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28 pages 56 minutes read

Percy Bysshe Shelley

Queen Mab: A Philosophical Poem

Fiction | Poem | Adult | Published in 1813

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Book IChapter Summaries & Analyses

Book I Summary

The poem’s third-person speaker compares sleep and death to siblings, though death has “lips of lurid blue” (Line 1.9), while sleep is a blush over the world each morning. He worries that Ianthe, who is sleeping so deeply, might be dead. Her beauty is “peerless” (Line 1.12) like “breathing marble” (Line 1.17), while her voice is like music that can calm “a tiger’s rage” or warm the heart of a “conqueror” (Lines 1.35-36).

Suddenly the sound of a chariot interrupts the scene. It is Queen Mab, a powerful fairy invented by Shakespeare and adopted by various writers since, who resembles a cloud with a graceful outline that creates a halo. When she descends from her chariot, Queen Mab waves her wand three times and tells Ianthe that because Ianthe is “good” and “sincere,” her soul has been deemed deserving of “the envied boon” (Line 1.122). Ianthe’s soul then separates from her body. The Queen speaks to Ianthe’s spirit and tells her to ascend with her.

The spirit joins Queen Mab in her chariot, and the earth and its ocean, mountains, and clouds become smaller and smaller as they ascend. They surpass even the constellations and a meteor belt. The chariot travels through the “wilderness of worlds” (Line 1.265) between solar systems and arrives at the kingdom that houses “the Spirit of Nature” (Line 1.274).

Book I Analysis

Mortality is a significant theme in the poem’s first stanzas. As Ianthe lies asleep, the speaker narrator rues the fact that she will die and that her beauty will decay—“a gloomy theme” (Line 1.21), but an inevitable one. Descriptions of Ianthe contain repeated imagery of translucence and transparence—her “azure veins” are visible, flowing as if across “a field of snow,” (Line 1.14-15) and even her eyelids are so delicate that the “the dark blue orbs” (Line 1.38-39) of her eyes are can be seen through them. This suggests that Ianthe is already ghostly, hovering between sleep and death though still a young woman. It also foreshadows the separation of her spirit from her physical body when Queen Mab casts her spell.

The poem is also concerned with the theme of decay. Ianthe is compared to a sculpture: Her skin is like “breathing marble” (Line 1.17) and her hair curls around her body like a vine “around a marble column” (Line 1.44). These references to Classical sculpture bring up images of ancient ruins, a connection explicitly made in Line 47, when Queen’s Mab’s carriage sounds like wind rushing through a “lonely ruin” (Line 1.47). Shelley is using this imagery to suggest the tension between decay and immortality. Only the soul can stand against the decay of time and death, standing “immortal amid ruin” (Line 1.138) while the physical body breaks down like a “worn-out machine” (Line 1.155).

Lines 88-94 feature a poetic device called parallelism—the repetition of a grammatical structure for emphasis. Here, the awe that Queen Mab’s presence inspires surpasses “all human glory” (Line 1.87), occluding the sight and sound of everything else. This moment of the sublime—a common feature in Romantic poetry, which sought to portray emotionally or psychologically overwhelming experiences—sets the scene for the ascension of Ianthe’s spirit with her new guide. As Ianthe ascends with Queen Mab into a higher realm, Ianthe’s soul breaks off the chains that connect her to the earth like they are “bandages of straw” (Line 1.190). Queen Mab praises Ianthe’s soul, which is strong enough to break free of the “icy chains of custom” (Line 1.127) by overcoming the selfishness that characterizes human life on earth.

The poem thus elevates the spirit realm over the earthly world. The strength of Ianthe’s soul—much brawnier than her transparent and decaying body—represents the freedom that her soul is experiencing as it has become disembodied from her flesh. The poem argues that humanity must shift toward a societal structure more aligned with the needs of the spirit, a theme that will be explored in depth in later sections.

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