48 pages • 1 hour read
Lauren RobertsA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Adena flees on foot through a marketplace in the slums of the city of Loot after a botched attempt to steal a sweet roll. Thirteen years old and left to fend for herself after her mother’s death, she is starving—but she is still embarrassed that she has resorted to theft, and she apologizes repeatedly to the merchants and shoppers who must dodge out of her way. She is being chased by a masked “Imperial,” who will take her to be publicly whipped if she is caught. A silver-haired girl stands in her way, and Adena, who has the power to pass through solid matter, uses her “Phaser” ability to pass directly through the girl. The girl, Paedyn, trips the Imperial and follows Adena, yanking her into an alley to hide. Each girl sees her own loneliness in the other, and the two begin talking. When Paedyn realizes that Adena is a seamstress and Adena realizes that Paedyn is an accomplished thief, they decide to team up. Paedyn will steal food to feed them both, and Adena will replace Paedyn’s ragged clothing. Paedyn admits that she no longer has anywhere better than the slums to go, but she does not explain further.
The narrative perspective shifts from Adena’s first-person narration to Makoto’s. It is five years later, and blacksmith Makoto is in the slums of Loot, caught up in the throngs of people watching and cheering as the combatants selected for the sixth Purging Trials are escorted away. Makoto is desperate to find one of these nine people, Hera Colt, whom he is sure will be killed during the Trials. He knows that someone like Prince Kai, also selected for the trials, is much likelier to survive, “[b]ecause these Trials were made for Elites like him. Not Elites like her” (8). Makoto feels that it would be more just if he himself were forced into the Trials instead of Hera, because he has “spent [his] whole life huddling in her shadow, hiding from life itself” (9). Up ahead, Makoto sees an Imperial ushering Hera into a coach; he is devastated that he has not gotten to her in time to say goodbye. Then he sees Paedyn, the “Silver Savior,” being escorted to the coach. Like everyone else in the slums, he has heard about how she battled a Silencer to save Prince Kai, but he is skeptical about the truth of the story. Nearby, Makoto sees a young woman with dark, curly hair frantically waving goodbye to Paedyn. He remembers meeting the young woman before; she is a seamstress who tried to sell him a blue shirt, and she annoyed him with her perky chatter. Watching her now, he realizes that she must know the Silver Savior well. A plan begins to form in his mind.
Adena resumes her narration on the evening of the day that Paedyn was taken away. She refuses to think that Paedyn might not survive and return to the life they have built together in “the Fort,” a ramshackle assemblage of scraps that they built to live in when they first met. She knows that Paedyn will be rich if she wins the games; it would be an ironic outcome for Paedyn, who is secretly an Ordinary, to beat the Elite contestants in their own game. Paedyn has managed to survive in Loot all these years by faking one of the powers that Elites have, pretending to have psychic abilities to escape detection as an Ordinary.
In the morning, Adena goes out into the city, intent on a plan she has hatched to spruce up the Fort in anticipation of Paedyn’s return. Hungry, she tries to steal a sticky bun and history repeats itself; she ends up being chased through the streets by an Imperial. She ditches the unwieldy pile of clothing she is carrying in an alley, deciding that she can come back for it later, but she still cannot evade the Imperial. Fortunately, she is rescued by someone’s intervention, just as she was five years ago. This time, it is Makoto, who grabs her and phases backward through a wall with her. She sneezes from the dust on the blacksmith’s hand covering her mouth and nose, and he reacts with disgust. Adena’s fright and anger dissolve when she gets a good look at Makoto, whom she thinks is “so handsome, it’s piercing. Like a blade, something about him is sharp and cold” (21). As she considers the details of his appearance, like the scar on his lips, she thinks he looks familiar. Makoto makes a sarcastic comment about her sneezing in his hand. Adena notices a silver streak in his hair and feels sad at this reminder of Paedyn’s silvery hair. When Makoto makes another cold observation, Adena tries to “earn” a kinder tone from him by smiling and trying again to make conversation; he cuts her off with a condescending remark, and she thinks that Paedyn would likely have stabbed him by this point.
