think owning this land, our land, is worth the risk.’ ‘How much a risk?’ ‘Your life. My life’” (33). As Darrow’s father did, Eo dies for her dream. Darrow, Dancer, and Harmony dispute the value of this sacrifice, but Dancer urges Darrow to fight for Eo’s vision so she won’t have died in vain. Accepting the challenge, Darrow gives up his body, his family, his culture, and his sense of self to become a leader for his people.
Mickey alludes to Darrow’s sacrifices when he scoffs at Dancer, “You’re making a messiah for your gorydamn cause” (81). Mickey’s excruciating surgeries alter Darrow’s skeleton, brain, muscles, and appearance. Once he has endured these physical trials, Darrow masquerades as a Gold, mimicking their cutthroat culture to preserve himself. However, Mustang inspires Darrow to surrender his domineering leadership strategy in favor of a more democratic approach. Relinquishing an authoritarian grip, he learns, helps everyone succeed and makes him a leader worth following.
Sacrificing his body for Tactus’s sins shows his army that, contrary to what the Institute teaches, the best leaders take responsibility for their followers’ actions. Darrow tells them, “Every time any of you commit a crime like this, something gratuitous and perverse, you will own it and I will own it with you, because when you do something wicked, it hurts all of us” (303). Darrow upends the Society’s “Kill or be killed” (332) culture, placing his body on the line for the good of the collective.
Not only does sacrifice make a hero, but it also creates unity and trust. After Darrow’s martyrdom, his army fiercely protects and follows him. Pax goes even further with Darrow’s self-giving philosophy, covering Darrow’s body with his own and dying to protect his Reaper. Furthermore, sacrificing Darrow’s personal interests for the good of the group earns him valuable allies and contributes to his victory against the Proctors. Darrow also waylays his desire to have sex with Mustang until a more sober moment. He has discovered that the more he gives up impulsiveness and selfishness for others’ good, the more effective a revolutionary he becomes.
By Pierce Brown