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59 pages 1 hour read

Stephen Graham Jones

My Heart Is a Chainsaw

Fiction | Novel | Adult | Published in 2021

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Chapter 1-Interlude 3Chapter Summaries & Analyses

Chapter 1 Summary: “Night School”

Content Warning: This novel includes depictions of death by suicide, child sexual abuse, rape, murder, and debilitating alcohol addiction. It also discusses bigotry and violence against Indigenous Americans.

A young couple from the Netherlands, Lotte and Sven, pause on their road trip across America on the shores of Indian Lake in Proofrock, Idaho. The far shore of the lake is a national forest, but Lotte sees lights across the water. Lotte and Sven strip naked and decide to go out onto the water. They notice the light at the end of the dock flickering as they approach, and Sven discovers a canoe tied up there. They get into the canoe and begin paddling across the lake to investigate the lights. Lotte records their adventure using a phone inside of a Ziplock bag. Suddenly, the canoe enters a terribly smelly part of the water, covered in a substance that Lotte thinks might be fish guts or an animal carcass. Sven goes overboard to rescue the lid of their cooler and reports that the mass of refuse floating in the water is hair. The canoe hits something and Sven vanishes. He begins to scream, and Lotte attempts to paddle back to shore. She is pulled under the water, leaving only her phone camera in the canoe to record her screams.

Chapter 2 Summary: “Just Before Dawn”

Jade Daniels attempts to leave her house on March 13, the Friday before Spring Break, after accidentally dying her hair orange. Jade is obsessed with slasher movies and constantly references them. She is part Indigenous American and the daughter of Tab Daniels, who has an alcohol addiction and was severely injured in a car accident. Jade wishes that she could live with her white mother, Kimmy, but Kimmy left the family six years ago, and though she works in town Jade only sees her in passing, and they do not speak. Jade, tired of enduring her father’s mockery and abuse, tries to hit him unsuccessfully. Jade then knees him in the testicles and leaves, even though it is freezing cold, and she only has her work coveralls, which she was wearing when she came home from school that day after working as a janitor to help support herself and her father, to wear.

Jade goes to the construction staging sight for a new, wealthy development called Terra Nova, which is being built in the national forest across the lake. Nearby are the ruins of Camp Blood, an old summer camp that was once the location of a murder 50 years ago. At the construction site, she finds several construction workers burning trash and she stands next to the fire to keep warm. The construction workers tell her that they are in a somber mood because something bad happened to their co-worker, Greyson Brust. Jade mentions that his name sounds like a killer from a slasher movie and then recounts the story of Cropsy, the villain of the slasher movie The Burning. Jade compares herself to the groundskeeper who, after being cruelly pranked and burned by kids at a summer camp, returns to attack the campers with hedge clippers. Jade sees herself as someone on the edge of snapping and returning to attack the town as well. As she speaks, she begins to cry and shiver, worrying the construction workers.

One of the workers, referred to as Shooting Glasses because of his yellow aviators, tries to drive her somewhere warmer using a car that he found on the edge of the lake. Jade notices a glittery pink shirt in the car. Jade cannot stand the judgment and pity that she feels from everyone in the town and so she runs away from the car. She jumps off the edge of the dock and lands in the canoe tied up there. In the canoe, she cuts her wrist in an attempted suicide. 

Interlude 1: “Slasher 101”

An interlude, written as a history paper by Jade to her high school teacher Mr. Holmes, explains the history and themes of slasher movies. Jade argues that revenge is the central idea of a slasher film, and that the villains are always attempting to punish those who have committed previous wrongs.

Chapter 3 Summary: “Slaughter High”

Sheriff Hardy drives Jade to school once she returns from an eight-week stay in a psychiatric hospital after her suicide attempt. There are only a few weeks left to finish her senior year of high school. Jade has been given community service for “unauthorized use of the town canoe” (36). She worries about getting a lot of attention at school because of her suicide attempt. Sheriff Hardy gives her an envelope containing her possessions. At school, she opens the envelope to find her nametag, her earrings, and a pink cellphone in a plastic bag. Jade knows that the phone is not hers and sees that it has a sticker on the back with a phone number beginning with the country code to the Netherlands.

