logo

48 pages 1 hour read

Lauren Roberts

Powerful: A Powerless Story

Fiction | Novel | YA | Published in 2024

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Chapters 6-11Chapter Summaries & Analyses

Chapter 6 Summary: “Adena”

Three days later, Makoto wakes Adena with a plate containing a sticky bun, as he has every morning since the night he left to find the men who harassed her. She does not like to think about what might have happened that night, as the look on Makoto’s face when he left was troubling to her. Adena snuggles into the sweater Makoto has loaned her, enjoying the way it smells of him. She wonders why, when he is “the least soothing person [she has] ever encountered,” she feels so peaceful around him and so able to share her worries and concerns about Paedyn (62). Makoto demonstrates some knives he is working on, and Adena is openly impressed, telling him that, although she herself is not a fighter, she can admire this ability. He suggests that she learn how to fight, holding a knife to her ribs and asking her what she would do if confronted this way. When she tells him she would try to reason with her attacker, he realizes that weapons training will not succeed with Adena.

Makoto insists on teaching her to defend herself in another way; as he teaches her to throw a punch, she finds his proximity distracting. She wonders if he can hear her heart thudding, and she is concerned about how short a time she has known this annoying man she seems to be falling for. Intent on teaching her, Makoto calls her “Dena”; they both tense at the intimacy of the nickname, which, to Adena, “feels like a caress” (68). She thinks that Makoto is about to kiss her, but finally, he resumes the training.

Chapter 7 Summary: “Makoto”

On the following day, Adena giggles as Makoto tries to learn to sew in return for her agreeing to self-defense lessons. Makoto is frustrated both by his ineptitude with the needle and his growing interest in Adena. It is now two days before their mission at the castle. They go over their plan briefly. When Adena mentions how her mother taught her to sew, Makoto asks why Adena so rarely talks about anyone in her life besides Paedyn. In return, she points out that he never talks about Hera. He tells her that there is not much to say, feeling guilty that he is keeping a secret from Adena: he does not simply want to see Hera one last time—his actual intentions are “treasonous” (74). She asks about his family and mistakes his sarcastic depiction of them as “the friendliest bunch” for sincerity (75); she expresses a desire to meet them, one day, and he again feels guilty. Makoto feels that he brings tragedy with him everywhere and that, because Adena deserves a wonderful life, he should stay far away from her. He tells her that he doesn’t think they should see each other once their mission is over, and she is clearly hurt.

Trying to make up for hurting her, Makoto shares that he learned about weapons from watching his father, who was also a blacksmith. He then insists that they practice fighting again; in the process, he slips and calls her “Dena” once more. Makoto regrets this, as it feels as if he is claiming her and becoming too familiar. He tries to ignore the way her physical closeness makes him feel. Adena wonders aloud what Paedyn will wear to the ball that is held for Trial combatants, and he urges her to focus on her practice and stop talking about Paedyn. When Adena explains that Paedyn is all she has since her mother died, he feels terrible. She reminds him that he promised to spend a night in the Fort and asks whether she can at least know his full name. He declines to tell her, and she tells him that she will not tell him anything more about herself, in that case. Makoto feels that he already knows too much about Adena.

Chapter 8 Summary: “Adena”

On the day they have planned to go to the castle, Adena finishes the Imperial uniform and Makoto tries it on. Adena is uncomfortably aware of his bare chest as he dresses, and they share a moment of sexual tension as she slips the mask over his face. Adena, mindful that, after tonight, she will no longer have Makoto feeding and sheltering her, goes out to try to sell some of her sewing. She still does not understand why he refuses to see her after their mission to the castle; it is disappointing, because she enjoys his company. He is “not exactly a ray of sunshine” but more like “a moonbeam. Mysterious and unnerving. Equally as beautiful, but soft enough to stare at” (85). While she waits on her corner for customers, Adena dreams up a way for Makoto to carry a knife hidden under his uniform and begins working on her new design. One of the men who followed her in the street approaches; she tries to keep the interaction professional despite his leering remarks. Finally, she asks him to leave. When he refuses, becoming openly threatening, Makoto appears. Makoto holds the man and tells Adena to punch him, saying it is a part of her training. She does not want to, but Makoto asks her to think about what this man does to the women of the slum and what he might someday do to Paedyn. Without thinking, Adena punches the man in the mouth. Makoto lets the man go, congratulating Adena. She says she will never do it again, but she does accept Makoto’s offer of a celebratory sticky bun. While Makoto is gone securing the promised treat, an Imperial suddenly appears. He tells Adena that he has come to take her to the castle; Paedyn is waiting for her in a coach so that Adena can sew her dress for the ball.

