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Salim Alwan, who recently recovered from a serious illness, returns to his business, but his appearance, mental state, and physical stamina are greatly impacted. Alwan feels that his employees, family, and neighbors despise him and have provoked his health crisis due to envy. He meticulously audits the books, interrogates employees about their punctuality, and experiences anger and bitterness. Alwan’s interactions with everyone around him reveal his resentful attitude toward the world. His faith is shaken, and he ponders why he, a good man, has suffered. A visit from Radwan Hussainy provides some solace as they discuss the philosophical aspects of illness and faith.
Hamida meets her new love interest, Ibrahim Faraj. They stroll together, engage in flirtatious chatter, and share intimate moments. Hamida struggles with her conflicting emotions—the attraction that she feels to Ibrahim and the resentment his advances provoke. Ibrahim proposes a life of luxury, happiness, and partnership with Hamida, suggesting that she could leave behind her current life for a more fulfilling one. However, Hamida becomes outraged when Ibrahim reveals his true intention for her, namely, that she become his lover and partner rather than his wife. Despite their disagreements, Ibrahim remains confident in his belief that Hamida possesses the qualities he desires. The end of the chapter reveals that Ibrahim is, in fact, a pimp who is trying to recruit Hamida as a sex worker.
Hamida categorically decides to leave her old life and be with her lover, whatever this new relationship might bring her. She reflects on her past, on her relationships in the alley, and on her affection for her foster mother. With determination, she dresses in her best clothes and goes to meet her lover. When they arrive at his luxurious apartment, she insists on sleeping separately for now, asserting her desire to maintain some independence. The chapter ends with her lover revealing his occupation as a “school headmaster,” hinting at the knowledge and experience he can offer her.
Hussain Kirsha, having lost his job with the British Army, returns to Midaq Alley with his new wife and her brother, provoking his father’s anger and skepticism. At the same time, his mother, who is relieved and hopeful, attempts to mediate between the different parties. After an intense confrontation, Kirsha begrudgingly accepts their presence.
Hamida visits different departments of Ibrahim Faraj’s establishment, including “Oriental” and Western dance studios, as well as an unconventional English class involving a naked woman. Despite Hamida’s confusion and inner turmoil, Ibrahim maintains his charm and assures her that the decisions are ultimately hers. Their intimacy increases, but when he hints at selling her “virginity” to American and British officers, she reacts violently, leading to a tense and emotional confrontation.
Zaita and Dr. Booshy navigate the graveyard, approach the tomb of a recently deceased man, and gain access to the burial vault. Dr. Booshy extracts the golden teeth from the deceased for his business. However, their operation is interrupted by the unexpected arrival of the authorities. The two men are sent to prison, and the news spreads through the alley, causing shock and panic among the residents. Mrs. Saniya Afify, who bought a similar golden denture from Dr. Booshy, reacts dramatically to the news.
Abbas returns to the alley with high hopes of marrying Hamida. His mood turns somber when Uncle Kamil informs Abbas of Hamida’s disappearance. Abbas is devastated by the news and struggles with overwhelming emotions. He questions Uncle Kamil and Hamida’s mother, seeking answers and clinging to hope, but the reality of her absence hits him hard. Abbas’s sense of purpose crumbles, leaving him in a state of despair and anger. He contemplates the possibility that Hamida left with another man, and jealousy and bitterness consume him.
The theme of Tensions Between Traditions and Modernity serves as a powerful undercurrent throughout these chapters, offering a nuanced exploration of the impact of colonial occupation and modernization on the lives of individuals in Midaq Alley. As British forces dominate Egypt’s political and economic scenes, the characters’ experiences become intertwined with the evolving social fabric and changing norms of the time.
The political climate is mirrored in the deterioration of Salim Alwan’s health and mental state in Chapter 22. His paranoia reflects a broader sense of distrust and resentment directed at the changing world. Alwan’s obsession with punctuality and anger toward his surroundings signify a desire to regain control in a world that seems to be slipping from his grasp. His philosophical discussions with Radwan Hussainy highlight the search for meaning and solace in a world filled with uncertainty, mirroring the larger societal quest for identity amid colonial rule.
Sex work within a colonial context is a sensitive subject explored in Hamida’s story, highlighting the theme of Women and Modernity in Egyptian Society. Her interactions with Ibrahim Faraj in Chapter 23 shed light on the power dynamics between Hamida and Faraj, as well as her value on the “market.” Such value is determined by the tastes and preferences of the British and American soldiers and officers, whom she must appease. Faraj’s deceptive promises of luxury and partnership underscore the allure of a life different from the traditional norms of Midaq Alley. However, the revelation that he is a pimp shows that exploitation is rampant under the influence of colonial forces, especially in regard to women, who also have strictly defined gender roles in traditional society. This situation echoes the broader impact of colonialism on the social and moral fabric of society, whereby traditional values and structures are disrupted, while the promising new norms are rife with corruption.
Hamida’s decision to embrace her new life in Chapter 24 represents the tension between Societal Expectations of Love and Sexuality. This moment marks the climax of the story. Hamida’s determination to leave behind her old life signifies a desire for personal growth and transformation, mirroring the broader societal longing for progress and change. Her insistence on maintaining some level of independence within her new relationship reflects the evolving roles of women in a changing world. Although Hamida is hopeful about her new life, the narrator implies that she is somewhat aware of the risks to which she is exposing herself. Nevertheless, Hamida is willing to take these risks—that is how much she wants to leave behind her life in Midaq Alley. Chapter 26 further illustrates the cultural shifts brought about by colonialism. The inclusion of unconventional English and dance classes in the training of sex workers signifies the impact of Western practices and aesthetics on Egyptian society and how these practices will shape women’s gender and cultural roles in the future.
Hussain Kirsha’s return in Chapter 25 highlights the aftermath of colonial occupation on individuals’ lives. This highlights how Egypt’s political situation complicates The Desire for Independence that characters experience on both personal and societal levels. The loss of his job with the British Army exposes the fragility of alliances forged under foreign rule and the uncertainty of an independent future. His return to Midaq Alley reflects the complex emotions of those who navigated the shifting power dynamics of colonial rule, hinting at the possibly ruinous aftermath of British occupation.
In Chapter 27, the grave-robbing incident exemplifies how societal desperation and moral boundaries can prompt any amount of risk taking by the lower classes, highlighting the theme that Class Divisions Hinder Personal Aspirations. The characters’ actions, driven by economic necessity, mirror the compromises made in the face of a changing market and society focused on material profits. This episode underscores the moral decay that can occur when individuals are forced to navigate the gray areas between survival and ethical principles and how economic necessity shapes personal decisions in ways that are detrimental to the individual.
At this point in the story, Abbas’s disappointment when he finds out that Hamida has disappeared is expected. His return to the alley marks the beginning of the novel’s denouement. The appearance of a “raging sirocco” (238) symbolizes the power of strong emotions, such as love, to transform and give direction. Abbas was previously shown to be a gentle and kind person who lacked ambition without his love for Hamida. The wounded lover, however, changes his character promptly when he is met with a rival: “He recalled his joy in the goldsmith’s shop when he selected the gift. The memory flowed through him like a gentle spring breeze, but, meeting the glare of his troubled heart, it was transformed into a raging sirocco […].” (238). Beyond the psychological significance that this scene has for Abbas’s character, the symbol of the raging sirocco represents the anger that fuels many of the actions and transformations in Cairo at the end of World War II. This anger, a resource that a colonized population cannot be deprived of, has the potential to give rise to transformation and freedom as well as violence and upheaval.
By Naguib Mahfouz
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