Jade goes to the bathroom to put on eyeliner and encounters Rica Lawless and Greta Dimmons, who remark that there will be 32 seniors graduating after all. In the bathroom, Jade encounters a new student named Letha Mondragon. Letha is beautiful and has perfect hair and clothes. She is also Black, which is unusual in Idaho. Jade is stunned by Letha’s pristine appearance and realizes that she is the embodiment of the “final girl” trope from horror movies. Letha reveals that she is from Terra Nova, the new housing development across the lake, and invites Jade to hang out once her house is finished.

Interlude 2: “Slasher 101”

Another interlude written as a paper to Mr. Holmes explains the concept of the “final girl.” Jade suggests that final girls always have the coolest names and that they are the most traditionally “virtuous” and good characters in horror movies. She writes that the final girl is the only one capable of escaping and defeating the killer, providing the only hope for the audience. Jade describes one particular final girl, Constance from the film Just Before Dawn, who kills the murderer in a fight. She admires Constance for her power and ability to defeat a bad guy.

Chapter 4 Summary: “The Initiation”

During history class, Mr. Holmes shows them footage he captured when flying an ultralight airplane around the shores of the lake. Jade is distracted, trying to identify if a slasher movie is starting now that Letha, the final girl, has arrived. She notes the signs of vice in the students, and debates whether the killer’s motivation will be due to a prank pulled in her parent’s generation or trespassing around Camp Blood. Mr. Holmes’s footage reveals a large group of dead, butchered elk. He suspects that they were attacked by bears, interpreting this as a warning against building Terra Nova in the national forest. The aircraft footage shifts to a yacht where a blonde woman is sunbathing, whom Letha reveals to be her stepmother, Tiara. This confirms Jade’s theory that Letha is a final girl, because the final girl is often coping with an issue in her past.

After class, Jade goes to the school’s supply closet to find new coveralls for her job as a janitor. She charges the pink phone but cannot figure out the passcode to open it. Her dad’s friend and fellow janitor, Rexall, offers to help her break into it in exchange for cash. He flirts with her even though she is underage, and she threatens to report him for that unless he helps her. She knows that he keeps spy cams around the school to watch girls changing. They manage to open the phone, and Jade finds the video of Sven and Lotte in the canoe. She hears them screaming but feels excited that this means a slasher movie is really happening in her town. When she leaves the building, however, she accidentally drops the phone in a puddle. Two fourth-grade girls try to help her pick it up and are nearly hit by the bus, but Jade pulls them back and saves them. As the children’s mother, Misty Christy, hugs her, Jade feels miscast in the role of the hero, and leaves.

Interlude 3: “Slasher 101”

Jade describes the plot elements necessary for a slasher movie in her essay to Mr. Holmes. She identifies that every slasher movie must have an initial blood sacrifice, adults in positions of authority becoming incompetent, a single night event like a party, a signature weapon for the killer, a murderer, and a final girl. Jade also mentions that slasher movies always have a sequel, which involves masks and a SlasherCam, but she claims that she will write about that next semester to pass history.

Chapter 1-Interlude 3 Analysis

The beginning of My Heart Is a Chainsaw establishes how Jade Daniels imagines the world through the lens of slasher movies, identifying with various character tropes to reveal her feelings about power and agency. By comparing herself and various other characters to the characters in famous slasher movies, Jade expresses her thoughts on justice, vulnerability, and perceived “purity.” Her excitement over the chance to use her expertise on these macabre films is contrasted with the disturbing implications of a slasher movie happening in reality—mingling terror and comedy in a subversion of a typical horror atmosphere.

