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The Furies have chased Orestes to the temple of Apollo in Delphi. The Pythia (the priestess of Apollo) offers a prayer. Trying to enter the temple, she is confronted by the sight of Orestes at the suppliant’s seat, encircled by sleeping Furies. She is shaken by this sight and concludes that Apollo must deal with this himself.
Apollo stands over Orestes. Vowing to protect him, he has cast the Furies, who he regards with disgust, into sleep. Apollo instructs Orestes to go to the Citadel of Athens, and bids Hermes to escort him. He vows that “we will devise the master-stroke / that sets you free form torment once and for all” (84-86). Orestes and the gods leave.
The ghost of Clytaemnestra enters, angry at the chorus of Furies for sleeping. She berates them for letting Orestes get away, despite all of the sacrifices she made and rites she performed for them when she was alive. Her words make their way into the Furies’ sleeping minds until the leader awakens. Clytaemnestra vanishes. The leader awakens the others, and they are outraged to see Orestes is gone.
The Furies berate Apollo for aiding Orestes. Apollo returns, clad in full armor, threatening that he will shoot them with arrows if they don’t leave the sanctuary. The leader claims the whole situation is Apollo’s fault for commanding Orestes to kill Clytaemnestra in the first place. The Furies vow to avenge Clytaemnestra; Apollo vows to purge Orestes of guilt in a trial presided over by Athena.
Orestes, attended by Hermes, kneels in exhaustion, before the Athena’s idol in the Parthenon of Athens. He clings to the statue in supplication, awaiting his trial. The Furies enter and berate Orestes for clinging to Athena and attempting to avoid punishment. Orestes is unmoved. He claims he has already begun the rites that will purge him of his crime, and he calls on Athena for aid. The Furies sing a song to bind Orestes; the song describes their role in the world as punishers of wrongdoers.
Athena enters the temple; she has just come back from Troy after hearing Orestes’ cry for help. She asks Orestes and the Furies who they are, then checks herself for needlessly calling strangers into question. The Furies explain the situation; the leader defers to Athena’s judgement because she showed them respect. Athena gives Orestes the opportunity to explain himself.
Orestes explains that he has already undergone rites that have rid him of pollution. He explains his lineage and his crime; he says, “Apollo shares the guilt—/ he spurred me on, he warned of the pains I’d feel / unless I acted” (479-481). Athena is uncertain if she can fairly judge on the matter. She recognizes the merit in Orestes’ case but also acknowledges the rights of the Furies. She decides to “appoint judges of manslaughter, / swear them in, and found a tribunal here / for all time to come” (497-499). She invites the two parties to summon their witnesses while she selects a jury. Athena’s decision incites the Furies’ anger.
The trial takes place at the Aeropagus, a rock outcropping near the Parthenon. Athena calls the trial to order, and the participants take their places. Orestes moves to the Stone of Outrage, while the chorus of Furies reconvenes at the Stone of Unmercifulness. Apollo appears as Orestes’ witness.
The leader of the Furies cross-examines Orestes. Apollo swears, on his infallible power of prophesy, that he instructed Orestes to kill Clytaemnestra; it was the will of Zeus. Apollo describes the ignoble death of Agamemnon and says that Zeus values a father’s life over a mother’s. The leader counters by noting that Zeus “shackled / his own father, Kronos proud with age” (648-649). Apollo counters by saying Zeus can break any chains, but he cannot undo death. He contends that women merely nurture a child within them; life itself comes from man. He uses Athena, who sprouted from Zeus’s forehead, as an example. Apollo concludes by promising Athena that Orestes and his descendants will forever be her allies. Apollo and the leader rest their cases and bid the jury to cast their lots.
Athena decrees this trial to be the beginning of the Athenian justice system. Trials by jury will emulate Orestes’ trial, and she urges her people to never deviate or change this law. The judges cast their votes.
The leader of the Furies warns the judges, “Beware. Our united force can break your land. / Never wound our pride, I tell you, never” (726-727). Apollo warns the Furies not to disrespect his or Zeus’s oracles. The leader is not disturbed by Apollo’s threats; she cites instances of the god’s failings.
