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65 pages 2 hours read

Monica Heisey

Really Good, Actually: A Novel

Fiction | Novel | YA | Published in 2023

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Chapter 11-Interlude 14Chapter Summaries & Analyses

Chapter 11 Summary

Maggie relocates to Merris's basement apartment, enjoying a rent-free month in exchange for walking Merris's roommate's Great Dane, Lydia. During the move, the Laurens inquire about Simon, but Maggie is uncertain about seeing him again. To declutter and raise much-needed funds, Maggie orchestrates a yard sale, but Emotional Lauren generously donates Maggie's belongings to college students who have lost everything in a house fire, earning only 50 dollars. Amidst the chaos, Maggie attempts to discard her engagement and wedding rings, but Lauren offers to hold on to them for a while. Later, while she is awkwardly selling clothes at a secondhand shop, Maggie is surprised by Simon's unexpected appearance, which leads to a lighthearted interaction. Simon buys Maggie's lewd bachelorette party shirt, leading her to briefly explain her marital situation briefly, after which they leave together.

Interlude 12 Summary: “Reasons I Cried, November 12-23”

Maggie recounts several triggers for her tears that range from minor inconveniences such as forgetting a password or encountering advertisements to more relatable experiences such as feeling judged by peers and grappling with thoughts of mortality. Her reasons for crying also include obsessive moments such as discovering an old postcard from Jon or ruminating on past conversations with him. Maggie also reveals that she cries consistently after every sexual encounter with Simon.

Chapter 12 Summary

Maggie navigates the holiday season better than expected, enjoying festive dates with Simon and outings with friends. However, she struggles to accept Simon’s compliments and kindness, which frustrates them both. Maggie keeps her emotions and concerns guarded, and their relationship becomes fraught with unresolved tensions. On Christmas Eve, receiving a new IKEA futon triggers introspection, as the instructions recommend that two people work together to assemble it. Returning to Kingston for Christmas, Maggie is overwhelmed by familial drama and seeks solace in attending midnight Mass with her mother, which evokes bittersweet memories of her wedding. Hurt by the lack of communication about her sister's pregnancy plans, Maggie returns home and grapples with impulsive decisions and self-doubt, as well as a tense exchange with Simon. Opting for a solitary celebration, Maggie reflects on her relationship with Simon and her aversion to therapy and tries to assemble the futon alone. In a vulnerable moment, she sends an emotional email to Jon, reopening old wounds, and anxiously awaits a response, seeking distraction from her thoughts in late-night texts.

Interlude 13 Summary: “Selected Advice from Amy's Friends, In Ascending Order of Relevance to Me”

Maggie receives a barrage of advice, from clichéd love tips and fashion advice on wrap dresses to recommendations for reading Eat, Pray, Love. However, she finds the most practical advice to be avoiding the upstairs bathroom after an unfortunate vomit-related incident.

Chapter 13 Summary

At 2:30 a.m., Amy invites Maggie to a party. Because Maggie has been unable to sleep, she reluctantly accepts. Upon arrival, her anticipation quickly turns to disappointment, leading her to depart shortly after with a woman named Tamara. However, their interaction does not unfold as expected, and Tamara focuses more on comforting Maggie. Eventually, Maggie feigns sleep to disengage from the situation. The next morning, she meets with Amy before having a second breakfast with Simon. Despite enjoying Simon's company, Maggie grapples with a sense of futility in their relationship, sinking deeper into depression and isolating herself from friends and social contact once again. Later, she and Simon both delve into the intricacies of their respective break-ups. In February, Maggie attempts to reconnect with her friends by organizing a trivia night, but tensions arise when she invites Amy, whom they do not know well.

Further friction occurs when Maggie voices concerns about Amirah and Tom’s desire to adopt a dog, dampening the mood. When she tries to lighten things up by discussing her relationship with Simon, her friends respond indifferently, and Lauren to questions her focus on sex and dating. Despite Maggie's efforts to shift the conversation, tension escalates when she announces Simon's arrival without prior notice. As Simon joins the group, Maggie inadvertently exacerbates the situation by mentioning her intention to showcase him at an upcoming wedding, causing friction and discomfort. As the evening unfolds, Maggie's social missteps continue, leaving her uncertain how to navigate the situation. As she and Simon walk home together, Simon is clearly angry, and tensions rise between them.

Interlude 14 Summary: “The Fight (Abridged)”

Simon attempts to address the evening's tension, but Maggie repeatedly dodges his inquiries. When she does attempt to articulate her emotions, her explanation is disjointed and nonsensical. Despite her efforts to clarify, her words emerge as a hurtful jumble that implies that Simon will inevitably cheat on her. She also questions why he is with her when his ex was slimmer than she is. Eventually, Simon leaves, expressing his hope that Maggie enjoys herself at the upcoming wedding.

