54 pages • 1 hour read
David NichollsA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The story flashes back to the morning after Emma and Dexter’s first night together, in Emma’s room on Rankeillor Street, Edinburgh. As Emma wakes up, she finds Dexter sitting on her chair and pulling on his pants. It’s 9:20 am, and, after a few hours of sleep, she assumes he’s sneaking off. She thinks of how handsome he looks and hopes he'll stay. When she asks if he’s leaving without saying goodbye, Dexter, caught off guard, explains that he didn’t want to wake her and planned to leave a note. Emma comments that they are “ships that pass in the night” (288).
While getting dressed, Dexter expresses how nice it was to spend time together, “after all this time” (288). He surprises Emma by calling her “Em.” He lies and says that he must leave with his parents that day. Emma is staying in Edinburgh for the summer. As Dexter kisses her, he regrets the lie and fakes a call to his mother, asking to postpone their departure to tomorrow. They grin at each other, and Emma asks him what they should do with the day.
On the first anniversary of Emma’s death, Dexter is in London, trying to distract himself from his sadness. He wants to celebrate Emma’s life, and he invites three of his staff members—Maddy, Jack, and Pete—for a night out. So, July 15 begins in a bar in Camden, where Dexter attempts to drown his sorrows. When he suggests they go to a strip club, Maddy refuses. They encourage him to go home. Despite their advice, Dexter, acknowledging that “grief has made an idiot of [him] once again” (293), calls himself a taxi to Nero’s nightclub. At the club, he drunkenly tells a girl that it’s the anniversary of his wife’s death, but she seems disinterested. He shouts at her, and the bouncer kicks him out of the club. He heads to an illicit underground dive in Soho, where, with no money left, he steals a forgotten drink. When confronted, Dexter hopes the man will hit him. He does, and Dexter lies on the floor laughing.
The narrative is interrupted by a letter from Ian Whitehead, dated July 15, 2005. Ian expresses concern for Dexter’s well-being and reminisces about Emma. He says he thought his life would crumble when Emma left him, but he’s now married with children. Ian encourages Dexter not to give up. He knows he and Emma were happy together and wishes him all the best. He writes that he will forever hate this date.
When he wakes, Dexter finds himself lying on the floor of his apartment, with Sylvie by his side. He cries, feeling ashamed. His daughter, Jasmine, is also there. He wants to reassure her, but he can’t find the words. Sylvie steps away to make a phone call. Suddenly, Dexter finds himself in his father’s car, headed to their family home in Oxfordshire. In the bathroom, he examines his bruised and scraped appearance in the mirror—the effects of his recent heavy drinking. He realizes that his breath smells like “something is decaying inside of him” (299), and feels purposeless without Emma. Sylvie calls him, and he shares his embarrassment with her—she’s broken up with Callum, and she and Dexter have grown close. Later, Dexter’s father advises him to try living as if Emma were still there. They sit together and watch TV.
In a flashback, Emma and Dexter have breakfast in her shabby kitchen. They’re annoyed by the presence of Emma’s flatmate, Tilly. Dexter suggests going to the pub or the cinema, but Tilly proposes climbing Arthur’s Seat. Emma and Dexter shop for picnic supplies and embark on their hike, with Tilly staying behind. During the ascent, Dexter finds himself more focused on Emma than the scenery. When Emma encourages him to take in the view so, he is impressed, despite his usual reluctance to show admiration—he “[has] a general policy of not appearing impressed by anything” (305). As they approach the summit, he wonders what will happen there.
It’s the second anniversary of Emma’s death, and Dexter is closing the shutters of the Belleville Café with Maddy. Their relationship slowly evolved from friendship to light romance. Dexter feels a shadow of grief over their relationship, but he appreciates Maddy’s sensible and thoughtful nature. They walk to the tube station together, holding hands. Dexter moved to a new apartment in Gospel Oak; Maddy usually stays at his place, but not tonight. He arrives home, where, so far, he’s only unpacked a few essentials. He calls Emma’s parents, and they express concern, asking him how he's doing. Next, he calls Ian, who’s busy putting his kids to bed. As he sits down for dinner alone, a wave of sadness washes over him. He describes his grief as akin to “walking on a frozen river” and “he hears the ice creak beneath him” (308). He rings Maddy and shares his feelings. When she offers to come over, however, he declines.
