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61 pages 2 hours read

Malorie Blackman

Noughts And Crosses

Fiction | Novel | YA | Published in 2001

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Themes

Allegory of Society’s Injustices Toward Marginalized Communities

Throughout her novel Malorie Blackman forges an allegory that highlights the injustices experienced by marginalized communities. She uses the fictional world of her novel to create a narrative representation of real life. Through this representation, she asks the reader to question the world-at-large and the injustices that plague it.

Blackman creates an alternative history in which Black humans enslaved white humans. She sets her novel years after slavery’s end and documents the injustices white citizens face as they fight for equal rights and representation. Through her exploration of the tragedies and discrimination faced by Callum’s family, Blackman offers a wider commentary on the ways in which Black humans are disenfranchised throughout the world. As Callum and Sephy grow up, they develop an awareness of the injustices in the Cross-dominated society they live in. Sephy comments on the way the media promotes a skewed representation of noughts. Through her relationship with Callum, she begins to ask questions like, “How come in all the early black-and-white films, the nought men were always ignorant drunkards or womanizers or both? And the women were always near-brainless servants?” (122). She recognizes how “the noughts were never in the news unless it was bad news” (122). Blackman poses these questions through the character of Sephy and addresses them not only to the world within the novel but also to the world in which the reader lives. She calls the reader to question how the media represents marginalized communities in society. Blackman poses these questions with the hope of inspiring the reader to think critically and learn from the experiences of marginalized people as Sephy does.

Blackman also criticizes the injustices within the justice system. She documents the trial of Callum’s father, Ryan McGregor, as he faces his charges of political terrorism and murder. The McGregors struggle to find free or affordable legal representation. Rejected from multiple attorneys, it is only through the generosity of an anonymous benefactor that they can enlist the aid of capable attorneys willing to take on Ryan’s case. Blackman notes that the jury chosen for the case consists of “twelve good Cross men and women” (284). Here, Blackman highlights the lack of representation often provided to marginalized defendants. She poses another rhetorical question and asks the reader “how else could justice be served?” (284). Although Callum asks this question with a sarcastic tone to highlight his rage at his father’s lack of representation on his jury, Blackman addresses the reader earnestly and calls the reader to contemplate how justice could better be served for those like Ryan McGregor, a marginalized member of society.

Coming of Age

Blackman’s novel chronicles the lives of Callum and Sephy from childhood to adulthood. Callum and Sephy navigate the harsh realities of life while simultaneously coping with their forbidden love for one another. They confront their own biases and gain an understanding of their greater purpose as they transition into adulthood. Blackman portrays the painful and inevitable process of growing up and offers an interpretation of what it truly means to be an adult.

Callum’s struggle to accept his identity as a nought plagues him throughout the novel. He attempts to earn the respect of the ruling group through his education. When this fails, he relies on violence through his work in the Liberation Militia. Both options alienate Callum and leave him unfulfilled. It is only through his connection with Sephy and his acceptance of himself and his feelings that Callum finds peace before his tragic death. Instead of being consumed by hatred in the end, Callum chooses to express his love for Sephy and his hope in a brighter, more equal future. He finds a purpose in sacrificing his life for his unborn child. Through Callum, Blackman uncovers the difficult process of self-acceptance and its integral role in becoming an adult.

Like Callum, Sephy also struggles to find a purpose. She wavers under the pressures of her privileged family and follows in her mother’s destructive patterns by using alcohol to mask her pain. She saves herself from this destructive path when she finds a way to attend boarding school. Free from her family’s influence and from the distraction of Callum, Sephy “stopped hanging on to my childhood and started moving forward” (365). For Sephy, the path forward is working with a dissident group to work toward incremental change in society and committing herself to helping those in need. She transitions fully into adulthood when she makes the decision not to abort her child despite the influence of her parents. She chooses to honor her own values even at the cost of Callum’s life.

Humans as the True Corrupters

Blackman’s novel details the injustices faced by the noughts as they fight for representation and the opportunity to live in a Cross-dominated society. However, Blackman does not villainize the Crosses only as they struggle to maintain power in an evolving world. She also explores the ways in which humanity in general serves as a corrupting force.

As they transition from childhood to adulthood, Callum and Sephy dream about a world where they can be together. They both follow individual paths to find their purposes and discover ways they can contribute to a brighter future for the next generation. After tragedy after tragedy strikes Callum’s family, Sephy writes a letter to God and ponders who is to blame for the corruption that threatens to annihilate Callum’s entire family. She initially pleads to God to “please leave Callum’s family alone” (345). She then questions if it is the devil who is responsible. As she writes, Sephy asks herself if hatred is “something we’ve invented” and blame on abstract figures like God or the devil “because it’s easier than blaming ourselves” (345). Sephy’s questions offer a philosophical debate on the true origins of hatred and who is to blame for injustice.

In his final moments of life, Callum too debates this question. He imagines a world dominated by noughts without the injustices he’s faced. His Cross prison guard expresses his doubts in Callum’s belief in this alternate reality when he states, “People are people. We’ll always find a way to mess up, doesn’t matter who’s in charge” (481). Through this conversation, Blackman speaks through Jack as she writes from a world dominated by white Christians. She recognizes the injustices present in the world she lives in and in the world she creates in the novel. She offers a glimpse into the true nature of humanity and asks the reader to consider what it really means to be human. For Blackman, it is not a question of who is in power but a question of what humans will do in the face of inevitable injustice. This is her call to action.

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