Chapter 11-Interlude 14 Analysis

Maggie's tumultuous journey through the holiday season highlights her ongoing battle with Social Pressures and Keeping Up Appearances, and with each new social blunder, her veneer of normalcy cracks; despite each moment of resilience, she reverts into an ever-deepening despair. The social expectations of the holiday season bring these issues to a head, and in the aftermath of Christmas, during the peculiar and disorienting interlude between the holiday and New Year's Eve, Maggie finds herself plummeting into a profound depression that ultimately leads her to single-handedly sabotage her various relationships. Thus, despite glimpses of progress in previous sections, Maggie regresses into a pessimistic and depressive state in this part of the narrative. Even as she finds solace in Simon's company and contemplates the possibility of falling in love with him, Maggie harbors deep-seated doubts about the viability of their relationship. She also grapples with an overwhelming sense of inevitability, convinced that revealing her true self will inevitably lead to rejection and abandonment. As she states, "Eventually I would reveal the part of myself that made him recoil, and he would go" (194). This pervasive fear, coupled with her inexplicable tears after each new intimacy with Simon, underscores her emotional lack of readiness for a new relationship. However, because she is unwilling to relinquish this fragile connection, Maggie unwittingly plunges deeper into despair.

In the midst of this downward spiral, depression blunts Maggie's empathy, rendering her presence increasingly challenging for her friends and family to endure. Significantly, she withdraws from her friends, acknowledging her own unpleasantness and her inability to reciprocate their care and interest. As she admits, "I was awful to hang out with. All I wanted to do was dissect my breakup. […] I knew if I saw my friends I would have to care about their lives in return, and I simply did not" (208). This stark departure from her previously empathetic nature is indicative of the profound toll that her emotional turmoil has taken on her psyche and her self-esteem. To symbolize her inner withdrawal, she hides beneath sunglasses and oversized headphones, erecting physical barriers to shield herself from the outside world even as she finds solace in dissecting her break-up with Jon, and later, with Simon.

Maggie's refusal to confide in anyone and her staunch aversion to seeking professional help both exacerbate the strain on her relationships. Merris, in a moment of wisdom, offers sagacious advice on the importance of persevering through heartbreak, stating, "Most of moving on is just getting out of bed and plodding forward […] [Y]ou need to practice walking around and living life and being heartbroken at the same time " (197). However, Maggie remains obstinate in her resistance to therapy. Her reluctance stems from a tangled web of insecurities, fears, and perceived failures, all of which are exacerbated by Jon's perceived rejection. As she states of her social and emotional turmoil, "[M]y pathetic non-problems still occupied my entire headspace and felt enormous, bordering on insurmountable; […] I would do anything to simply have been better at being married [and I knew] that this was quite a retrograde way to think, and probably Said Something About Me as a person" (198). This corrosive self-doubt transforms what was once a mutual separation into a crushing blow to Maggie's self-worth.

Lost in the throes of Societal Pressures and Keeping Up Appearances, Maggie grapples with a pervasive fear of rejection, obsessing over her physical appearance and viewing it as her sole redeeming quality. Paralyzed by the prospect of being judged and found lacking, she erects a façade of composure while experiencing profound inner turmoil. As she states, "It's more expensive and dangerous to be a woman on your own, and the only thing you're unequivocally rewarded for is finding someone—a man, preferably—who wants to be with you" (224). Her inability to reconcile societal expectations with her own self-perceived inadequacies soon perpetuates a cycle of self-sabotage and isolation, as is demonstrated by her rapidly devolving social relationships amongst what was once a very supportive friend group. Thus, Maggie's fear of rejection ironically becomes a self-fulfilling prophecy that culminates in her alienation of her support network and her problematic behavior toward Simon. Her refusal to confront her innermost fears leaves her adrift in a sea of uncertainty, unable to bridge the chasm between her authentic self and the façade that she presents to the world. As the narrative unfolds, Maggie's descent into despair becomes increasingly palpable, culminating in a deeply emotional portrayal of a woman who has lost sight of herself by desperately trying to maintain the illusion of normalcy. In the final chapters, Maggie's unraveling is laid bare. As she navigates a labyrinth of misguided attempts to mask her pain, she unwittingly dismantles the last vestiges of her support network. Ultimately, Maggie emerges as a deeply flawed yet authentically human protagonist as she struggles to untangle the profound complexities of love, loss, and the relentless pursuit of self-acceptance.

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