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81 pages 2 hours read

Sara Pennypacker

Pax

Fiction | Novel | Middle Grade | Published in 2016

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Chapters 22-24Chapter Summaries & Analyses

Chapter 22 Summary

Peter creates a surprise show for Vola, not the Sinbad she expects. He decides to put on a production, where Vola is actually the main character: “She was all wrong about being too dangerous to be near people. […]The problem was that no one knew her. Except maybe him” (198). Vola comes into the barn and Peter sees that she is dressed up; she is wearing a long, purple skirt and has actually combed her hair. Vola is amazed at the stage and tells Peter that he has the makings of a woodworker. He suddenly grows afraid that his plan is a terrible idea. He opens the play by saying “This is the story of a girl” (199). He has the puppet shoot a rifle, he unscrews her leg, and makes her climb into the nest, officially making her the bird. He tells her story. The story of a woman who goes to war and then moves into a house with apples.

Vola doesn’t make a sound. Peter then puts a child puppet beside the fox he made: “He had her bend low to the child, then turn the curtain and stroke the fox. And then he pulled the curtain” (200). He sees tears streaming down Vola’s face. He tries to comfort her by saying “I’m sorry. I only meant… You’re not a grenade, you’re good” (200). Vola tells him to leave her alone, and he tells her it’s stupid to waste her life living in isolation as some form of punishment. He says maybe she would be better off as a teacher. He then says, “I’m just saying that whatever bad thing wrecked you before, you could start over like the phoenix” (201).

Peter leaves and decides he doesn’t regret what happened and decides to light a fire for Vola so that when she comes back into the main house she won’t be in the dark. When he uncrumples a piece of newspaper, he sees a heading that reads “Forces prepare to engage. Area to be evacuated” (202). He realizes it’s only five miles from where he left Pax. Vola comes inside.

Peter tells her, “I didn’t remember what was right and what was wrong when I left Pax. But now I do. Now I know I need to go there” (204). Vola says the bus driver who’s been mailing Peter’s letters has a special route, and if Peter goes to the last stop tomorrow, it will shave 250 miles off his journey. Peter would just have to cover 40 miles on his own. Peter is grateful for this new plan and says he agrees, but only on three conditions.

Chapter 23 Summary

Pax heads to the war human food tent and sees that there is no easy meat hanging for him to grab. He decides to go after cheese until a familiar scent stops him—peanut butter—Pax’s favorite food. He smelled it coming from a garbage can. He tries to get inside, but the lid falls loudly. A flashlight shines out from the tent, right on him. Pax freezes until he recognizes that it’s the boy’s father. He sees Pax and laughs gruffly. Peter’s father motions for Pax to go through the tent.

Pax goes through the tent and doubles back to guard Runt and Bristle. Runt is very much the worse for wear, “Pax saw that his lips were cracked and his eyes sunken” (211). Pax realizes that Runt needs water. He and Bristle wonder if it will even be possible to take Runt to the stream. Runt tries a few times to get up and fails. The only thing he can do is lean against his friends. They take him to get water. Runt sees a deer at the water’s edge and is intrigued: “At its edge, he lifted a hoof. As he set it down, the earth rocked and the grass blew…. Runt screamed in terror at the quaking ground.” Bristle calls to both Runt and Pax that they need to leave, but Runt doesn’t acknowledge his sister. That’s when they realize, he can’t hear them.

Chapter 24 Summary

Peter agrees to Vola’s new plan on three conditions. Condition Number One: Vola must now wear her prosthetic leg instead of her wooden one. Together, they burn Vola’s wooden leg, as Peter believes she wore it all this time as a form of self-punishment for the things she did in the war. They sit together and watch it burn; Vola is the first to leave.

The second condition is that they take all of Vola’s puppets to the library so others can appreciate her craftsmanship, and the marionettes can bring people joy. Vola tells him they’re going to the library together on a tractor and that she has something special for him: a baseball bat. Peter tells her he doesn’t need it, but Vola says “I think you do, maybe when you get where you’re going, you’ll figure out why” (216).

As they’re leaving, Peter looks at the newspaper clipping he found earlier and sees the date. Peter is horrified. “He knew!” (217). The newspaper is 12 days old, so his father knew about the landmines and the wires when the two of them left Pax on the side of the road. Vola says she can tell that he’s angry. Peter says he doesn’t get angry because he’s not like his father ad anger is too dangerous. Vola replies: “Feelings are all dangerous. Love, hope! Ha! Hope… you talk about dangerous eh?” (218).

Peter asks just once for her to give him some real wisdom, some real advice without him having to figure everything out on his own. She gives him a blank card. He doesn’t understand, but she promises that on a trip like this, he will find the wisdom to fill the card himself. She again refers to two but not two and says, “you may be on your own. But you won’t be alone” (220).

Peter’s final condition is that Vola come to the library twice a week to teach the young children there to play with the marionettes. As they’re leaving the library, Peter passes by the shortstop he spoke to a few weeks earlier and asks how his team did. He sees Peter’s crutches and assumes that’s why he didn’t see him at the game but is still rude to Peter. Peter is filled by a sudden panic and impulse to communicate with this boy on a very, deep human level. He says, “Wait, you know when you’re on the field… and the glove turns into part of your hand, and you know you’re exactly where you should be? That feeling, do you think that’s peace?” (224). The young boy is standoffish at first, but then, at the edge of the parking, he turns back to Peter, lifts his hands in a peace sign. Peter returns the sign.

Vola takes Peter to the bus driver and tells the man that Peter is family and for the driver to take good care of him. Peter is shocked and says, “I’m family?” Vola responds “That’s as true a thing as any I’ve ever known” (227). She says she’s going to leave the porch door open for him. The bus takes off.

Chapters 22-24 Analysis

Peter is the catalyst for Vola’s puppets to go from isolation to real living, mirroring Vola’s transformation since his arrival: “Her amazing puppets were going to live now. Really live, out in the real world, not just exist to perform as some kind of penance” (221). At first, Vola is uncomfortable around young children, but one little girl touches the feathers at Vola’s neck and then her own necklace, and for a moment, Vola feels a kinship and a oneness with this little girl, Two but not two. Peter’s condition forces Vola to release the guilt she’s been carrying around for 20 years, personified by these puppets.

The Shortstop and Peter also share a moment of peace by a recognition of a common, mutual love of baseball, even though they’re on separate teams, coming from separate sides. This recognition is another important aspect of Pax, as Vola wondered if the man she killed might have had some very meaningful things in common with her, even though they were on different sides. The message seems to be that we all share the experience of being alive, and that’s the deepest, most fundamental connection there is.

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