In the novel’s first chapter, Jade sets up the conflict between herself and her father, Tab Daniels, as though it were the conflict between a slasher monster and a heroic final girl. Jade recalls that her father was injured in a car accident, affecting his physical appearance, and she laments that “she’s doomed to grow up in the same house with her own personal boogeyman” because “the wreck just broke his bones, Freddy’d his face up” (12). Calling her father a “boogeyman” and comparing his face to the scarred visage of Freddy Krueger from A Nightmare on Elm Street (1984), Jade hints that she sees her father as terrifying and powerful—a threat to her safety rather than someone who will protect her from harm. Jade has also missed a mother figure in her life, showing that she is missing Maternal Protectiveness for trauma in her past.

Similarly, Jade initially associates herself with the figure of the final girl, the hero who can defeat the killer and survive the slasher film. Disappointed by a bad hair dye job, she rationalizes, “Alice, the final girl from Friday the 13th, has sort-of orange hair, doesn’t she? She does, Jade decides with a cruel smile, and that makes this dye-job not a disaster, but providence, fate. Homage” (15). When the construction worker known as Shooting Glasses later offers to drive her home, he calls her “final girl,” which initially makes her very happy. However, she informs him that she could not be the final girl because she is not “pure,” implying that purity necessitates having never had sex (28). While Jade seems to want to be a final girl, possessing the strength to stand up to the killer, she is too ashamed of her past trauma to feel comfortable embodying the trope. Jade attempts to hit her father when he makes fun of her hair, but is ultimately unable to hurt him, confirming her belief that she is incapable of being a hero. When she does perform a heroic act, saving a child from being hit by a bus, Jade feels she does not fit into the narrative. She rationalizes that “she was only keeping this elementary schooler from getting the phone, she wasn’t trying to save any lives, be any kind of hero—that’s not what she does. Kind of the opposite, really” (61). Jade here is delineating Justice Versus Revenge—she believes in order to be a final girl she must be meting out justice for revenge, when what she did for Misty’s children was no act of justice or revenge but simple utilitarianism. This action foreshadows how she will later develop into a new form of final girl who is capable of being a hero in addition to overcoming real-life demons.

Rather than identifying as a hero in the story, Jade instead takes on the role of both “monster” and “victim” to experience a sense of belonging. When she talks with the construction workers, she compares herself to the villainous killer Cropsy, using first-person pronouns to recount the plot of the movie as though she was experiencing its events from the killer’s point of view. She offers unusual empathy to the killer, suggesting that these seemingly powerful antagonists are victims as well when she asks the construction workers, “Now, say I just woke up, saw that in the very last part of what I’m going to come to consider the good part of my life, wouldn’t my first impulse be to cover those eyes, to ruin those eyes, to stop this scary shit from happening?” (25). Similarly, when she is near to dying in the canoe, she feels pity for the killer Jason Voorhees, imagining that he was only a scared child seeking protection.

Jade also imagines herself in the role of “murder victim” to feel like she has a significant connection to the stories she loves. Her suicide attempt is motivated by her desire to be involved in a slasher storyline. She hopes that the blood she offers to the lake will attract a killer, allowing her to have some role in the narrative even if she does not embody the traditional “purity” of a final girl or possess the coldhearted evil necessary to be the slasher. At school, the novel portrays Jade as a social outsider who feels constantly pitied and judged by other students and adults. When she sees some of the tropes of a slasher movie unfolding in Proofrock, she is excited but holds herself in check by remembering that “when you’re wearing slasher googles, everything can look like a slasher” (50). However, once she discovers the recording of Sven and Lotte being murdered, she is thrilled rather than frightened or disgusted, which reminds the reader that this is not a saccharine-sweet protagonist. Jade imagines herself in the place of Lotte during her murder, emphasizing how she craves connection to others through the medium of film:

[S]he rewinds again to Sven going over the side, memorizing every splash, every breath, every moment of this magical thing that happened after Proofrock was asleep, and this time through she flinches with Blondie, even turns around with her, trying see over all sides of the canoe as well (59).

For Jade, being a part of a narrative is more important than her own survival because it gives her a way to connect herself to other people and lends meaning to her experiences, even if the narrative was tragic for the other people involved. 

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