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54 pages 1 hour read

David Nicholls

One Day

Fiction | Novel | Adult | Published in 2009

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Part 2Chapter Summaries & Analyses

Part 2: “1993-1995, Late Twenties”

Part 2, Chapter 6 Summary: “Chemical: Thursday 15 July 1993, Part 1-Dexter’s Story”

At five o’clock in the morning, Dexter makes his way home after partying at a club with fans of his television show. Afraid of being alone, Dexter socializes with strangers, heading to their places and engaging in substance misuse as a means of distraction. As the effects of the drugs subside, he becomes unsettled by his actions. Overwhelmed, he feels that he “can no longer control his terror of the day ahead” (90). He calls a cab and heads home.

Emma changed her lifestyle—she eats well, drinks in moderation, and sleeps eight hours per night. Her one-bedroom apartment off the Earls Court Road is tastefully furnished, and she spends much of her free time writing. Emma feels renewed, independent, and mature. She notices herself mellowing, becoming more agreeable, and less inclined to engage in politics. Though she’s single, occasional loneliness doesn't bother her much. Emma has earned a post-graduate certificate in education and has an interview for a teaching position in English and Drama—subjects she knows and loves. Emma also has a date.

Dexter is in his luxurious home, getting up at 9:30 am and helping himself to vodka to counteract the lingering effects of the drugs. Later, he drives his sports car to his parent’s house in Oxfordshire, almost getting into an accident. His father scolds him and detects the scent of alcohol on his breath. Dexter visits his mother, Alison, in the garden—her health is deteriorating, and she is wearing a headscarf to conceal her hair loss. The encounter leaves Dexter feeling defeated. Alison hands him a gift from Emma—a stack of paperbacks. However, Dexter’s joy is short-lived, as Alison expresses disdain for his TV program. She’s disappointed in his choices and urges him to engage in something meaningful.

That evening, Emma gets ready for her date. As she leaves the apartment, she hears the phone ring but ignores it. The answering machine picks up—it’s Dexter, inviting her to join him for a movie premiere that night.

Part 2, Chapter 7 Summary: “G.S.O.H.: Thursday 15 July 1993, Part 2-Emma’s Story”

Ian Whitehead waits at a restaurant in Covent Garden; it is his second date with Emma. Ian liked Emma for years, and their first date exceeded Emma’s expectations. Ian is still a struggling comedian, but despite being on a tight budget, he is eager to date Emma. Emma tells Ian about her job interview, which went well. As the night goes on, Ian’s attempts at humor fall flat for Emma: “as line [follows] line, Emma [feels] her hopes for the evening fade” (111). They discuss Dexter, whom Ian dislikes for taking Emma for granted. At the end of the evening, they go back to Ian’s place and kiss, but Emma feels nauseous from drinking and goes home.

While Emma is on her date with Ian, Dexter repeatedly calls her and leaves messages on her answering machine. He’s drunk, and he implores Emma to come to his place. He later calls Naomi, who eventually agrees to come over, and Dexter thanks her for saving his life.

Part 2, Chapter 8 Summary: “Showbusiness: Friday 15 July 1994”

Emma and Ian now live together in Leytonstone. Tonight is the premiere of Emma’s school’s production of Oliver!. Meanwhile, Dexter is gearing up for the premiere of his TV show, Late-Night Lock-In, on live national television. Emma leaves him a message to wish him good luck. Dexter reflects on their recent arguments—it’s clear to Emma that Dexter doesn’t like Ian, while Dexter feels that Ian constantly implies that he’s fake and a snob because he’s wealthy and famous. Dexter feels resentful—he’s always expected Emma to be there, “like the emergency services” (124). Since his mother's death, he’s relied on her. Now, however, he feels that Emma has abandoned him. Meanwhile, Emma struggles with her role as a girlfriend, feeling inadequate and uncertain about her feelings for Ian compared to his love for her.

Before heading to work, Dexter picks up a newspaper, and his eyes catch the headline: “Is this the most odious man in television?” (126). The article scrutinizes him, pointing out his smug and arrogant behavior. Dexter goes about his day, but the article plagues him. Later, in his dressing room, he pours himself a large glass of vodka and fills a water bottle with vodka for the set. As Dexter and his co-host, Suki Meadows, step onto the set, a voice from the audience calls Dexter a “wanker.” Dexter worries that everyone read the article and dislikes him. He wishes Emma were there.

Before the school performance, Emma breaks up a fight between the students. Mr. Godalming, the headmaster, discusses the incident with her and invites her and Ian for a drink with his wife after the performance. During their conversation, he calls her beautiful, which makes Emma uncomfortable. When she and Ian get home, Emma discovers a bouquet of roses from Dexter, along with a card expressing apologies for sulking. As she watches the end of Dexter’s show on TV, she senses his unease, wondering if he might be drunk. She hears booing from the audience and decides to leave him a congratulatory message.

Part 2, Chapter 9 Summary: “Cigarettes and Alcohol: Saturday 15 July 1995”

Emma is writing a novel under the pseudonym Emma T. Wilde. She hopes to finish this project, as she has abandoned others. Doubting the quality of her writing, she is reluctant to let Ian read it. They bought an apartment together, and Emma watches him as he cooks breakfast in his worn-out clothes. She is seeing Dexter for dinner, and Ian jokes that she better not get off with him. Emma assures him that Dexter is now dating Suki Meadows.

Dexter wakes up in front of the TV. His Saturdays are always spent at home. Lately, on top of hosting his show, he has taken on voiceover work and some modeling gigs. The show is poorly received, and he yearns to do something good. Nevertheless, he knows that his life isn't that bad. He plans to call his drug dealer, have dinner with Emma, and attend a party.

