39 pages • 1 hour read
Michael DorrisA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Summary
Background
Chapter Summaries & Analyses
Character Analysis
Themes
Symbols & Motifs
Important Quotes
Essay Topics
Tools
Content Warning: This section includes discussions of colonization and miscarriage.
The chapter opens with Morning Girl introducing herself, explaining that her name comes from her love of waking up early. She never fully relaxes in her dreams and wakes up ready to “sift the ideas that have come to me in the night and decide which one to follow first” (2). She enjoys the solitude of the morning. She walks around quietly so she won’t wake anyone. She’s tried to convince her brother to wake up early, but he prefers nighttime, especially when there’s no moon. For him, “night is day, sleep is awake” (3). Morning Girl wonders how they became so different, as they rarely see each other due to their opposite schedules. Her mother assures her that one day she and her brother will be friends, but Morning Girl disagrees. She believes that her brother hides his true self from their mother.
On this morning, just before dawn, Morning Girl finds her brother sitting on the edge of her mat. When she asks what’s wrong, he says that everything is fine, and she is always complaining. Frustrated, Morning Girl gets up and leaves. She reflects on how the day seems to welcome her with endless possibilities: she could run, walk, climb, or swim. She decides to pick flowers for her parents to make into necklaces. She imagines how happy they’ll be to receive them and envisions them still wearing the flower necklaces later when her brother finally wakes up.
Star Boy, Morning Girl’s brother, reflects on how, on a moonless night, the more you gaze at the sky, the more stars you see. He then lists some of the things he dislikes: when his sister wakes him up, fish with too many bones, and, most of all, “nothing.” By nothing, he means the times “when there’s nothing to hear, nothing to taste, nothing to touch, especially when there’s nothing to see” (8). These moments make him feel lost, as if he doesn’t know where he is.
He remembers the first night he woke up and realized everyone was invisible. He felt as though he had become nothing and didn’t know how to get back. That morning, his mother asked why he was up so early, like his sister. Star Boy doesn’t like being like his sister, so he claimed he didn’t need sleep anymore. His mother joked that he might be like a bat, awake all night and asleep during the day. Star Boy liked the idea and decided to go back to sleep. Morning Girl joked that he would hang upside down like a bat, and she would poke him with a stick. Their mother asked him what he liked about the night. He explained: “I like the stars. I like to look down at them” (9). To this, Morning Girl replied that you don’t look down at stars. Their father explained that you do if you’re a bat. He then gave his son the name Star Boy. Star Boy embraced the name, and their father joked about being the father of a morning flower and a bat while only he appreciated the value of rest. Their mother then asked Star Boy why he liked the dark, and he replied that it is vast, with many things to see if you look closely.
Morning Girl reflects on how her brother always ruined things for her growing up: “He messed up the niceness for me. Just being himself, he was too loud: making jokes when he should be serious, talking when he should listen, running when he should sit” (15). She often imagines how peaceful life would be without him, just her, Father, and Mother, living calmly. Yet, Star Boy is a trouble she is now used to. She recalls when her mother told her she was expecting a baby sister. They were sitting together, spinning cotton, when her mother told her that soon she would have a baby sister to play with. She then asked Morning Girl what they should name the baby. Morning Girl was shocked, and when she asked if Star Boy knew, her mother said she would tell him that night. Later that day, Morning Girl overheard her mother and Star Boy talking outside. He asked how she knew it would be a girl, and when she admitted she was not certain, he became upset: “If it’s another sister I’ll leave and go someplace else. […] I’ll find a house that has no sisters at all” (17).
A month later, Morning Girl comes back home to find her mother absent, and her father explains that she went to visit Grandmother. She can tell that he’s worried. Morning Girl asks him to think of names for the baby, but he replies that people choose their own names, or the names choose them. The day passes slowly without Mother, and Morning Girl misses her. The next day, Father tells her and Star Boy that their mother will return tomorrow but without the baby sister. He seems sad, and Morning Girl notices that Star Boy looks scared. He asks if their mother is ill, but Father reassures him that she’s not sick, only disappointed because the baby didn’t come. Morning Girl realizes that she, too, is disappointed. When their mother finally returns, she hugs Morning Girl tightly, and Star Boy rushes in to hug her as well. Watching them, Morning Girl realizes it feels right.
In the first three chapters of Morning Girl, Dorris introduces the two main characters and narrators, Morning Girl and Star Boy, in clear juxtaposition to one another. Morning Girl loves to wake up early at dawn, eager to seize the day, while Star Boy prefers to stay awake all night and sleep during the day. Their father acknowledges this contrast, joking that he is the father of a bat and a morning flower, using symbolism to describe the differences between his two children. This opposition defines the relationship between Morning Girl and Star Boy, and they don’t seem to like each other much. Star Boy, for instance, states, “I didn’t like being anything like my sister” (9), while Morning Girl often imagines life without her brother, thinking, “It was as though Star Boy didn’t truly belong in our family, and when I was angry, I imagined what it would be like if he weren’t around, how perfect each minute could be” (15). Morning Girl finds her brother’s presence disruptive: he’s too loud and impulsive, while she prefers calmness and has an introspective and thoughtful nature. Their clashing personalities create tension between them. At best, teasing banter marks the siblings’ interactions.
The announcement of a new baby sister brings even more disruption to the siblings’ relationship. Morning Girl imagines life with just her parents and the new baby, forgetting about her brother, Star Boy, who, on the other hand, reacts with frustration at the idea of another sister. Still, despite these moments of sibling rivalry, there is an undercurrent of familial love, introducing the theme of The Significance of Cultural and Familial Bonds. Morning Girl loves her parents, as her thoughtful gesture of picking flowers for them proves, hoping they will appreciate them. While Star Boy seems more distant, he worries deeply for their mother when she experiences a miscarriage, revealing a deeper care for his family than he lets on. The loss of the baby brings the siblings closer together, as both Morning Girl and Star Boy share a common sadness. Morning Girl, for the first time, watches her brother hug their mother without feeling jealous. This moment signifies the beginning of a shift in their relationship as Morning Girl recognizes the bond they share.
The first three chapters also establish the setting of the novel. Morning Girl takes place on an unnamed tropical island in the late 15th century, with vivid descriptions of the natural world. Morning Girl likes to “watch the ocean or slip into the mango grove, keep very quiet until the birds forgot I was there and began to talk to one another again” (5). The lush island, rich with fruit and alive with birds and flowers, is an immersive backdrop, which conveys the theme of Respect for the Natural World. Both Morning Girl and Star Boy have their unique connections to the environment around them. Morning Girl loves the ocean, flowers, and birds, while Star Boy is drawn to the vastness of the night sky and feels connected to bats: “I thought of bats and how they race through the dark sky fast as late summer rain. I thought of how the wind would feel against my skin if I could fly” (9). The natural world, with its beauty and mysteries, shapes the children’s perceptions of themselves.
By Michael Dorris