Dexter heads to the bedroom, where there are two boxes labeled “Emma 1” and “Emma 2.” The boxes contain Emma’s belongings from their old apartment, and Dexter spends the evening unpacking them, sorting through her possessions, and deciding what to keep. Among the items, he comes across a Polaroid he took of her in Paris, where she’s lying naked in bed. As he continues, he finds flyers from Ian’s comedy nights, postcards Dexter sent during his travels, Emma’s graduation certificate—dated July 14, 1988—and various graduation photos, where he recognizes Tilly and Callum. He finds a photo from the day after their graduation, on the mountainside of Arthur’s Seat.
The narrative flashes back to that day—July 15, 1988. On the summit of Arthur’s Seat, Dexter and Emma sit and drink champagne. Emma tells Dexter she feels embarrassed about talking so passionately about changing the world the night before. Dexter reassures her but says “it’s a shame the timing’s not better” (311). Emma says she had a wonderful time and encourages him to travel and discover himself. She emphasizes that she doesn’t expect anything from him and will cherish their night together. They agree to remain friends, and Emma captures the moment in a photo.
Dexter is awoken by his daughter saying she’s hungry—he’s in a hotel bed in Edinburgh with Jasmine and Maddy, staying for two nights before heading to a holiday cottage near Loch Lomond. Dexter wants to show Jasmine around the city, and Maddy, aware of the date, decides to leave them alone. Dexter takes Jasmine to Rankeillor Street to see Emma's old apartment; Jasmine doesn’t show much interest. He decides to take her to Arthur’s Seat. Up the hill, he points out landmarks to Jasmine and reminisces about his time there with Emma. When Jasmine asks if he misses Emma, he admits that he does, and when she asks who his best friend is now, he says it’s her.
Back on July 15, 1988, Emma and Dexter spend the afternoon on the hill, talking and laughing. As they head back home, Emma realizes they’ll soon have to part ways. She wishes for more time together. Surprisingly, Dexter grabs her hand and suggests going for a drink. Despite trying to appear nonchalant, Emma agrees, and, as they head to his apartment, she feels both anxious and excited about what might happen next. However, they find his parents waiting outside with dinner plans. Emma feels out of place and awkward as Dexter introduces her as a friend. Despite Dexter’s mother’s invitation to join them for dinner, Emma declines. As she walks home, she feels uncertain about the future—each day seems “more daunting and unknowable than the one before her” (321). Reflecting on her aspirations, she considers the idea of changing the lives of the people close to her through art rather than attempting to change the whole world. She doesn’t know how she will keep in touch with Dexter, because she doesn’t have his phone number or address. She hears footsteps behind her—it's Dexter, who chased after her. He apologizes about his parents showing up unexpectedly and says he wants her home address and phone number so they can keep in touch. They kiss and say goodbye, hoping to see each other again soon.
In Part 5, the narrative comes full circle, returning to the beginning of Emma and Dexter’s romance and highlighting The Evolution and Complexities of Relationships Over Time. The narrative alternates between the first three anniversaries of Emma’s death and flashbacks to July 15, 1988—the pivotal day when Emma and Dexter’s tumultuous relationship began, as depicted in the novel’s opening chapter. This is a departure from the novel’s convention of each chapter occurring on July 15 of a subsequent year. Through the flashbacks, Nicholls explores the characters of Emma and Dexter at each moment in time, shedding light on their relationship’s evolution from a one-night stand to an established friendship in Chapter 2. The flashbacks carry significant emotional weight, creating a melancholic tone through the contrast between the vibrant past—when Emma and Dexter’s relationship was blossoming—with the stark reality of the present, where Emma is gone. These flashbacks also create a parallel between Emma and Dexter on Arthur’s Seat and Dexter and Jasmine returning there. By bringing his daughter to the same place where he shared an important moment with Emma, Dexter creates a sense of continuity, bridging the gap between past and present. Further, his girlfriend, Maddy, respects his continued love for Emma, stepping back to allow that moment to remain between Dexter, Jasmine, and the memory of Emma. In doing this, Maddy helps to give Dexter the healing and closure that he needs to move forward. Additionally, Jasmine’s awareness of Emma’s significance to her father shows that Emma will always be a part of their lives; while her death marked the end of her thoughts and feelings, they are, in a sense, inherited by those who love her.
