60 pages • 2 hours read
Janet Skeslien CharlesA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The novel highlights the significant yet overlooked contributions of women during WWI, including the American Committee for Devastated France, called CARD as an acronym for its French translation: le Comité américain pour les régions dévastées. CARD was a volunteer civilian relief organization founded by philanthropist Anne Morgan, the daughter of J. P. Morgan, and physician Anne Murray Dike. Anne Morgan used her wealth and position to campaign for women’s rights, as Jessie narrates in the novel:
Instead [of features in the society pages], front-page profile pieces described her advocacy for working women—pushing for better salaries, safer conditions in factories, and paid vacation. She and her high-society friends picketed the streets of Manhattan with impoverished garment workers, knowing that where the well-heeled went, newspapermen and cameras would follow (12).
Using these lessons, Morgan used photography to document the suffering of the people in war-torn France and bring attention to it in the United States. As a trained physician, Anne Murray Dike organized field work and kept records, including the budget, for CARD. Both women received the Croix de Guerre for courage under fire and were appointed to the French Legion of Honor. As in the novel, Anne Morgan and Anne Murray Dike set up CARD headquarters in the 17th-century Château de Blérancourt, fewer than 40 miles from the front and close to what became known as the Red Zone, an area so contaminated with unexploded ordnance, human and animal remains, and toxic chemicals that it is still unfit for human habitation.
So close to the front, CARD members faced dangerous and difficult work; as described in the novel, most volunteers paid their own way, right down to purchasing the required blue uniform, and were expected to work long hours in devastated communities. CARD members helped families who had fled to other areas of France return to their homes by providing provisions, medical care, and jobs. The work of the novel’s characters, including their courage under fire during the German offensive of 1918, illustrates these efforts. As with Anne Morgan and Anne Murray Dike, the novel’s Jessie “Kit” Carson and Mary Breckinridge were real-life CARD members committed to service in Europe. Breckinridge, whom Skeslien Charles calls “a driving force for healthcare in rural America as well as a leader in nurse-midwifery” (306), used her experience in post-war Europe to create the non-profit Kentucky Committee for Mothers and Babies, later known as the Frontier Nursing Service.
Carson, the novel’s main character and primary narrator, was an American librarian and chair of the businesswomen’s unit of the National League for Women’s Service, recruited to CARD by Morgan herself. “With Carson at the helm, CARD founded five libraries and created fifty circulating libraries in the North [of France]” (303); Carson herself is credited with making key changes to French libraries and extending library services to children. She refitted ambulances with specialized shelves to bring books to families throughout the Red Zone, helped rebuild the library at Blérancourt, and organized story hours to spread the love of reading to children whose parents could no longer afford the luxury of books. Under Carson, CARD also helped Frenchwomen gain a foothold in library science by sending students to school in the United States; the story of Marcelle Moreau, though fictional, depicts this achievement. In her Author’s Note, Skeslien Charles explains that “thanks to their curiosity, generosity, and open-mindedness, Cards accomplished great things during and after World War I, in France and at home” (306).
The New York Public Library (NYPL) is a public library system in New York City, the second-largest public library in the United States behind the Library of Congress. The main branch is an iconic marble Beaux-Arts style building opened in 1911 at Fifth Avenue and 42nd Street. It took more than a decade to plan and build, and was financed by many wealthy Gilded Age philanthropists, including Andrew Carnegie. Upon opening, the main branch was immediately popular, and thanks to its millions of volumes, public reading rooms, and art exhibitions, the library’s popularity continued to grow throughout the twentieth century. In the novel Kit remarks, “My father brought me to the NYPL […] and I was never bored again” (232). As a library with near-legendary status, it attracted librarians and writers from far and wide who hoped to work in its hallowed halls. In the novel, the NYPL is a monument to The Preservation of Cultural Artifacts and The Value of Literacy as a Means of Connection and Escape, as described by Wendy: “Imagine being surrounded by more books than anyone could read in a lifetime. Imagine the limitless possibilities of stories and truths and adventures. Imagine protecting these tomes for future generations” (28).
Wendy feels a connection to Jessie “Kit” Carson in the novel because she was a real-life librarian at the NYPL, and the novel depicts some of the varied tasks that librarians do, such as organizing materials, assisting with research, archiving history, and providing services to the local community. Skeslien Charles describes the work of librarians as a labor of love, both for books themselves and the communities they service, using small details to reveal many of the unseen duties the job entails. When setting up the library in Blérancourt, Kit carefully considers the location of the children’s section to provide a safe space, and when designing the Belleville library, she notes how the location of the windows and hearth, the color of the walls, and the type of furniture are all “elements that, if a library is designed in the right way, patrons don’t even notice” (295). She teaches the women of the village the Dewey Decimal system, a symbol of order and routine; the system uses three-digit numbers to classify books, and fractional decimals that allow the categories to be expanded upon so that books can be added and organized on library shelves. In revolutionizing French libraries, the real-life Carson was supported by French librarian Eugène Morel, who helped bring the Dewey Decimal system to France.
Miss Morgan’s Book Brigade is Skeslien Charles’s second novel about the importance of librarians’ work, which she notes is getting harder as censorship is on the rise in the 21st century. Today, the NYPL continues to host speakers and programs, like Wendy’s in the novel, and many resources have been made accessible on its website; across the US, local libraries provide internet access and loan out numerous household items in addition to books. The novel depicts libraries, from the monumental NYPL to the humble bookmobile, as symbols of learning and enlightenment, bulwarks against chaos and prejudice: “among the few places where people may enter for free and enjoy culture” (314). The author emphasizes that by maintaining and organizing these systems, as well as adapting to the needs of communities, librarians help preserve culture, connect people, and spread knowledge.