Just as Makoto begins to tell Adena what he wants from her, she recalls where she knows him from: He once shouted at her on the street and criticized one of her garments. She finds it amusing that this “insufferable” man wants her help, and she resolves not to give him the satisfaction of upsetting her further. Makoto explains Hera and his desire to get into the castle to speak to her one last time and give something to her. He wants Adena to create an Imperial uniform for him so that he can phase into the castle undetected. In return, he will give her food and supplies and help her see Paedyn. Adena agrees.
Makoto and Adena walk through the slums of Loot. Adena tries to make conversation, but at first Makoto’s replies are all sarcasm and deflection. He considers that their entanglement may “crack” Adena, as the two are very different people and his own deep unhappiness may alter her “unbearable perkiness” (33). He also notices how beautiful she is and that her eyes have a “sort of serenity that doesn’t belong in the slums” (33). He knows that part of his hostility toward Adena comes from his own fear of how attracted he is to her. This fear is compounded when Adena lets him know that she expects his companionship to be a part of their deal; she also expects a daily sticky bun. Despite Makoto’s attempts to stay aloof, he is eventually drawn into good-natured banter with Adena. He is embarrassed when he must let her into the “glorified shed” that serves as his home and place of business. When she sees the weapons that he has been working on, they talk about their very different perspectives on Loot, and Makoto explains that he also trains people to use weapons for self-protection. Adena measures him for the Imperial uniform she will be making; both are hyper-conscious of the intimacy of the situation. Afterward, she sends Makoto out to buy fabric, saying that she has a pre-sewing ritual to attend to.
After getting herself organized for her sewing project, Adena snoops around Makoto’s shop. She focuses her attention on his weapons collection and accidentally cuts her palm open on a hidden dagger; terrified of Makoto’s likely reaction, she considers fleeing, but just then he enters with the fabric. As she tries to hide the injury, he grabs her wrist and demands to know what happened. She is surprised to see the concern in his face. He leads her to the side of the room he sleeps on, where she did not dare to go before, and lifts her onto a counter; she is flustered by the contact with him. As Makoto cleans the wound, she apologizes for getting his knife bloody and is rewarded with an unexpected smile. For a moment, she glimpses the boy he must have been before being “hardened by life itself” (49). She teases him about finally smiling, and his stony mask returns. She tells him that eventually she will get him to smile again. He leans forward to stop her leg from anxiously jiggling, and she is overwhelmed by the intimate contact of his hip against her leg. He tells her she will have to earn a smile, because he does not deserve to smile; she is curious, but he does not elaborate.
Two days later, Makoto works on a new knife design while Adena, head bobbing with fatigue, sews through the night. Concerned that she is pushing herself too hard, Makoto takes the needle from her and tells her to go home and get some sleep. She tells him that maybe if he gets some sleep he will be less grouchy tomorrow, and he comments that it has not worked so far. Makoto finds her attempt at sternness endearing. As she leaves, she tells him that in the morning she expects him to greet her with “a smile and a sticky bun” (53). Once she is gone, Makoto reflects that “[s]he is an intoxicating sort of exhausting” (53).
As Makoto is cleaning himself up for bed, there is a pounding at his door. Adena is back, panicked and crying. She throws herself at him, wrapping her arms around his bare waist; he hesitates before putting his own arms around her and pulling her close. She sobs out a story about being harassed in the street by a group of men; Makoto is furious at the idea, but he calmly reassures her that she can always come to him if she is frightened. The truth is that, if his plan succeeds, he does not actually plan to be around much longer, but he does not mention this to Adena, because he does not want to expose his own cowardice. When he learns that Adena always depended on Paedyn to take care of people like the ones she just encountered, he tells her that it is time for her to learn to defend herself. He tells her that she should sleep at his place; she agrees only on the condition that he also spend a night at the Fort. He insists that she take his bed. Noticing a spot of coal dust he missed on his elbow, Adena pulls his arm toward her and swipes at it with a cloth. She is very gentle, and he reminds her that he is not fragile. She comments that this is so, but she says that he is delicate and needs to be “handled with care” (60). He is too stunned to speak for a moment. Then he heads out into the night to look for the men who upset her.
