66 pages • 2 hours read
Pierce BrownA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Red Rising is set in a world in which human beings have changed form. Each person belongs to a Color, which designates appearance, status, and occupation within the Society. Darrow, a Red with rust eyes and hair, belongs to the lowest caste. As Darrow gazes Yorkton, he sees “Color-coded lamps along the lower levels—Yellow, Blue, Orange, Green, Pink, a hundred shades of a dozen Colors to form a hierarchy so complex, so alien, I scarcely think it a human concept” (68). The city also affords Darrow glimpses of Green shops, Pink brothels, and the world of Mickey the Carver, an artistic Violet who uses humans as his canvas.
Pierce Brown uses these visual cues as a lens for systemic oppression. Not only the Reds but also Colors like Pinks are the objects of prejudice and discrimination from those of higher castes. Notably, the highColors are named for metals like Silver and Gold, indicating greater value, and their surnames contain the symbols of these elements (au for Golds and cu for Coppers, for example). Darrow shatters this unjust paradigm by transforming into a towering, god-like Gold who seeks to shatter the Society’s injustice.
The ArchGovernor sentences Eo to death for singing a forbidden song. Its lyrics speak of resisting unjust power structures: “Remember the chains / When gold ruled with iron reins / We roared and roared / And twisted and screamed / For ours, a vale / of better dreams” (42). In singing this, Eo proclaims her dream of liberation for the Reds. Her message drives Darrow’s actions throughout the novel.
Others on Mars, who view Eo’s song on holoCans, call her Persephone after the mythological goddess. Darrow intends for Eo’s song to resonate throughout the Society until he makes its lyrics (which also mention a reaper, another key image) a reality. Darrow also associates the song with Mustang, whom he hears singing the song repeatedly.
Recalling the familiar image of the grim reaper, the reaper and scythe recur throughout the novel. They appear in Eo’s song and the card game with which Dancer tests Darrow’s cunning. Mustang first calls Darrow the nickname Reaper, due to the scythe-shaped slingBlade (a familiar tool from his Helldiver days) always in his hand. The name sticks, and the scythe becomes a symbol of the Reaper’s dominance in the game, as well as Darrow’s haunted character. Darrow says, “I am the Reaper and death is my shadow” (257). Darrow’s Reaper’s scythe speaks to his violent abilities and the justice he plans to bring upon the cruel Society in his future revolution.
The haemanthus is a red flower native to Mars. After Darrow’s father was killed, Eo left a haemanthus on Darrow’s doorstep. Later Darrow picks the flower for Eo and keeps it with him after her death. He hides one of the haemanthus petals inside a Pegasus pendant around his neck. The flower symbolizes Darrow’s enduring love for Eo, whom he remembers often throughout the story. Moreover, as Darrow’s feelings for Mustang develop, he considers giving her a haemanthus but decides against it.
The wolf is the animal mascot of House Mars. Early in the game, Sevro begins fighting and killing wolves and wearing their skins. Sevro resembles a wolf not only physically—with his small stature and claw-like nails—but also in fighting strategy, with his gift for tracking and fierce individualism.
Later, Darrow uses this to his advantage, employing Sevro’s ruthlessness and the wolfskins of his band of Howlers in several key battles. After Darrow’s separation from House Mars, he adopts the wolf imagery for his new army and gives wolfskins to his troops. Commenting on his aggressive style, Mustang tells Darrow, “You are the wolf that howls and bites. [...] With you? Hell, kill or be killed” (269). Darrow’s wolf-like character, then, connects him with Sevro, with whom he comes to share a loyal bond.
One of Darrow’s greatest attributes is his hands. His superior role in the mines of Mars reflects this talent: “To be a Helldiver, they say your fingers must flicker fast as tongues of fire. Mine flicker faster” (4). Darrow shows off his quick fingers and innovative thinking to Mickey when the Carver argues Darrow is not smart or agile enough for life as a Gold. Darrow also uses his quick hands throughout the Institute’s battles, particularly when capturing his rival the Jackal.
Another important scene utilizing hand imagery is Mustang’s explanation of an equitable social order. She shows him that “A hand is like the Society” (270), in that all parts of a system contribute value to the whole. This conversation inspires Darrow to offer other students autonomy rather than force them into slavery, as the Society would do.
Darrow’s Uncle Narol taught him the dances of Lykos. While learning Gold customs, Darrow finds that their traditional dances resemble those of the Reds. Later, in battle, Darrow dances through combat: “I move as if in a dance, remembering the thumping pattern my uncle taught me in the abandoned mines. The Reaping Dance carries my motions into one another like flowing water” (209-10). The illegal Reaping Dance of Lykos both links Darrow to his native identity and his new identity as the Reaper at the Institute. Dancing, then, bridges the gap as Darrow’s identity threatens to fracture.
Darrow dreams of the Laurel, the food and luxuries awarded to Mars’s most successful mining clan. Despite earning the Laurel, Darrow’s Lambda clan is denied this award so that the Society can create competition between his people and those of Gamma. This award symbolizes the empty promises the Society provides the lower Colors and its success at maintaining order among them. Later, Darrow says, “I will make my own laurels” (348), which draws on the novel’s themes of earning merit versus manipulating others to succeed.
By Pierce Brown