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49 pages 1 hour read

Katherine Applegate

Odder

Fiction | Novel/Book in Verse | Middle Grade | Published in 2022

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Themes

Bravery and Healing After Trauma

Odder’s journey demonstrates healing in the face of traumatic events. Odder sustains both physical and emotional wounds from which she must recover. From her recovery after a shark attack to her emotionally processing the loss of her mother, Odder’s primary development in the novel comes as she heals from experiences in the sometimes-cruel ocean.

This theme develops mostly in Part 3 as Odder recovers from her injuries to accept a new role as surrogate mother to Otter #209. In the wake of the shark attack, Odder grapples with guilt and regret, leading her to renounce her former identity: “Odder promises herself that / when she returns to the water / she will be different, / cautious and sensible and / grown-up and boring. / […] She will stop being Odder” (183). The introduction of the otter pups triggers past emotional wounds; when she sees Kairi with her surrogate pup, Odder again ponders what became of her mother. As this painful question echoes in her head, Odder initially rejects her own surrogate pup because she feels that she isn’t “calm and kind / and patient and careful” like Kairi is (233). To find healing, Odder must resolve the sense of loss and inadequacy she feels.

The conflict at the heart of this theme resolves at the novel’s climax when Odder finally accepts a role as surrogate mother to the pup. The author uses the play motif as a catalyst for Odder’s choice. Seeing Otter #209’s fear of the water reminds Odder that “[w]ater means play, / and play is their purpose” (252); with this in mind, she takes on the role of the pup’s otter-teacher. Odder’s acceptance of this role is the ultimate expression of her healing. Motivated by her desire for the pup to know the joy of play, Odder moves past her fear of not knowing how to care for the pup. The final lines of Part 3’s concluding poem, “whispers,” demonstrate her transformed attitude and signal that she has found healing: “[S]uddenly [Odder] / cannot wait for / tomorrow. / There is so much / this little pup / needs to know” (256).

The denouement of the novel’s epilogue encapsulates Odder’s transformation. The final poem parallels the poem at the end of Part 2, when the aquarists re-release young Odder back into the ocean. That moment was a culmination of her growth when she first learned to be an otter; similarly, the moment at the end of the novel is a culmination of the growth she underwent as the pup’s teacher. She feels hopeful and proud as she watches Otter #209 swim away, knowing that she has given the pup all the tools she’ll need to thrive. Odder is now content in the knowledge that “the world is not / meant to be feared, / and that water, / beautiful water, / will always mean / play” (260), demonstrating that she has healed from the events in her past and has rediscovered courage and joy again.

The Role of Human-Animal Relationships in Conservation

The relationship between Odder and her human caretakers features prominently in the novel. Using the perspective of a third-person omniscient narrator, the author explores some of the narrative’s events from both an animal and human viewpoint. Through this exploration, the author delivers important ideas about the value of the relationships between human and animals in conservation efforts, prompting readers to consider their own relationship to such topics.

This theme first appears in Part 1, when the poem “Squiggles and Splash” explains why some otters are numbered instead of named. The narrator explains that it’s for the sake of the humans not getting attached and clarifies that this is a good thing because “these otters need / all the help / they can get” (12). This is the first time the author references the idea that otters face threats other than predators in the wild. Explicit references to conservation continue in the poem “The Fifty,” in which the author portrays endangered species and, through an otter perspective, the history behind otters being endangered. She frames this as a story, a nearly mythological tale through which the otters understand their ancestry. By framing it in this way, the author prompts readers to consider how actions by humans have affected otters’ understanding of themselves and their species.

The development of this theme continues when the novel introduces the human perspective at the end of Part 1, as the humans rescue Odder in the poem “help arrives.” The line “music of grief and disappointment” emphasizes the empathy the humans have for the animals (71), which encourages the reader’s own empathy. The next poem, “afterward,” develops Odder’s importance to conservation efforts in general, as the humans think about how much they still have to learn from her, suggesting that the relationship the humans have with the animals under their care is a valuable source of new knowledge about the nature surrounding them.

This theme sees the most development in Part 2, when the author uses flashback to deliver background on Odder’s upbringing at Highwater. The importance of the relationship between humans and animals is unmistakable, as Odder gradually begins to consider them a “home away from home” and, to some extent, a surrogate family (120). Her relationship with her “otter-teacher” most significantly illustrates this point, and just before she joins the wild otters, Odder looks back at her human friends and knows that they “had saved her from death. / She [knows] in her heart that / she owe[s] them everything” (177). Without them, she wouldn’t have developed the skills she needed to survive in the wild. To reinforce the role that both humans and animals can play in conservation efforts, Odder steps into the “otter-teacher” role at the novel’s end to raise Otter #209. The parallels between Poem 116, “how to say goodbye to an otter pup,” and Poem 164, “how to say goodbye to an otter pup (otter version),” reinforce the importance of a positive relationship between humans and animals and the role of this relationship in protecting ecosystems.

The Rewards and Risks of Life in the Wild

The novel represents the wild as a place of both freedom and danger. It’s the place where Odder experiences freedom and delight and also the place where she experiences loss and pain. Through it all, however, the story doesn’t represent the wild as either good or bad; it’s merely the wild, and it inspires both fear and wonder. As Odder moves through her healing arc, she ultimately learns to let go of fear and embrace both the risks and rewards of living free.

Throughout the novel, the animal characters experience many hardships in the wild. Humans remove Kairi from the wild because of her illness, and she delivers a stillborn pup at Highwater; nevertheless, she wants her surrogate pup to have a chance to live free, as Poem 146, “why,” conveys. This characterizes life in the wild as a place of simultaneous freedom and danger. Similarly, after the shark attack at the end of Part 1, Odder doesn’t blame the shark because “[s]he’s seen enough to know / that this is how life is” (64). She doesn’t condemn the ocean or characterize it as villainous or cruel; it’s a neutral thing that contains both risks and wonders. While it’s a place of frolic and play, it also contains many threats, and to live in the wild means to accept both.

In Part 3, Odder struggles with regret and frustration for costing herself a life in the wild: “She loved her time of freedom, / though there were hungry days / and lonely ones, / and Odder constantly reminds herself / that she would still be whipping through whitecaps, / if only she’d been more careful” (189). However, at the same time, she feels grateful that she has been “spared / the dark, determined threats / of ocean life” (207). These contrasting reactions to captivity emphasize the dualities of life in the wild: Like Kairi, Odder sees the ocean as simultaneously a place of freedom and danger. Her healing journey at the novel’s end necessitates rebalancing her perspective of the ocean’s risks with its joys, as she teaches Otter #209 appropriate caution balanced with appreciation for play: “And yes, like my mother, / I will teach you / to fear sharks / and avoid humans, / because, dear one, / I must. / […] Most of all, / says Odder, / I am going to teach you / how to play” (255). The novel’s final lines, wherein Odder has taught the young pup not to fear the world, emphasize that Odder has overcome her fixation on the wild’s risks and also appreciates its joys and rewards.

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