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48 pages 1 hour read

Lauren Roberts

Powerful: A Powerless Story

Fiction | Novel | YA | Published in 2024

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Chapters 12-17Chapter Summaries & Analyses

Chapter 12 Summary: “Makoto”

Back at his forge, Makoto buries himself in physical labor to distract himself from the guilt he feels over abandoning Hera. There is a knock at the door; before he opens it, he knows it is Adena. He sweeps Adena into his arms for a hug. She reminds him that he promised to spend a night in the Fort, and they begin the walk through the streets of Loot. Makoto is shocked when he sees the assemblage of garbage that Adena and Paedyn have called home for five years. At Adena’s urging, he reluctantly shares more about his childhood. The unwanted child of desperately poor parents, Makoto began to display an unusual variety of powers when he was about five. Fearing what it meant to have a child with Wielder powers, his parents kept him locked up inside the shack they lived in. Hera, who came to live with them when Makoto was seven, was his only companion. Makoto’s father told him he was useless, just a mouth to feed who would never be able to contribute to the household. When his father began to drink heavily and abuse him physically, Makoto learned his self-defense skills. When he was 14, his father threatened to sell him to the king. Telling Makoto that he did not deserve to smile, his father swung a sword at him, creating the scar that still runs through Makoto’s mouth today. Afterward, Makoto and Hera ran away. Adena is horrified by the story. She comments that his father stole his smile, and Makoto says he will find it again, “Steal it back if [he] must” (130), so that he has a smile to give Adena. He tells her more details about himself: his full name, his likes and dislikes, and so on. Then he asks for details about her life, in return—and he smiles at her.

Chapter 13 Summary: “Adena”

Adena is back in the castle, talking to Paedyn’s maid, Ellie. It is a week later, and Paedyn is away from the castle, participating in the first Trial. Adena tells Ellie that she does not regret sneaking out to see Makoto every day; she has learned a lot about him, and no one seems to care where she goes, anyway, as long as she is back in time to make Paedyn’s next dress for the second ball. As Adena hurries out to go meet Makoto again, she nearly runs into the king. He silences her flustered apologies with a lifted hand and asks who she is. Upon learning that she is Paedyn’s seamstress and a close friend of Paedyn’s, he tells her that Paedyn survived the first Trial. Adena notes that he sounds disappointed. She asks who did die in the Trial, and when she learns that Hera is one of those killed, she is devastated—the king, by contrast, seems to care little about the deaths of two of his subjects. As he leaves her, he tells her that he is certain they will see each other again. Adena hurries to Makoto’s shop. He has already learned of Hera’s death, and he falls into Adena’s arms, sobbing. He tells her that it should have been him, not Hera, who died. When Adena tells him that she needs him, he tells her that he will only disappoint her.

Chapter 14 Summary: “Adena”

On a mission to bring back Makoto’s smile, Adena tries to teach him to skip, a skill he has never been able to master. He is predictably resistant, and they bicker good-naturedly about how different they are. Adena asks him why he was so sure that the man who harassed her when she was selling clothing recognized her from the previous harassment incident and was deliberately ignoring Makoto’s warning to stay away from her. He explains that he made the men he tracked down on that first night memorize her features so that they would know who she was and to leave her alone. She is grateful that he went to so much trouble and grateful that now, she can return the favor by being “[h]is bright spot within the bleak” (146).

Chapter 15 Summary: “Makoto”

On the day of the second Trial ball, Makoto reluctantly agrees to Adena’s suggestion that they stay in the uncomfortable Fort on the night of each ball, since she believes that it brought Paedyn luck in the first Trial. He is sad at the reminder that it has been two weeks since Hera’s death, but he tells himself that it is time to pull himself together: It is what Hera would expect him to do. He helps Adena redecorate the Fort in anticipation of Paedyn’s eventual return. Makoto thinks about how Adena is a guiding light in his life, now, and he does not want to return to stumbling in the dark without her. She asks him what it is like to be a Wielder with so much power; he tells her it is lonely, and they talk about the likelihood that he will be killed if his power is discovered, since the king has a long history of killing those who threaten his power.