Chapter 9 Summary: “Adena”

Delighted, Adena rushes to tell Makoto about the summons. When she tells him he will need to go to the castle on his own, however, he admits that he needs her nearby to phase through the wall. He is a Wielder, whose power is borrowing the abilities of nearby Elites. Supposedly, Prince Kai is the only Wielder in the kingdom; Makoto confirms Adena’s suspicion that this is because the king has anyone else suspected of having this power killed. He also admits that his real purpose is to get Hera out of Ilya. Adena is devastated when she realizes that this means he plans to leave her behind and attempt to flee the kingdom, likely sacrificing his own life to save Hera. Crying, she accuses him of lying to and using her. He tries to explain how important Hera is to him, but Adena leaves him, saying, “At least I had the decency to say goodbye” (98).

Chapter 10 Summary: “Makoto”

As Makoto watches Adena leaving in the coach, he thinks of her wiping away tears and trying to smile for Paedyn. He is sure that, just as he predicted when he first met her, his actions have broken Adena and dimmed her happiness. He feels that Adena, like Hera, has been stolen from him. He can sense the powers of each person in the crowded streets around him, and he feels suffocated. He has always been isolated and a potential target because of his abilities, and he immediately misses the feeling he had with Adena of being just like everyone else. He wonders if he should have let his father “finish what he started” on the day he “earned that scar” on his mouth (100), turning himself in as a Wielder instead of running to Hera for protection. Because of what he owes Hera, he is determined to follow through with his plans to rescue her—even though now he will have to do it by posing as an Imperial in full view of others. When he returns home, reminders of Adena are everywhere, and he is filled with regret and longing for a woman he thinks he does not deserve.

Chapter 11 Summary: “Adena”

In the castle on the night before the ball, a distracted Adena repeatedly pokes herself with her needle as she works on an elegant dress for Paedyn. She is surrounded with more luxury than she has ever experienced, but all she can think of is Makoto. Adena has been able to spend some time with Paedyn, in between Paedyn’s training and resting schedule, but now that the ball is close, she must spend much of her time alone, working on the dress. Alone, she has too much time to feel betrayed by Makoto’s lies and his obvious preference for Hera. She also worries about him—the penalty for treason is death, and if he is caught trying to escape with Hera, he will be convicted of treason. She also knows that he is right about what will happen should he be recognized as a Wielder. She wipes away tears.

The wall beside her shimmers, and Makoto phases through in his Imperial uniform. He tells her that he was in a nearby hall and sensed her power. He needed to see her, to explain himself, so he borrowed her power to phase into the room. Hera is his younger cousin, he says, and she ran away from home with him when he was 14. She has protected him ever since, allowing him to hide from discovery, and now he must save her. He admits to Adena that he has fallen for her and that he regrets every missed opportunity to tell her what she means to him. Adena desperately pleads with him not to try to remove Hera from the castle, as it will only lead to both of them dying. She is relieved when he accedes to her wishes. As he leaves the castle, he asks her to come see him when she returns to Loot.

Prince Kitt, Kai’s brother and the heir to the throne, enters the sewing room. Flustered, Adena curtseys and stammers out a greeting. He asks Adena to call him “Kitt” and tells her that he is concerned about Paedyn offending people by choosing to wear a silver dress instead of the traditional green. Then, he asks for Adena’s advice; he is trying to impress Paedyn and get her to notice him, but he thinks Paedyn actually hates him. Adena tells him that what matters most to Paedyn is honesty and open-mindedness.

Chapters 6-11 Analysis

Chapters 6-11 continue to develop Adena and Makoto’s relationship and explore how this relationship changes them both. These chapters also fill in more of the main characters’ backstories and employ foreshadowing to hint at events yet to come. These character arcs and plot developments support the story’s thematic claims about The Impact of Adversity on Relationships, The Pursuit of Power Versus Personal Integrity, and The Struggle for Personal Autonomy Within Oppressive Systems.

