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Ngũgĩ wa Thiong'oA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Ngũgĩ wa Thiong’o is a Kenyan author and essayist who writes frequently about the people of Africa and their oppression under colonialism and neocolonialism after their freedom from European control. As a firm believer in the advancement of Kenyan culture, Petals of Blood was his last novel written in English, and he chose instead to write future novels in his native Gikuyu. He published his play Ngaahika Ndeenda in 1977 and was subsequently imprisoned for a year due to its critique of the Kenyan government. After this, he fled Kenya for the United States. He currently teaches comparative literature at the University of California, Irvine.
Ngũgĩ is one of the leading theorists in the field of postcolonial studies, particularly in the field of language. His nonfiction text, Decolonising the Mind: the Politics of Language in African Literature (1986), explores the idea of language as a weapon, both for the colonizer who imposes its own language on its subjects and for the colonized as a way to subvert the colonizer’s control. The problem of writing in postcolonial nations is complicated; writing in one’s native tongue subverts colonial control and encourages the use and development of their native language, but it is difficult to gain popularity and recognition—and thus readership—if one does not write in a globally accessible language.
Petals of Blood, although written in English, conveys some of Ngũgĩ’s most important ideas regarding neocolonialism and the advancement of postcolonial nations. The text explores not only the issues that these nations face such as corruption and poverty, but also presents potential solutions through Karega, who models appreciation for Kenyan oral history, resistance to oppression in the workplace, and the advancement of Kenyan culture while shedding its European influence.
The Mau Mau Rebellion was a war between Britain and the Kenyan Land and Freedom Army (KLFA), often referred to as the Mau Mau, that lasted from 1952 to 1960. The Mau Mau was made up of Kenyans who resisted colonial control and fought for Kenyan independence, not only against British citizens but also European colonists and even Kenyans who supported British control. In 1956, the Mau Mau’s leader, Dedan Kimathi, was captured and eventually executed along with several leading members of the Rebellion. Despite this, factions of the Rebellion continued to fight, costing Britain time, people, and money until it was no longer viable to maintain control of Kenya. Britain granted Kenya its independence in 1963.
Although a year is never given, the novel’s events take place shortly after the end of the Mau Mau Rebellion, only a few years into Kenya’s independence, and with characters who lived through the rebellion. As a result, the characters still struggle with establishing their identity as Kenyans and the lasting effects of colonial rule and foreign influence. In particular, Abdulla fought in the Mau Mau Rebellion for the KLFA and lost a limb as a result. When he comes to Ilmorog, he is treated as a stranger and spends the first part of the novel feeling as though he does not belong, with remnants of anger and frustration from the war that he often takes out on Joseph.
By Ngũgĩ wa Thiong'o
African American Literature
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African Literature
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Challenging Authority
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Class
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Class
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Colonialism & Postcolonialism
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Colonialism Unit
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Education
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Nation & Nationalism
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Power
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