Adena nervously gives Makoto the weapons belt she has been fashioning for him; he is impressed with its careful construction and functionality, and he favors her with the “smile reserved only for her” (155). He realizes that her excessive joy no longer bothers him—he simply feels privileged to be a part of it. She is saddened to learn that she is the first person to give him a gift, but he tells her that he knows he will have many more happy memories to look forward to with her in his life. When she lies down for the night, she comments on the beauty of the stars, and Makoto tells her that someday she will make the stars jealous because, a long time from now, she will be one of those stars, shining down on the people below. She makes him promise that when that happens he will be in the firmament beside her, because she does not want to be there alone.

Chapter 16 Summary: “Adena”

The next gift that Adena gives Makoto is a black vest like the green one she made for Paedyn. She has lined its pockets with leather so that he can stash knives there, if he wants, and stitched stars with “See you in the sky” in blue letters below one pocket. He says that this seems “ominous,” but she tells him to “think of it fondly” (162). Makoto wonders aloud about how one person can be so filled with goodness. He tells her that he calls her “honey” so often because “You are what you eat” and because he craves her sweetness (164). Adena is terrified of the depth of her feelings for him; she has no idea how to function in a romantic relationship and worries that she will do it wrong, somehow. She jumps back from his touch with the excuse that her bangs are poking her in the eyes and driving her crazy. Makoto offers to cut them for her; she squirms with fear at having the scissors so close to her eyes, but soon dissolves into giggles at how much the process tickles. When she comments that Makoto has perfect hair, he disagrees, saying that the streak of silver mars it. She runs her fingers through the silver streak and he pulls her close. Adena’s fear fades away, and she kisses him for the first time. He kisses her, then, more passionately, and she ends up in his lap. He smiles broadly, and she thinks that his smile is more intimate than any touch. They kiss a while longer, and then Adena tells him that she must return to the castle to finish Paedyn’s final dress. She reminds him that they will be spending the following night together, in the Fort.

Chapter 17 Summary: “Adena”

Adena is thrilled with the black dress she has created for Paedyn to wear to the third and final Trial ball. Because she was with Makoto on the night of the second ball, she was not in the castle when rebels attacked it that night; now, she notices how many extra Imperials are on duty for the final ball. As she admires the dress she is carrying and thinks about how very soft the castle’s carpet is, she does not watch where she is headed, and she bumps into Prince Kai. She thinks that he is very attractive, and that Paedyn is a lucky woman. He recognizes her as Paedyn’s seamstress, since Paedyn is the only woman wearing a color other than green to the balls. Adena notes that, unlike his brother, he is unbothered by Paedyn’s unconventional choice. This makes Adena sure that Kai is a better choice for Paedyn than Kitt. When he tells her that she will get around the castle faster if she phases through walls, she suddenly remembers that he is a Wielder and therefore a danger to Makoto.

When Adena proudly presents the dress to Paedyn, Paedyn comments that she may have done her job a little too well: The dress will certainly draw attention. Adena and Ellie tease Paedyn that Kai will fall to his knees when he sees her, and she blushes. When she learns that Adena talked to Kai about her in the hallway, she is embarrassed. Paedyn hints that some disagreement related to the ball has come up between her and Kai, but she will only agree to fill Adena in after the next Trial, when her head is clearer. As Adena wrestles Paedyn into the dress’s tight corset, she tells Paedyn that she is taking full advantage of what might well be her last chance to dress Paedyn in something so fancy. Paedyn tells Adena that, after she makes it through one more Trial, they will both be free. Adena happily exits, eager to spend the night with Makoto in the Fort. On her way out, however, a servant intercepts her, saying that the king would like to see her.

Chapters 12-17 Analysis

Roberts increases the narrative cadence in Chapters 12-17, advancing the story’s plot more quickly than previous chapters as the narrative builds toward its climax. This rapid pace also accelerates the development of Adena and Makoto’s relationship and demonstrates their growth as people. As Adena and Makoto open up more fully to one another, Roberts resolves the last remaining mysteries of their backstories as their individual resistance to romance falls away. Roberts replaces the resolved tension around their development as a couple with the intrigue of the internal politics of Ilya that threaten Adena and Makoto’s survival and the romantic possibilities that Roberts has built over the first three quarters of the story.