Reflecting the classic structure of the romantasy genre, Powerful begins with world-building and characterizations of the romantic leads—positioning their initial meeting as the novel’s inciting incident. Lauren Roberts introduces Adena and Makoto in separate scenes before bringing them together for a “meet cute”—the initial meeting between two characters that will eventually fall in love—in which Makoto rescues Adena from an Imperial guard and Adena sneezes into Makoto’s hand. Their initially hostile first encounter reflects an enemies-to-lovers tension common in the romance genre that builds suspense regarding when and how the potential lovers will eventually get together. Roberts also portrays Adena and Makoto as distinctly different kinds of personalities, adding an “opposites attract” trope that reinforces their alliance as a precarious one, particularly in the dangerous world of Ilya.
In Adena’s introduction, Roberts uses her first-person point of view to characterize her as a person with a strong moral compass, highlighting the novel’s thematic engagement with The Pursuit of Power Versus Personal Integrity. As Adena flees from the Imperial guard after her disastrous first attempt at stealing food in the story’s prologue, she calls out apologies to everyone she bumps into or inconveniences. Her focus remains on others, even though a dire fate awaits her if she is caught. She feels embarrassed that she needs to steal even though she’s starving: “I’m just not cut out for [stealing],” she says, “My conscience can’t condone this sort of dreadful deed” (18). These details characterize Adena as honest, sincere, and slightly naïve, while simultaneously revealing the stakes of the narrative—surviving the oppressive social structures around her—through her plight.
By alternating between the first-person perspectives of her romantic leads, Roberts defines Makoto and Adena through their differences. Roberts characterizes Makoto as cynical and sharp, even with himself. Unlike Adena, he understands the inequities around him clearly, and he’s well aware of the fate that likely awaits Hera. Roberts reflects Makoto’s grim disdain for the power structures of Ilya in his skepticism of the story Adena tells him about Paedyn’s defeat of the Silencer. While Adena’s unconcerned with Makoto’s perception of her, he remains keenly aware of his impact on Adena. He views her as serene, happy, and untouched by their harsh environment, finding her “alarmingly oblivious” to the dangers of the streets. When he rescues Adena from the Imperial guard chasing her, his first words to her are critical and sarcastic, even though he intends to ask for her help. Roberts narrates the encounter from Adena’s point of view, juxtaposing Makoto’s cold, abrupt dialogue with Adena’s gentle and humble thoughts that she might “earn” a kind word from him by being ingratiating. This juxtaposition characterizes Makoto as disagreeable by comparison, evoking the opposites-attract trope of traditional romance narratives.
The marked differences between the two main characters would make their plan to work together tricky even in ideal circumstances—but the nature of the society around them makes their situation truly perilous, underscoring the novel’s thematic interest in The Struggle for Personal Autonomy Within Oppressive Systems. Over the course of the plot, Roberts reveals that Makoto’s dismissive attitude toward others reflects an intensely critical view of himself. He feels that he is a “horrible person” who cannot understand Adena because he “doesn’t believe that anyone could possibly be so happy” (33). He disparages the crowds cheering on the Trial participants because the people’s favorites are all almost certainly doomed to die in the Trials. He appreciates the irony that Hera’s success as a street magician is what has now doomed her. Because she had the courage to stand out, the residents of Loot “[sentence] her to death under the guise of honor” (9). Makoto’s perspective reveals that certain Elites have a much better chance in the Trials than others do, reflecting the inherent disparities of privilege and resources that exist in Ilya’s society as a whole. Makoto characterizes the throngs of people around him who seem not to understand this basic fact as “ignorance incarnate” (9).
Both the city of Loot and the kingdom of Ilya provide a high-stakes setting for Makoto and Adena’s developing romance, incentivizing these two very different people to rely on one another and form a closer unit and introducing the novel’s thematic interest in The Impact of Adversity on Relationships. In these opening chapters, Roberts includes many plot details that demonstrate how chaotic and dangerous Loot can be for people like Adena and Makoto. Adena is forced to steal to eat, knowing that if she is caught, she will be publicly whipped. Adena comments about how many blood stains Imperial uniforms usually have on them, indicating the constant threat of violence from Imperial guards in the city. Makoto provides both weapons and weapons training to Loot citizens, knowing that they are often forced to protect themselves from one another—a fact reinforced when Adena herself becomes the victim of street harassment.
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