Emma contemplates making up an excuse. She and Dexter haven’t been getting along, and she considers letting their relationship go. Despite these thoughts, she goes through with the plan. She meets Dexter at an extravagant restaurant in Soho. Emma reminds herself that she once was in love with him. As they eat oysters and drink martinis, Dexter often excuses himself to go to the restroom. He resents Emma’s air of self-righteousness. Dexter brings up Emma’s teaching, but she senses a lack of genuine interest. He ventures a joke: "Those who can, do, those who can't teach" (158). Emma angrily leaves the restaurant, and Dexter catches up to her, apologizing and attributing his behavior to alcohol. Emma states that he’s “not the person [she] used to know” and suggests that “maybe it’s just over” (160). Dexter pleads with her, but Emma says that she no longer likes him and leaves.

Part 2 Analysis

While Part 1 saw Dexter poised for success while Emma was lost and adrift, Part 2 demonstrates reversed roles. There is, in fact, a newfound order in Emma’s life as she embarks on her teaching career, embraces a healthy lifestyle, and creates a harmonious living environment, as depicted in Chapter 6. For the first time, she owns nice furniture and has a renewed sense of pride. This marks a notable change for Emma, who expresses disbelief at this new way of living. She also manages to find time for writing and seeing friends, and her character, she reflects, has relaxed. This transformation symbolizes her newfound maturity, underscoring the theme of Personal Growth and Self-Discovery—after years of challenges, Emma is finally on the right path after undergoing significant evolution. The repetition of the phrase “Emma Morley eats well and drinks only in moderation” in both Chapters 6 and 8 highlights the consistency and stability of these positive changes in her life, especially when contrasted with the repetition of her restaurant job in Part 1 (90, 121). Moreover, Emma’s rise during Dexter’s fall speaks to the yin-yang of their relationship, foreshadowing an inevitable union that will provide balance.

Dexter's current lifestyle sharply contrasts with Emma’s. He’s now immersed in a world of drugs, casual encounters, clubbing, and seeking solace in the company of strangers to escape his loneliness. Even during work hours, he misuses alcohol, suggesting that he is very unhappy and deeply concerned with what others think of his television persona. These choices adversely affect his relationships—his mother expresses concern about his changed behavior, his father reproaches him for showing up inebriated and tells him that he is “a grown man now, […] not a child” (106), and his connection with Emma withers. Dexter’s substance use disorder also impacts his professional life—his drunken premiere of his TV show, Late-Night Lock-In, is deemed a disaster, a far cry from his previous reputation as a natural TV presenter. His self-righteousness stops him from understanding why people might not like him—he wonders, “why can’t people be pleased that he’s doing so well, grateful for his generosity?” (123). However, behind his behavior lies a deep sense of sorrow stemming from his mother's illness and eventual death, as well as profound loneliness. He misses Emma and is jealous of Ian, but he is unable to articulate these emotions clearly. Dexter's journey of Personal Growth and Self-Discovery takes a downturn in Part 2, challenging the notion that progress is a linear trajectory. This idea is furthered by Emma’s stability, as she also underwent a dark period and still holds fears about her talent and her relationship with Ian.

In Part 2, the theme of The Evolution and Complexities of Relationships Over Time takes center stage. Emma and Dexter’s relationship is portrayed as holding the promise of a great love story, marked by mutual liking and undeniable chemistry. Though he is not a comedian, Dexter makes Emma laugh more than Ian, as Nicholls writes that, “with Dexter [Emma] laughed all the time, hysterically, sometimes, frankly, until she peed a little. On holiday in Greece, they had laughed for ten days straight” (114). However, contrary to conventional romance novels, their relationship faces challenges and deteriorates over time because the two are so different, leading opposing lifestyles. Chapter 8, “Showbusiness,” exemplifies these contrasts—while Emma leads a school play, Dexter makes an inebriated debut on live television, highlighting that Dexter is performing happiness while Emma is trying to help others, which gives her happiness. Chapter 9 further highlights the growing incompatibility in their lifestyles. During a dinner outing, Emma feels increasingly out of place, eventually deciding to leave. Dexter, on the other hand, starts to resent her and her “air of self-righteousness, of the community centre, the theatre co-op, of 1988” (154). He perceives Emma’s disapproval of his luxurious lifestyle as an offense, which also suggests that he feels ashamed of himself and thus projects onto her. At this point in the novel, the love they share is portrayed as insufficient in overcoming their differences. The recurring theme of The Influence of Timing and Chance in Life also plays a crucial role, as, in Chapter 6, Emma is already on her way to her second date with Ian when Dexter leaves a message for her. Nicholls deliberately favors realism over a classic love story, portraying the complexities and nuances of relationships and the significant impact that timing can have on life’s course, particularly in matters of love.

The theme of The Evolution and Complexities of Relationships Over Time also captures aspects of Emma’s relationship with Ian. Introduced in Part 1 as her friend from her restaurant job, Emma doesn’t immediately fall in love with Ian or even feel attracted to him. On their date in Chapter 7, she finds herself annoyed by his attempts at humor, and their interactions lack the laughter and chemistry she shares with Dexter. Still, Emma settles into a relationship with him, eventually reaching the point of buying an apartment together. Once again, Nicholls presents a realistic scenario, where Emma chooses to embrace a convenient, stable relationship rather than actively pursuing true love. While Part 2 ends with Dexter begging Emma to maintain their friendship, the simmering tension beneath their connection continues to foreshadow the inevitability of their later romance.

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