75 pages • 2 hours read
Akwaeke EmeziA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Pet pushes Jam to get more information from Redemption about Moss, but Jam insists that they give Redemption time to calm down. After a while, Redemption tells Jam how Moss panics if anyone bathes him except their mother. Redemption recounts strange things that Moss says sometimes and the many bruises that Moss has. Redemption begins to feel rage that someone is hurting Moss. Pet is stirred into action by this rage, and Pet and Redemption become eager to hunt the monster and to hurt and kill it. Jam, shaken by their violent intentions, attempts to calm them down and suggests that they report the monster. Jam convinces Redemption to come to her house instead of returning to his own home. Jam scolds Pet for being reckless in hunting the monster. Pet begrudgingly agrees with her. At Jam’s house, they pretend nothing is wrong at dinner with Bitter and Aloe. While Jam is upstairs taking something out of the laundry for her mother, Redemption runs out of the house. Jam checks her phone and listens to a voice message from Redemption. Redemption has realized that Jam knew that the monster was in his house all along. Redemption blocks Jam’s phone number, and her apology message fails to go through.
Jam stands outside her house, communicating with Pet telepathically about what to do next. Though she wants to go after Redemption, Pet tells Jam to go back inside the house so as not to worry her parents. That night, while her parents think she is in bed, Pet teleports Jam straight into Redemption’s house. As long as Jam holds Pet’s hand, they are both invisible. Pet and Jam watch as Redemption tries and fails to gather his courage to talk to his parents about Moss. Redemption goes to speak to Moss instead, and Jam insists that she and Pet wait outside, believing that Moss deserves privacy.
Hours later, Redemption calls Jam crying. After talking to Moss, Redemption tried to tell his parents about the abuse, but they did not believe him. Redemption and Jam apologize to each other. Jam promises that she will never lie to Redemption again. Redemption tells Jam that Moss was too terrified to talk out loud about the abuse, so Redemption encouraged Moss to draw or write the name of his abuser. Moss drew a hibiscus, indicating their Uncle Hibiscus as the abuser. Redemption thought that the drawing would convince his parents, but they insisted that monsters no longer exist.
Jam tells Pet that the monster is Hibiscus, Moss and Redemption’s uncle. Redemption’s rage is stoked by Pet’s desire to hunt the monster. Jam tries to figure out a way to keep things under control. Redemption knows the details of what happened to Moss, but he doesn’t tell Jam. Redemption wants to kill Hibiscus but Jam calms him down enough to agree on a compromise. Redemption calls Hibiscus, who is Redemption’s fighting trainer, and pretends to have suffered an injury while practicing an advanced move. Hibiscus hurries over and finds both Redemption and Jam in the basement. When Redemption confronts Hibiscus for what he’s done to Moss, Hibiscus feigns ignorance. Pet, invisible, tells Jam that it will not allow any harm to come to her or Redemption. Hibiscus says that he won’t train Redemption any more, furious that Redemption called him “a false angel. A traitor” (147). Redemption calls Hibiscus a monster.
Hibiscus and Redemption’s verbal altercation turns physical when Redemption hits his uncle in the face. Jam runs to help her friend and Hibiscus grabs Jam by the wrist, hurting her. Pet throws Hibiscus against the wall and Jam tells Pet to stop before it kills him. They speak telepathically. Pet is convinced that it must kill Hibiscus to complete its mission. Pet does not believe that humans can learn from their mistakes; it resolves to hunt down and kill every new monster that comes into being. Pet insists, “I will cleanse, and when another like him comes, another of me shall come as well, and we will cleanse again” (152).
Jam argues that people will have a chance to learn and protect their children if they let Hibiscus live and his crimes are revealed. Redemption says that he will kill Hibiscus if Pet does not. Hibiscus cries and apologizes, saying that he tried to fight his urge to do harm for a long time. Jam’s faith in humans’ ability to learn and change convinces Pet not to kill Hibiscus. Pet ties Hibiscus up and breathes yellow smoke into his face, which ensures that Hibiscus will confess. Pet warns Jam and Redemption to look away, then unfurls its gold feathers to reveal its true face to Hibiscus in a flash of blinding light. Pet tells Jam, “DO NOT BE AFRAID” (157). Jam realizes that Pet is an angel from the old religious books. Hibiscus screams. Jam does not move or open her eyes until Redemption shakes her. They find Hibiscus shaking and crying, his eyes burned out of his skull. Glass, Bitter, Aloe, and Redemption’s parents arrive. Aloe carries Jam home, intent on protecting her.
All of Lucille shows up for Hibiscus’s trial, but Pet does not appear. Glass reveals that she has always known that Hibiscus abused children. Malachite calls Glass a monster for allowing Hibiscus near Moss and Redemption. The human angels of Lucille launch investigations and put policies and programs in place to ensure that everyone will be on the lookout for monsters, and no longer insist that monsters are extinct. Jam and Redemption tell the angels the truth about Pet. Bitter tells Jam that the angels were helped by creatures like Pet during the revolution. That night, Pet comes to tell Jam goodbye. Jam is scared that there are more monsters in the world, but Pet tells her to remember its words on the night of the hunt. Jam repeats, “do not be afraid” (165), and Pet smiles and disappears before her eyes.
The final section of Emezi’s Pet reveals the identity of the monster that has driven the action of the novel and completes the arc of revealing what is unseen in Lucille. Hibiscus, the novel’s primary antagonist and Moss’s abuser, represents the failure of the Lucille community to protect itself by refusing to admit that monsters may still exist. Emezi parallels Moss, Jam, and Redemption’s loss of innocence with the moral awakening in the town of Lucille after Hibiscus is caught. In a character arc, the loss of innocence is often a marker of the transition from childhood into adulthood, and frequently portrayed as bittersweet but inevitable. Emezi’s depiction of the loss of innocence is tied to seeing and knowing what lurks beneath the utopian surface of Lucille. The initial refusal of Lucille’s adults to overcome their complacency places those most vulnerable in their community at risk, robbing children like Moss, Jam, and Redemption of their innocence as a result. Emezi portrays innocence as a form of ignorance, yet simultaneously suggests that the knowledge of evil is necessary to protect innocence. Through this paradoxical relationship between knowledge and innocence, Emezi presents utopia not as a constant state to achieve, but as an ideal that must constantly be fought for and protected. By the end of the novel, Lucille and its angels are shocked out of their ignorance and realize that they must first acknowledge the existence of monsters in order to protect potential victims.
Emezi highlights the importance of safeguarding the most vulnerable members of society, but also the difficulty of doing so in a responsible manner. Emezi writes, “It took another week for Lucille’s angels to come to a resolution: how to rehabilitate Hibiscus and Glass, what amends they would have to make, what the city would have to change so this didn’t happen again” (162). Both Pet and Redemption want to enact justice individually by killing Hibiscus, but Emezi portrays justice as the responsibility of the entire community. While killing Hibiscus may have been emotionally satisfying to Redemption, Emezi argues through Jam that rehabilitating Hibiscus and engaging the entire town in his and Glass’s rehabilitation will prevent more future harm. Emezi equates justice not with the punishment of individuals, but with total harm reduction for the community.
By Akwaeke Emezi
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