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Eighteen-year-old Adena is the protagonist of Powerful and one of its two narrators. She is a “Phaser,” a low-level Elite living in the city of Loot, and as such lives in poverty, in constant danger of starvation and persecution. Adena has unruly dark curls that she has given up trying to manage, simply twisting them into a knot most days, and hazel eyes that Makoto thinks have a “serenity” that is out of place in the slums of Loot. Adena is a gentle, humble person with a sunny, eager disposition and an inordinate love for sticky honey buns. She is also scrupulously honest: Even as she is racing away from the huge man chasing her in the story’s opening scene, she takes time to look back and double-check his size before pronouncing him the “biggest” man she’s ever seen. Despite her difficult circumstances, the first time she ever tries to steal anything is when she is starving, and she is so nervous that she trips and falls into the stand she is stealing food from. Years later, she fails again at the same task after Paedyn is taken away, and she explicitly blames her own conscience for her failure to steal well.
Adena’s occupation as a seamstress defines her character and determines her fate. Sewing clothes does more than allow Adena to survive in Loot; it is a skill taught to her by her now-deceased mother, involving patience, care, and creativity, giving Adena a way to express her inner nature—despite her limited opportunities in life—and a way to show her love to Makoto and Paedyn, the most important people in her life. After Makoto tries to teach her how to fight, she tries to teach him how to sew: It is her way of bringing him into her world as she begins to fall for him. It is because she is a seamstress that she is brought to the castle and thereby comes to the king’s attention, sealing her fate.
Adena is an essentially flat character whose steadiness in her beliefs and worldview supports the novel’s contentions regarding The Struggle for Personal Autonomy Within Oppressive Systems. From the story’s beginning, Adena thinks of herself as someone with an active imagination, but her imagination rarely suggests to her the darker possibilities her world holds. Makoto tries to get her to see Loot as a dangerous place, and twice during the novel’s action she is menaced by men on the street—and yet Adena resists learning to fight, often characterizing herself as “more of a lover than a fighter” (57). She is aware that some people interpret this as weakness, but, she says, she “[refuses] to be ashamed of [her] softness,” because she sees it instead as a strength (48). Adena consistently chooses to be cheerfully optimistic despite her circumstances. After Paedyn is taken away, Adena simply assumes Paedyn will survive the Trials and return to their life in the slums. She does not imagine the many ways that Paedyn might be changed by this experience. Although Makoto is initially quite rude to her, Adena continues to be positive and kind, and she eventually wins him over. Even when she is imprisoned by the king, Adena continues to hope for the best and show kindness to others.
Makoto, also known as “Mak,” is the story’s deuteragonist and the second of its two narrators. Makoto is a blacksmith with dark eyes and hair, sharp features, and a scar running through his lips. Adena thinks that Makoto is “breathtaking…so handsome it’s piercing,” but she also observes that there is something “sharp and cold” about him (20-21). Like Adena, he is eking out existence in the slums of Loot—but unlike Adena, it is not because of his low-level powers. Nineteen-year-old Makoto is a Wielder, a status that makes him a likely assassination target; the king of Ilya will not tolerate anyone other than his son Kai possessing this extraordinary power. Makoto ran away from home after his father tried to get him to turn himself in as a Wielder; his younger cousin, Hera, ran away with him and has protected him ever since. Makoto feels that tragedy follows him, and he feels responsible for Hera being taken away for the Purge Trial. He considers it his duty to rescue her, even if it leads to his death. He also feels undeserving of a relationship with someone like Adena, whom he sees as optimistic, kind, and sunny—his polar opposite. Makoto is, by his own account, “self-serving” and “self-loathing” (33).
Just as Adena is defined by her profession as a seamstress, Makoto is defined by his profession as a blacksmith. Makoto is “hardened by life” (49), and as a blacksmith, he hammers and shapes metal, hardening it for its eventual uses. Most of his creations are weapons. Because of his own experiences in Loot, he believes that the people of the slums need to be constantly on guard and ready to protect themselves. Makoto extends this philosophy not just to physical dangers, but to emotional dangers, as well. He is constantly on guard against emotional vulnerability and interacts with others with a sharpness that leads to his symbolic identification with the many knives he shapes and carries.
Makoto is a dynamic character who is changed by his romance with Adena. Initially, Makoto closes himself off from Adena and tries to stay aloof, resisting any enjoyment of her gregarious chatter and her gentle, positive outlook. When she is harassed on the street, however, his response is protective. He finds that his “words are much softer than anticipated, as though she’s somehow coaxed the compassion out of [him]” (57). He goes out in search of the men who frightened her and risks his own safety to secure hers. Because of Adena, he eventually gives up his quest to save Hera, realizing that he is no longer willing to throw his own life away in a doomed effort to free her. After he receives gifts from Adena—the first in his life—he purchases his first gift for another person. He begins smiling for the first time, and for the first time he considers the possibility of a happy future.
