81 pages • 2 hours read
Jordan SonnenblickA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
The central theme of Notes from the Midnight Driver is the process through which teenagers discover a sense of self and gain emotional maturity. Alex, the protagonist, is an ideal example of an adolescent who struggles to understand his own thinking as well as to express his feelings externally.
In the early chapters of the novel, Alex demonstrates an extreme lack of self-awareness and control. The conflict of the novel begins when Alex chooses to get drunk and drive to get revenge on his father; Alex’s plan falls apart because he had “never gotten drunk before” (4) and didn’t anticipate how “smashed” (4) he would get. This kind of irrational behavior is a hallmark of adolescence. Through Alex’s behavior, readers can both see his lack of thought as well as his inability to process his feelings.
As the plot of the novel progresses, Alex misses key information and opportunities for self-reflection, focusing on tangible rewards rather than his own growth. When Alex develops his plan for the first benefit concert for the nursing home, he is filled with excitement about impressing “the judge with [his] apparent selflessness and personal growth” (127). The irony of this statement is that Alex has not actually developed into a more selfless person; in fact, he is solely creating the benefit concert in order to seem more impressive to the judge. Alex will have to be challenged to see the world and himself in a new way in order for him to achieve a new height of emotional maturity.
Towards the conclusion of the novel, Alex finally reaches a different understanding of his internal motivations and feelings, as well as to act in a more mature way towards those around him. Alex processes his authentic feelings of sadness and affection for the people in his life. This is reflected back to Alex when his bandmate explains how he has become “a more sensitive person” (249). This perception of Alex’s new sensitivity reveals both his growth in understanding his own thoughts and feelings, as well as his ability to react emotionally within his relationships with others.
Many of the important scenes in the novel revolve around characters learning to deal with conflict in healthier ways. Alex is the primary example of this, since he employs avoidance tactics frequently to keep from having his own feelings about the situations around him. For example, when he feels guilty and bad about his behavior in the beginning of the novel, he hides his face from his mother, because he doesn’t “want [his] mother to see that [his] eyes were welling up, too” (17). Similarly, Alex consistently avoids conflict by leaving the room or house when he gets in arguments, or makes sarcastic comments. Alex begins reflecting on this avoidance later as he thinks about New Year’s Eve, when he and Laurie “had a pretty good night being pals, as long as I didn’t think about my mom being out on a date when I wasn’t, or Sol evicting me from the home, or the warmth of Laurie’s legs on mine” (115). Although other characters also demonstrate avoidance and difficulty with conflict, Alex’s first-person narration allows readers to understand exactly how and why he is avoiding a conflict.
As the novel moves towards the conclusion, Alex begins illustrating healthier ways that people can deal with conflict. He apologizes, genuinely, to people who he has hurt, embracing Sol’s lesson that “real apologies don’t come with a BUT in the middle” (135). In addition, Alex begins thinking about what the appropriate way to deal with a conflict is as he watches Judge Trent and her father reunite. The conclusion of the text reflects Alex’s larger growth in terms of approaching conflict in healthy ways: He repairs his relationships with peers, support a friend through their death, and move towards having a more positive relationship with his parents.
Both central teenage characters in Notes from the Midnight Driver are dealing with the aftermath of a parental divorce. Alex and Laurie each experience anger and sadness after watching their parents’ divorce, though they express this in very different ways. On the one hand, Alex avoids his situation and uses sarcasm and rash behavior to keep from feeling; on the other hand, Laurie has emotional outbursts alternating with rational thinking about her situation. Sonnenblick provides these two different examples to explore the myriad ways that adolescents process and react to a parental divorce in their lives.
Both Alex and Laurie wrestle with the reasons that parents might get divorced, wondering about their parents’ feelings and choices. Alex is more reactionary, choosing to try to get revenge on his father by getting drunk and stealing his mother’s car. As his mother says, this kind of decision is “stupid and pointless” (20), yet it is Alex’s best effort to process his feelings about his father having a new relationship. In a similar way, Laurie struggles with her mother’s pregnancy with a new partner, commenting that her father “was also supposed to have stayed with my mom until death did them part, but we all know how that turned out” (30). The negative tone of Laurie’s comment mirrors the unpleasant feelings underling Alex’s behavior, as well as a certain level of confusion about adult relationships. Alex demonstrates this further when he questions who is to blame in his parents’ divorce. Like many adolescents dealing with parents who are separating, Alex and Laurie show a healthy amount of confusion, anger, and sadness in response to a difficult situation.
One smaller thematic element of Jordan Sonnenblick’s novel is the ways that individuals confront terminal illness and the death of a loved one. Though it isn’t clear at the beginning to Alex that Solomon Lewis is close to death, numerous hints in the text imply that Sol will not be present in Alex’s life for a long time, including Sol gifting his guitar to Alex, and Sol’s many issues with breathing. The structure of the novel makes it so that Alex’s emotional growth increases as Sol gets closer to his eventual death from emphysema, allowing Alex to process this in a healthier way when it happens. In the concluding chapters, as Alex honors Sol’s life, Alex becomes a young person who understands what a terminal illness is and who finds a healthy way to deal with the tragedy of losing someone.
By Jordan Sonnenblick