Contrastingly, on the first anniversary of Emma’s death in Chapter 20, Dexter is adrift again. He resorts to heavy drinking, and his reflection in the mirror at his parents’ home mirrors his inner turmoil—he is bruised, worn, and weighed down by grief. He acknowledges that his grief has “made an idiot of [him] once again” (293), marking a setback in his journey of Personal Growth and Self-Discovery—with Emma gone, Dexter regresses to his old coping techniques. However, these habits do not last long, and in Chapter 22, Dexter already shows signs of continued growth. Despite his lingering grief, he has the courage to pursue a new relationship and sort through Emma’s belongings, demonstrating resilience in the face of loss. The fact that he can articulate his grief and describe it as walking on a “frozen river” is indicative of how he is healing while also being aware of and in touch with his grief. He is not yet healed, but rather than go out or even stay in with Maddy, he chooses to be alone, processing his feelings and even immersing himself in happy memories of Emma. By playing an active role in his own healing, Dexter ensures that he will not sink again. In Chapter 23, Dexter honors Emma’s memory by revisiting her old apartment in Edinburgh and sharing a moment at Arthur’s Seat with his daughter—his grief has softened, allowing him to reminisce about Emma with a sense of warmth and fondness. He has gone from looking over her possessions—a sort of safe immersion—to fully reentering the world where he met and fell in love with Emma. Over the three years covered in Part 5, Dexter navigates his grief and emerges stronger, evolving and growing amidst the pain of loss.
Part 5 also explores The Evolution and Complexities of Relationships Over Time. Dexter’s relationship with his ex-wife, Sylvie, undergoes a positive transformation. While their marriage was full of tension, exacerbated by Dexter’s drinking and Sylvie’s affair with Callum, they now share a more mature connection. In Chapter 20, Sylvie takes care of Dexter when he’s drunk and sick, looking at him with “a tenderness he rarely saw when they were married” (298). Similarly, Emma’s death brings Dexter and Ian closer together. Once rivals, each harboring dislike and jealousy toward the other, the two now bond over their grief. Ian tries to comfort Dexter on the first anniversary of Emma’s passing, offering a glimmer of hope by sharing how he has built a fulfilling life after his breakup with Emma, hoping the same for Dexter. Dexter’s relationship with his daughter, Jasmine, has also undergone significant development. In Part 3, Dexter grappled with the fear of being a bad father and didn’t know how to soothe her when she cried. However, their relationship has blossomed, and they now share a strong bond, with Jasmine present during her father’s breakdown following the first anniversary of Emma’s death. Now, they go on family holidays together, and Dexter has grown into his role as a nurturing and affectionate father, as shown by the scene at Arthur’s Seat, where they sit together on the grass, and he tells her that she is his best friend.
In Chapter 19, Emma says that she and Dexter are “ships that pass in the night” (288), capturing the theme of The Influence of Timing and Chance in Life in the novel. This comment also serves as a haunting foreshadowing of her future death, as well as the years that she and Dexter could’ve had together if not for poor timing. As portrayed in the flashbacks, Emma and Dexter always shared an intense connection, but, because of timing and chance, their true romance started many years later. Then, just as their paths seemed to align, Emma’s life was cut short by a tragic accident. Nicholls chooses to forgo the conventional trope of a fairy-tale romance with a happy ending, instead exploring the intricacies of love and the unpredictable nature of life. By focusing on the love that lasts after a person is gone, One Day speaks to a more relatable loss and love, as well as the journey of healing from losses that extend beyond romance. Throughout their relationship, Emma and Dexter lost jobs, relationships, and parts of their identities that they believed they would always have. The one constant was their love for each other, whether or not it was acted upon, and it is implied through Dexter’s full-circle return to Edinburgh that Emma’s memory will continue to color his life and help him along his journey of Personal Growth and Self-Discovery.
British Literature
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Coming-of-Age Journeys
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Dramatic Plays
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Fate
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Grief
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Marriage
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Memory
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Mortality & Death
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Romance
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The Future
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The Past
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Valentine's Day Reads: The Theme of Love
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