Paedyn Gray is Adena’s best friend; the two have relied on one another for five years for companionship and survival in the harsh environment of Loot. Paedyn, unlike the other main characters in the story, is an Ordinary. She pretends to be a low-level Elite with psychic powers to stay safe in Loot, and she feeds both herself and Adena by stealing. Paedyn is a skilled fighter whom Adena has depended on for protection in the slums, and her strength is a source of comfort to Adena. Before the narrative begins, Paedyn rescues one of Ilya’s princes, Kai, from an attack and is selected to participate in Ilya’s Purge Trials as a result; this story is the focus of Powerless, the book that precedes Powerful chronologically in The Powerless Trilogy. Because of this rescue, Paedyn acquires the nickname “The Silver Savior,” a reference to her silver hair.
Paedyn is a headstrong, confident person who values honest talk and open-mindedness. She is the only woman at the Trial balls who does not wear the traditional green—instead, she has Adena make her several striking dresses in colors like silver and black. She is also an impressive person to whom others are attracted—she becomes a popular favorite after her rescue of Kai, and both Kai and his brother, Kitt, fall in love with Paedyn while she is in the castle. Although in her appearances in Powerful she is generally focused on her own situation in the Purging Trials, it is clear at the novella’s end how deeply she loves Adena. She is overcome with grief as Adena dies in her arms. Although Paedyn is a character well known to readers of the rest of the series, as the other books in The Powerless Trilogy are told from her point of view, she makes only minor appearances in Powerful. Most of the novella’s characterization of her comes from Adena’s memories of and thoughts about her.
The king and two of his sons—Kitt and Kai—each make a momentary appearance in Powerful. These characters are more significant in the other books in The Powerless Trilogy, but in Powerful they are flat, static characters that serve only to move the plot along and hint that there are dangerous palace intrigues moving beyond Adena’s understanding.
Adena encounters the first of these three royals in Chapter 11, when Prince Kitt comes to see her in the room where she is sewing Paedyn’s silver dress for the first Trial ball. Kitt is his father’s oldest son and the future king of Ilya. Adena has seen him laughing with Paedyn, and he jokes that if Adena knew he was coming to see her, she probably would have slipped away before he arrived. Despite his apparent lightness, however, he comments to Adena that he is “not as much fun as [he] used to be” (113) and makes it clear that he wishes Paedyn would wear green like all the other women so that she would not draw attention and offend others. He is humble enough to ask Adena’s advice about how to get Paedyn to like him more, as he is interested in her and suspects that she dislikes or disapproves of him. Kitt’s dark comment to Adena that “there is always someone looking closely” at everything he does indicates that he feels burdened by his own position at the top of Ilya’s society (115).
Ilya’s current ruler during the events of Powerful is only referred to as “the king,” although in other books in the series this character is identified as Edric Azer. Adena encounters him in Chapter 13, when she nearly runs into him in the castle hallway. She comments that “[e]verything about the king is large and looming,” and she feels that his “piercing gaze feels as though it might cleave [her] in half” (137). He has an intimidatingly deep voice, and his smile is “menacing at best” (137). He expresses great interest in Adena’s close friendship with Paedyn, and it is clear from his disappointed tone when he reveals that Paedyn survived the first Trial that he dislikes Paedyn greatly. He is cold and callous when he discusses the deaths of other combatants, indicating that the lives of his subjects are insignificant to him. This characterization is reinforced by Makoto’s assessment that the king would have him killed without a thought were he to discover Makoto’s Wielder abilities. The king’s arbitrary cruelty and disregard for the value of human life are confirmed at the story’s end, when he uses Adena as a target in the final Trial to hurt Paedyn.
The final member of the royal family that Adena meets in Powerful is Prince Kai. Kai is the only other living Wielder in Ilya, and he is being trained to be his brother’s Enforcer after Kitt takes the throne. Kai also takes part in the Purging Trials; given the low survival rate for contestants, this hints that his father views him more as a tool of power than as a beloved child. When Adena meets Kai in Chapter 17, he smiles at her and treats her kindly. She thinks that he is observant and appreciates that, unlike his brother, he seems to appreciate the way that Paedyn stands out from other women. He, too, is in love with Paedyn, and Adena thinks that he is well-suited to her friend, that they are “destined” for one another. Still, she is aware of his power and privilege, and she notices that he often has a “slight smirk” and that there is something “foreboding” about him.
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