In contrast to the previous sections of the narrative that primarily center Adena and Makoto’s verbal sparring, their confessions of love for one another create a dramatic shift in their dynamic. Adena and Makoto’s relationship enters a new phase of rapid development in which they are more comfortable with one another’s quirks and Makoto is able to relax enough to open up to Adena more fully. Where Makoto has previously remained guarded about his past, his attraction to Adena, and his real intentions, Makoto finds himself able to tell Adena more about his history, cry in her arms when Hera dies, and open up about the loneliness of being a Wielder. Adina teases Makoto fondly about his dour expressions and gruff tone, knowing now that they cover a gentleness he’s been forced to hide from the world.

Hera’s death represents a temporary setback for Makoto’s growth as a character. Once again, he is swept back into self-loathing and fears about hurting Adena. However, within the shifted dynamic of their romantic relationship, Adena feels confident reaching out to him, making a project out of getting him to smile and encouraging him to share his feelings with her. Soon, Makoto finds himself able to manage his grief effectively and re-engage in his relationship with Adena. The ways in which both Makoto and Adena revisit previous patterns of behavior highlight the lasting impact of their traumatic experiences and the ongoing process of healing and growth. For example, there are times when Makoto still tenses at Adena’s closeness, unused to the vulnerability of trusting that another person finds him worthy of love. Adena, too, feels frightened by the depth of her unfamiliar feelings for Makoto. These moments of create narrative tension in their romantic arc by delaying the inevitable first kiss, which takes place in Chapter 16.

As the question of whether Adena and Makoto will get together is finally resolved, Roberts shifts the narrative focus to external conflicts in the world outside the young couple, foregrounding The Struggle for Personal Autonomy Within Oppressive Systems through the lens of their romantic connection. As Adena interacts with Ellie, Paedyn, and members of the royal family, Roberts reveals tensions brewing behind the scenes. For example, through Adena’s interactions with Kai and Paedyn, Roberts reveals the conflict over Paedyn between the two royal brothers. Adena’s meetings with the king in Chapter 13 and Chapter 17 foreshadow his plan to use Adena to hurt Paedyn, shoring up his family’s power. In their first meeting, Roberts makes it clear that the king dislikes Paedyn, increasing the narrative tension when Adena reveals how close she is to her friend. The larger machinations of Roberts’s world that helped to bring them together now threaten to tear them apart, highlighting The Impact of Adversity on Relationships.

Even as Adena and Makoto affirm their feelings for each other, Roberts uses metaphoric language and imagery of light to foreshadow the bittersweet conclusion of their romantic arc—Adena’s death and eventual incarnation as a star. Adena calls herself a “bright spot among the bleak” (146), Makoto calls her the “light” that guides him (151), and describes “the sun [warming] her skin, as though she [is] meant to be cloaked in light” (152). Given how short Makoto and Adena’s time together is destined to be, Roberts imbues Makoto’s comment about looking forward to many years of good memories with Adena by his side with irony. Similarly, Roberts peppers the couple’s confessions of love with allusions to Adena’s death. When Adena expresses her admiration of the stars, Makoto replies that he is sure the stars envy her, “because one day—far from now—[she] will be up there beside them, outshining every single one” (159). He also calls the message she stitches into his new vest—“See you in the sky”—“ominous,” a sentiment that proves true (163). When Adena tells Paedyn that helping her into the black dress may be her last chance to dress Paedyn up, she’s referring to Paedyn leaving the castle and returning to the slums but, in the context of the narrative as a whole, her words foreshadow her own death.

As the narrative builds toward its climax in the final section, the king’s comments about the Trials demonstrate how little he cares about the lives of his subjects, highlighting the novel’s thematic interest in The Pursuit of Power Versus Personal Integrity. The king represents the embodiment of oppressive power that seeks only to reify itself. His power and privilege insulate him from the consequences of his actions, and people like Adena, Makoto, Hera, and Paedyn are little more than pawns on a chessboard to him. Within the narrative, Roberts clearly differentiates between the king’s perspective on power and Makoto’s view of his abilities. As a Wielder, Makoto is capable of sensing and using the powers of everyone around him—an ability he chooses not to exploit to preserve the autonomy of others, highlighting his personal integrity. Instead, he lives the humble life of a blacksmith and does his best to keep his power under control—powers he considers more of a burden than a blessing. The one ability that he does choose to use consistently is not a magical one: He has well-developed fighting skills and an intimidating presence—traits he uses not for himself but for others, such as when he stops the men from harassing Adena in the street.

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