Athena casts her vote for Orestes: She takes the father’s side because she had no mother. Orestes and the Furies anxiously await as the votes are tabulated. Athena declares, “The man goes free, / cleared of the charge of blood. The lots are equal” (767-768). Hers was the tiebreaking vote.
Overjoyed, Orestes makes a solemn oath to Athena and the city of Athens: Argos will never wage war on Athens. If the Argive people forget this oath, Orestes will punish them, even if it is from beyond the grave. He leaves, followed by Apollo, leaving the Furies reeling.
The Furies blame the younger gods for overturning their birthright of punishing wrongdoers. Athena reassures them that the trial is just and that the Furies suffered no disgrace by Orestes’ acquittal. She promises the Furies that her people will revere them. Gradually, Athena is able to convince them to become guardian deities in Athens, where they will be treated with great reverence by the mortal Athenians. Athena summons the women of the city to dress the Furies in robes of red. Athena leads the Furies and the women, who sing a song honoring the Furies, out of the theater and into the city.
The action of The Eumenides depicts the redemption of the House of Atreus, the pacification of the Furies, and the triumph of justice over vengeance through the establishment of a new judicial system. The Eumenides includes several unique features among the plays of The Oresteia, including a drastically changing setting and a chorus that is active, participatory, and integral to the action.
The action moves from Delphi, where Orestes seeks protection from the Furies, to the temple of Athena at the Parthenon in Athens, where Orestes arrives as a supplicant to Athena. Whereas the choruses in Agamemnon and The Libation Bearers were largely powerless (made up of impotent old men in the former and enslaved women in the latter), the Furies of The Eumenides take the active role as the play’s antagonists. They actively pursue Orestes, nearly come to blows with Apollo, and threaten to curse the land of Athens, prompting Athena to appease them. By the end of the play, the Furies are either replaced by or subsumed into a new chorus of Athenian women.
Absent from the first two plays of The Oresteia, though integral to their plots, Apollo finally makes an appearance in The Eumenides. The main source of conflict in this play is the trial of Orestes, in which Apollo pits his logic against the Furies to determine Orestes’ fate. Apollo makes good on his word to protect Orestes and ensure he gets a fair trial. He is openly dismissive and disgusted with the Furies, frequently voicing his distaste. The Furies, in turn, accuse Apollo of treading on their divine jurisdiction as entities of vengeance. Born of the Goddess Nyx, the ancient embodiment of night, the furies are older than most, if not all, of the gods of Mount Olympus, including Apollo and Athena. They have been given their mandate by the Fates and are furious that another god should try to intervene in their affairs. After Orestes is acquitted, they lament in a refrain repeated several times, “All’s lost, our ancient powers torn away by their cunning, / ruthless hands, the gods so hard to wrestle down / obliterate us all” (886-88). By replacing vengeance with justice, Athena’s trial system essentially blots out the Furies’ traditional role. However, Athena grants them a new position as protective spirits of Athens. This new status makes them objects of worship rather than fear.
While the Furies are spurred on their mandate, they are not impartial judges of transgressors. They do not consider the extenuating circumstances behind Clytaemnestra’s murder, prompting Athena to accuse them that “you are set / on the name of justice rather than the act” (442-443). The trial not only clears Orestes’ name and ends the curse on his bloodline, but it also serves to ensure justice, in the form of trial by jury, replaces the cycle of vengeance that led to the deaths of the characters in The Oresteia, including Agamemnon, Cassandra, Clytaemnestra, and Aegisthus. Athena sanctifies the trial process, telling the men of Athens that “Now and forever more, for Aegeus’ people / this will be the court where judges reign” (695-696). She continues, warning them “Never pollute our laws with innovations” (706-707). Aeschylus uses Athena’s blessing and warning to establish a mythical, divine foundation for Athenian law and custom; this serves to bring glory to the state during the Dionysia festival, a patriotic time for Athenians.
By Aeschylus