As Makoto and Adena’s relationship develops, Roberts continues to employ traditional romance narrative tropes such as the lover who feels unworthy and resists a relationship in order to protect their beloved from their personal defects. In these chapters, Makoto repeatedly resists his growing feelings for Adena, chastising himself for any slips of affection or intimacy. When he uses a nickname for her—“Dena”—he regrets it, because he does not want to give the impression that he is “claiming her,” and tells himself that he does not want “the familiarity forming between [Adena and himself]” (77). For reasons Roberts does not immediately reveal, Makoto feels that tragedy follows him and that he can only bring bad things into Adena’s otherwise sunny existence. He thinks that he is a coward and a terrible person who is destined to hurt her. Ironically, Makoto’s worry for Adena reflects a concern for others that evidences a strong moral code, underscoring the novella’s exploration of The Pursuit of Power Versus Personal Integrity.

Roberts develops Makoto and Adena’s romantic arc by placing them in situations that bring them closer together both physically and emotionally. Despite his intention of keeping his distance from Adena, Makoto offers her fighting lessons that involve close physical contact. During these lessons, he cannot help noticing her characteristic honey smell and the feeling of her hips under his hands. The two also bond over Makoto’s inept attempts to learn Adena’s special skill—sewing. Through these scenes, Roberts also injects humor into the narrative tone and demonstrates that the two can enjoy light-hearted moments together, despite the gravity of their circumstances. The exchange of fighting lessons for sewing lessons also symbolizes what the two can give one another when they embrace mutual vulnerability. Makoto helps Adena recognize and defend herself from the dangers of living in Loot, and Adena softens some of Makoto’s edges, helping him express his inner life more fully instead of simply shutting down any feelings that make him feel weak. Despite his growing connection with Adena, Makoto remains torn between his attraction to Adena and his fear of hurting her, highlighting The Impact of Adversity on Relationships. This push-and-pull dynamic builds tension and suspense around the eventual fate of the couple at the heart of the story.

Roberts’s use of foreshadowing contributes additional tension and suspense to these chapters. For example, Adena’s preoccupation with what Paedyn will wear to the Trial ball foreshadows her summons to the castle to sew Paedyn’s dress. Makoto’s constant thoughts about his own unworthiness create a sense of mystery around his true character and intentions, foreshadowing Roberts’s reveal about his deception of Adena and his true plans for the mission at the castle. His worries about how he might impact Adena by getting too close to her raise the tension around Adena’s eventual fate. His belief that she deserves “a fairy-tale fate, a fate worthy of her light” foreshadows her eventual death and transformation in the afterlife (75). Roberts’s use of the words “fairy-tale” and “light” points to the novella’s conclusion in which Adena will exist only as a star looking down with love on Paedyn and Makoto.

On the other hand, Roberts also resolves some of the tension and suspense created in earlier chapters, through the strategic use of Makoto’s and Adena’s backstories. Roberts explains the mystery of what happened to Adena’s mother and how Adena ended up on the streets of Loot fending for herself when Adena confides in Makoto about her mother’s death. Makoto finally explains to Adena how he, too, ended up taking care of himself in the slums at a young age. Roberts uses Makoto’s reveal of his Wielder abilities and his true plans to rescue Hera to clarify his resistance to a romantic relationship with Adena and internal conflict within their relationship. Adena feels badly hurt and betrayed by Makoto’s deceit and willingness to abandon her—a key moment in their romantic arc that threatens to destroy their relationship and another common plot device in the romance genre. The crisis passes quickly for Adena and Makoto, however, when Adena convinces him to abandon his plan to save Hera and leave the castle.

Makoto’s confession highlights both the growing intensity of his connection to Adena even as he continues to grapple with The Struggle for Personal Autonomy Within Oppressive Systems. He’s already so bonded to Adena because of what they have been through in their short time together that he is willing to cast his own plans aside in order to have a chance at a life with her, reflecting another common plot device of the romance genre—a shift in priorities and perspective as a result of love. To secure a relationship with Adena, Makoto must abandon Hera—not because he feels this is the right thing to do, but because, under the circumstances, it is the only practical choice.

blurred text
blurred text
blurred text
blurred text