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17 pages 34 minutes read

Nikki Giovanni

Quilts

Fiction | Poem | Adult | Published in 2007

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Themes

Time Changes Things

“Quilts” is a poem aware of how time affects physical substance. Much of the imagery is of wear and tear, using the extended simile of the tablecloth to represent the speaker’s physical change. Giovanni writes with the expectation that the reader knows all things change over time; we know that fabric wears down because exposure to hot or cold, washing, and daily use cause the fibers to stretch. She invites us to imagine the human body aging by showing how one object ages without giving too much away. She shows us what it looks and feels like to change out of our youth and how this wearing down is gradual.

The speaker says early on, “I am a failure” (Line 2), because she no longer functions the way she used to. The poem may sound like a lament of time, yet this is the space where empathy enters the poem: All people know that time brings changes that are still unexpected when they arrive. So the reader feels connected to the speaker, either because they share the experience of aging with her or because they know that our bodies eventually will fade too.

This is where memory plays a vital role in “Quilts.” We hope to maintain our mental grasp on memory as we age—in fact—fear of Alzheimer’s and dementia frequently outpace physical ailments as peoples’ greatest fears about getting older. For a writer, memory keeps their artistic skill alive, even if their body fails. The poem’s speaker maintains that she is “pleased with my memories” (Line 12) because they connect her back to days passed, specifically “tasks” (Line 14) she could complete when she was more physically able. The poem itself works as a physical piece of memory—recorded by the poet—to remind herself of who she is and who she was at a specific point in her life.

Repurposing and Reusing

Nothing is wasted in “Quilts.” Each word serves the purpose of weaving together the comparison created by the simile and opening up multiple meanings and interpretations for the reader. Words are reused through repetition to draw attention to how things change over time. Giovanni knows how to stitch words together like a quilter—as she did in her activist years—to make an entirely new poem about her memories. “Quilts” itself is a call to action to respect our elders.

Our modern culture values newer products over older ones. A laptop made five years ago will soon become obsolete; a well-worn pair of jeans will look shabby compared to ones on a mannequin in a store. Instead of cherishing things we have owned for years, we crave replacing them with new items. Then, once the older item is replaced, it will be thrown into a landfill.

Giovanni is aware that our consumer culture pressures us to throw away our things when they have passed their usefulness. She challenges this impulse. By doing this, she challenges how our culture tends to disregard our elders because they struggle to keep up with the modern world.

The quilt represents an entirely repurposed object. It can be made from any type of cloth, either old or new. In asking to be remade into a quilt, the speaker asks for a new purpose that allows her to continue reaching out to others. This poem points out that if a person can no longer do something, they can always find another purpose. No one truly becomes obsolete.

Living on After Death

Giovanni is aware of her legacy as a distinguished poet in “Quilts.” Though only in her sixties in 2007—she had lung cancer in the late 1990s—cancer can permanently change a person. This brush with death remains in the language of “Quilts,” in “fading,” “frayed,” “my strength no longer able” (Lines 1, 3). These terms recall a body affected by disease and weakened prematurely; Giovanni grapples with how these changes affected her life in the poem. Though “Quilts” focuses on the simile of the old tablecloth more than the speaker herself, this poem should be read with this fact in mind: that Giovanni’s cancer was a brush with death that affected her work in the late 1990s and early 2000s.

Many poets consider what happens to their work after death; famous poets are especially concerned about how the world will remember them. Writers fear that their body of work will be forgotten. In asking to be remade into part of a quilt, Giovanni makes a plea to remain in the literary canon after her death. She argues that her work comforts her readers, and this comfort has value. Plus, like a quiltmaker’s art, her poetry is crafted expertly and built to last. Moreover, if her most dedicated readers keep her poems and pass them down to the next generation, her legacy will live on.

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