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56 pages 1 hour read

Susan Kuklin

No Choirboy: Murder, Violence, and Teenagers on Death Row

Nonfiction | Book | YA | Published in 2008

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Chapter 6Chapter Summaries & Analyses

Chapter 6 Summary: “Dying for Legal Assistance: Roy’s and Mark’s Lawyer”

This chapter profiles Stevenson, the anti-death-penalty lawyer who represented Roy and Mark. In her preface, Kuklin describes auditing one of Stevenson’s classes at NYU Law School. She notes his calm, smiling demeanor, which betrayed no hint of the long night he spent preparing an oral argument to make before the Supreme Court. The case he would argue considered whether execution by lethal injection may, in some or all cases, violate the Constitution’s protections against cruel and unusual punishment.

Kuklin shifts to her interview with Stevenson, which comprises the rest of the chapter. Stevenson believes that “gratuitous” violence is very “troubling,” by which he means not only violent crimes but also capital punishment and the American penal system itself. To him, violence as a cure for violence is untenable and can only create a vicious circle. The only solution, he suggests, lies in prevention: looking at the roots of violent behavior, including poverty, despair, hopelessness, and racism. His religious upbringing gives him faith in the possibility of redemption—a belief that human beings, if valued and treated with dignity, can grow and change, whatever they might have done in the past.

Stevenson, who is African American, grew up in an impoverished, segregated region of rural Delaware. When he was 16, his grandfather was murdered in Philadelphia by two young men who broke into his home to steal his TV. Devastated, Stevenson found himself at a crossroads and eventually settled on a path that might allow him to address the roots of such violence. In college, he studied criminal justice as well as social issues such as race and poverty. As part of his coursework in his second year at Harvard Law School, he volunteered for a civil rights group (the Southern Prisons’ Defense Committee) in the Deep South that worked on capital punishment and prison issues. This was another life-changing experience; many of the defendants he worked with, he says, were so badly represented that they were “literally dying for legal assistance” (185). He notes that death row inmates are among the most “rejected” people in the world and that it is often their status as impoverished and Black, rather than their actual crimes, that put them on death row.

After graduating from law school, Stevenson began working for the Committee full-time, addressing prison issues such as beatings, suicide, epilepsy, medical malpractice, etc., much of it in Alabama prisons. Eventually, he founded the Equal Justice Initiative of Alabama to handle death row cases involving indigent people, many of whom he believes are shockingly abused, neglected, and devalued by the system. If someone is murdered, he says, neither their race nor economic status nor those of the perpetrator should influence the sentencing; in America, however, it is all too often the deciding factor.

He says that there will always be those, notably prosecutors, who regard the legal service he provides to accused murderers to be odious—almost a crime in itself. However, Stevenson rejects the notion that the world is neatly divided into two groups: perpetrators of violent crimes and their victims. Most of the defendants he works with have been survivors of violence themselves, and many have suffered unimaginable losses: “My clients have seen siblings murdered, parents murdered, assaults, rapes. This becomes a way of life” (192). Violence begets violence, whether on the streets, in prison, or in the gas chamber. His fervent belief is that another approach is needed—one beginning with empathy and understanding.

Chapter 6 Analysis

If Kuklin’s book has a hero, it is Stevenson: the activist and lawyer whose pro-bono representation got Roy off of death row in 2001—four years before Roper v. Simmons—and reduced Mark’s sentence to life plus 10 years from life without parole. Stevenson has had an equivalent effect on his young clients’ emotional health, befriending them, giving them hope and advice, and broadening their worlds with books and other sources of knowledge and inspiration. Mark has considered Stevenson his “best friend” since he first contacted him before his trial (47), and Roy credits him with opening him to the world of ideas, including the humanity and psychology of his fellow prisoners, helping to make life more bearable in a very grim place that he may never leave.

Experiencing collateral criminal violence himself, Stevenson has grappled with the complex roots of violent crime since his teens. His guiding principle can be summed up by the slogan of the Victim Impact Panel that Bill Jenkins quotes in the previous chapter: “Hurt people hurt people” (177). While working for a civil rights group in the Deep South, Stevenson encountered some of the most impoverished, desperate people he had ever seen—people affected not only by their harsh upbringings and the police but by their own lawyers, who provided them with only perfunctory representation. The vicious circle of violence, ignorance, and cruelty in impoverished communities (often communities of color) has affected him indelibly. Stevenson becomes very passionate when he talks about these people, whom he believes need help—not ever-more brutal punishments.

Stevenson is deeply opposed to Trying Juveniles as Adults and is aware of the relationships between Race, Injustice, and Capital Punishment. He believes the death penalty is cruel and inhuman, especially when practiced against the young, who have the greatest capacity for change. He is also very cognizant of how easily the young can be misled, manipulated, and scapegoated by older people, acquaintances, as well as police. He cites the case of a 16-year-old Mississippi girl who was sentenced to death for a murder committed by her older boyfriend, who outmaneuvered her by being the first to give a statement to police; it recalls the fates of Roy and Nanon.

The failures of the investigatory and judicial processes are a recurring motif in No Choirboy; Kuklin repeatedly depicts the police rushing to close cases for the sake of expediency rather than justice, as well as lawyers (meant to act as a buffer against this) taking the path of least resistance. Her chapter on Stevenson serves as a counterweight, but it also makes the flaws of the US justice system more glaring by contrast.

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