51 pages • 1 hour read
Joan DidionA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
After Maria is arrested in Las Vegas, she calls Freddy, who flies out to Las Vegas and gets the charges dropped. On the plane, Maria vomits and releases all of the negative emotions she has been carrying. Freddy expresses his concern for what he calls her “very self-destructive personality structure” (156), but Maria laughs it off.
Helene visits Maria and tells her that she heard about Maria’s “baroque morning after” from Carter (157), who heard about it from Freddy. Maria tells Helene that she is fine, and Helene says: “Of course. You’re really on top of it. I mean for example there’s nothing at all peculiar about hiding under the covers shaking at three o’clock in the afternoon” (158).
Later that day, Maria receives a letter from Benny, who writes that he would like to give her some of her father’s things. He includes a phone number that belongs to his next-door neighbor, where Maria can reach him.
That night, Maria parties with Helene, BZ, and the Goodwins. Afterward, BZ and Helene take an incoherent Maria back to their hotel room, and as Maria falls asleep, she has a faint “ugly” memory of what BZ and Helene are doing.
Maria calls Benny from the Sands casino in Las Vegas, but the number he gave her is no longer in service. She tries to deliver a letter to his post office box, but the woman who owns the box is suspicious of Maria and claims not to know Benny.
Maria walks around Las Vegas in a fog. After two weeks, she runs into Freddy. He invites Maria to a party, but when Maria asks the hotel desk for the room number, they refuse to show her in, thinking she is trying to crash the party. A bellboy who delivers Maria’s room service offers to take her to a party, and Maria agrees, but after he leaves her room, she drives back to Los Angeles.
Carter comes to see Maria at BZ and Helene’s house. He seems genuinely worried about her, noting that she looks like she weighs around 82 pounds. He tells her to come out to the desert with him where he is filming another project. Meanwhile, BZ and Helene are fighting.
Maria turns down Carter’s invitation to go to the desert. When she gets home, she finds Ivan in her house. Maria tells him to leave, but he insists she sleep with him. When she says no, he rapes her.
Ivan returns the next morning, saying “You don’t have to crack up over this […] You used to tell me you’d do it for me until you died” (181). Maria tells Ivan she doesn’t feel that way anymore, and he leaves.
Later that day, Maria calls Les asking for help, but he does not take her seriously. Feeling like she has no other option, Maria drives out to the desert.
Maria recalls the malicious letters she received after marrying Carter. She says that now she knows “when someone is thinking of me” (183), but she has learned how to deal with it.
In the desert, Maria and Carter try to sleep in the same room, but they are still too angry. Carter becomes violent and yells at Maria: “Go to sleep. Die. Fucking vegetable” (185). When Maria comes to the set the next day, Carter tells her to leave because she is making the lead actress, Susannah Wood, nervous.
Las Vegas symbolizes vice and debasement in the novel, and Maria exhibits her most self-destructive behavior there, consorting with Larry and even a casino bellboy. Maria cannot break this destructive cycle, and when she returns to Beverly Hills, she must contend with Ivan's violence. She must also deal with Carter, whose attempts to help Maria reveal themselves to be just another method of controlling her. A longtime victim of abuse, and someone whose needs weren’t validated in childhood and young adulthood, Maria lacks self-esteem and feels powerless. She continues to look to the men in her life for direction, even when they are abusive.
Maria also relies on men because she lacks supportive female friends. Helene is the only consistent female presence in Maria’s life, but she is not willing to support Maria emotionally. Maria’s lack of female emotional support is all the more isolating because, after Maria’s abortion, she “had moved into a realm of miseries peculiar to women” (61). Even a sympathetic male friend may not have been able to understand or empathize.
Didion continues to have the narrator withhold information to increase its impact once it's revealed. When Helene says that Maria was hiding under the covers shaking after her arrest, something the narrator doesn’t mention, Maria’s shaky physical and emotional state comes to the fore.
By Joan Didion