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103 pages 3 hours read

Jane Austen

Northanger Abbey

Fiction | Novel | Adult | Published in 1817

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Character Analysis

Catherine Morland

In the opening pages of Northanger Abbey, the narrator explicitly describes the novel’s protagonist, seventeen-year-old Catherine, as distinctly lacking in the sort of qualities usually associated with the heroines of gothic or romantic fiction: She is from an ordinary family in a small English town, and she is neither especially beautiful nor talented. In introducing Catherine in this fashion, the narrator immediately sets up the humorous contrast between Catherine’s mundane life and character and the melodramatic and macabre tales she enjoys reading. While this vein of humor will be important throughout the novel, it also introduces some of the novel’s key thematic preoccupations, such as the difference between fantasy and fact, or between appearances versus reality.

Due to her youth and rather naïve personality, Catherine has many lessons to learn over the course of the novel. When Catherine goes to Bath early in the novel, she is unaware of the oftentimes hypocritical nature of high society, which initially leaves her vulnerable to the manipulations of people like Isabella and John Thorpe. As a huge fan of Gothic novels, Catherine often imagines herself as a heroine on a thrilling adventure, which makes it difficult for her to distinguish between what is fact and what is fiction.

Over the course of the novel, Catherine slowly matures by learning to look more deeply into the motives of other people and develops more self-control in terms of regulating her own imagination and conduct. Isabella’s influence over her wanes as time goes on, with Catherine learning to recognize Isabella’s selfishness and hypocrisy. When Isabella’s engagement to James unravels because of her flirtation with Frederick Tilney and Isabella tries to manipulate Catherine into patching things up with James on her behalf, Catherine realizes how she has been used and resists. Her break with Isabella is a high point in her character development, signaling that she has become wiser and also more confident in standing up for herself.

While the Thorpes prove to be fake friends, Catherine finds true friendship and loyalty with the Tilneys: She falls in love with Henry and becomes close friends with Eleanor. Significantly, she realizes that her gothic fantasies at Northanger Abbey have real-world consequences: She is unfairly slandering the General by thinking him capable of murder and could potentially hurt the feelings of Henry and Eleanor by using their personal tragedy as mere fuel for her imagination. The shame and regret she feels when caught by Henry in his mother’s rooms is an epiphany for her, helping her to understand that she needs to see things as they really are. When Catherine is later expelled from the Abbey, she shows how she has grown in empathy and understanding by suppressing her disappointment to spare Eleanor’s feelings. By the novel’s end, Catherine is ready for marriage with Henry because she is now a more mature and thoughtful person who has a stronger sense of who she is.

Isabella Thorpe

Isabella Thorpe embodies the worldliness, hypocrisy, and selfishness that is the dark side of high society. Isabella is beautiful and charming, but she is also manipulative and quite the social-climber. She pursues a courtship with Catherine’s brother James in order to marry into his wealth, but as soon as she realizes that James is not actually that wealthy, she pursues Frederick Tilney instead.

Isabella consistently twists language to get her way. She bombards Catherine with flattery and intimacy in such a quick period of time that Catherine believes they are truly friends. She says one thing and does another, as when she claims not to care about male attention while actively seeking to flirt and attract men. Austen uses Isabella’s style of speaking to gradually reveal her hypocrisy and selfishness: Isabella claims to care about Catherine, yet frequently ignores what Catherine says, avoids topics Catherine genuinely cares about, and tries to persuade Catherine to do things she does not want to do. The wide gap between what Isabella says and what Isabella does stands in stark contrast to the behavior of Eleanor, whose honesty and sincerity match Catherine’s own.

Henry Tilney

Henry is General Tilney’s younger son. He works in a rural parsonage just like Catherine’s father. He is older than Catherine by about eight years. Their difference in age is also matched by a difference in worldliness and maturity: Catherine is naïve, trusting, and quite literal-minded at the start of the novel, whereas Henry is more cynical and self-assured. Henry sometimes teases Catherine and she does not always understand his humor, but he matches her in sincerity and loyalty. Unlike his father, he does not care much for becoming any wealthier than he already is, even pursuing a career as a parson instead of relying purely on his family’s wealth, which reveals an industrious bent to his character.

Henry’s patient mentorship helps to guide Catherine on her journey to more maturity and self-awareness. Henry sees through Isabella and subtly warns Catherine about her several times, but also allows Catherine to ultimately discover the truth for herself. When Henry catches Catherine snooping around in his mother’s rooms, he responds firmly but not unkindly: He realizes her imagination is getting out of hand and reprimands her in a way that is fair instead of overly harsh, and afterwards does not hold the matter against her. At the novel’s conclusion, his loyalty to his father and his loyalty to Catherine are pitted against each other. He resolves to marry Catherine because he won her heart and he cannot bear to do her the dishonor of abandoning her, even if that means disobeying his father’s wishes—an action that shows the depths of his integrity and the sincerity of his emotions, which makes him the opposite of more worldly characters like Isabella and John Thorpe.

General Tilney

General Tilney is the father of Eleanor, Henry, and Frederick. The General is a wealthy, well-connected man who cares deeply about his money and his status, even though he insists to Catherine that such things do not matter to him much at all. Despite these assertions, Henry and Eleanor know very well that he does not want them to marry a person who is not wealthy or high-ranking. He is overwhelmingly kind to Catherine at first only because he thinks she is wealthy—a pattern of behavior that mirrors that of Isabella and John Thorpe. The General constantly updates his home with renovations, new furniture, and continual landscaping. He is harsh, punctual, and even a little authoritarian in his relationship with his children. He expects absolute obedience and can seem a bit tyrannical, which makes Catherine suspect he has a villainous secret just like the villains in one of her favorite gothic novels.

Ironically, Catherine is so absorbed with her outlandish theories about the General murdering his wife that she fails to see what danger he actually does represent: She is shocked when he expels her from the Abbey and the discovery of his superficiality and selfish motives towards her come as a surprise. The General, just like Isabella and John Thorpe, represents the real-world pitfalls Catherine needs to learn to recognize and protect herself against.

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