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After returning from the trip, Mary Jane feels her whole life has changed. She can no longer relate to her parents and feels that the people at the Cone house act more like a real family than her own. In the three following weeks, Mary Jane continues her babysitting chores, but Richard and Bonnie seem distant from each other. One day, Sheba and Jimmy decide to take Izzy and Mary Jane record shopping. They need to drive into Baltimore to find Night Train Records in a neighborhood populated by Black and immigrant people. Mary Jane believes her mother would have a fit if she knew.
When they arrive, the store clerks immediately recognize them, giving the couple celebrity treatment. Everyone loads up on music from a variety of genres. The clerks ask if they can take a photo of the famous couple and their “nieces.” They agree, and when Jimmy confides to Mary Jane that he’s getting edgy from all the attention, the group leaves.
Back at home, Mary Jane and Izzy listen to their new songs. After dinner, Jimmy brings out his guitar, and so does Richard, even though he’s put his rock band days behind him. Bonnie plays the flute. The three musicians launch into a rendition of “Stairway to Heaven” while Izzy tries to beat time on a tambourine. Later that night, Sheba drives Mary Jane home, and the latter promises to make bird’s nest eggs for breakfast the next day.
When Mary Jane comes downstairs in the morning, she is confronted by her angry parents. The photo taken at Night Train Records has made the newspaper's front page, which Beanie immediately showed to Mrs. Dillard. Mary Jane tries to explain, but her parents forbid her to return to the Cone house. She protests that Izzy needs her and her job is only for two more weeks before school starts, but her parents remain firm.
Mary Jane is then banished to her room. On Sunday, she is expected to attend church and sing in the choir to keep up appearances. During her performance, she sees Sheba, Jimmy, and Izzy in the back row. After the service, Mary Jane darts away from her parents and jumps into their car as Sheba speeds off. Happy to be reunited, the group takes off for a short joy ride.
Less than an hour later, everyone returns to the Cone house, where the Dillards are waiting to claim their daughter. Mary Jane asks to make Izzy a snack before she goes home. As she prepares the food, the Cones rave about Mary Jane’s culinary skills to her parents, which surprises her mother. Afterward, the nanny bids a sad farewell to her charge: “I leaned into Izzy’s ear and whispered, ‘I promise I’ll be back, but it might not be until school starts again.’ Izzy looked at me, her eyes huge and wet. I kissed her” (276).
Even though Richard asks if Mary Jane can stay on as Izzy’s nanny, her parents refuse. At home, her mother says, “How did those people eat before you arrived? They talked about you like you were Gandhi feeding the starving masses” (278). Mary Jane tries to soften her mother’s criticism: “‘You did a really good job teaching me how to keep house and how to cook. Everyone was amazed by my cooking, and I learned all that from you.’ I blinked rapidly to keep my eyes from filling with tears” (280). Mary Jane declares that working for the Cones was the best summer of her life, no matter what her mother might think.
Mary Jane is still under house arrest for the following few weeks, which keeps her from getting a chance to say goodbye to Sheba and Jimmy before they leave. Two days before school starts, Mrs. Dillard takes her daughter to buy new school shoes. In the store, they encounter Beanie, who shares some gossip about the Cones. Apparently, the couple is getting divorced. Bonnie has taken Izzy and moved into a row house in the Rodgers Forge area, where the child will be enrolled in public school. After Beanie leaves the shop, Mary Jane thinks,
Beanie Jones was the only person I knew who understood how energized and dazzling it felt to be with Jimmy (and Sheba). She was the only witness to my secret summer. But she was someone with whom I wanted to share none of it (289-90).
A few weeks after school starts, Mary Jane is asked to join the adult choir. At the end of one of their performances, the choir director hands her a package addressed to her at the church. Mary Jane recognizes the writing on the box as Jimmy’s, so she sneaks it home and opens it privately. Inside is a note from Sheba saying how the Cone house wasn’t the same without Mary Jane. She talks about how she found a new movie script with a great part for herself in it. Jimmy remains clean and sober after leaving Dr. Cone. He has also recorded a new album with the band, and Sheba believes it’s his best work yet. She says,
I think we did it right those couple of months, don’t you? Great food, great music, and great fun. Don’t ever let anyone tell you that fun isn’t important because, damn, Mary Jane, if there’s one thing I’ve learned in my strange life, it’s that fun counts (296).
The package also contains a cassette recording made by Jimmy. He’s written a song entitled “Mary Jane.” When the girl listens to all the wonderful things Jimmy sings about her, her summer memories flood her mind. Afterward, she approaches her mother and makes her listen to the recording. By the end of the song, Mrs. Dillard is moved to tears. Mary Jane notes, “[My mother’s] smile broadened and that electric feeling turned into a buzzing that covered my body in something that felt like happiness. I could tell just then that my mother was proud of me” (304).
Sometime later, Mary Jane and her mother visit Bonnie and Izzy in their new home. It’s just as untidy as the original house was. Bonnie has invited them over for a special reason. They’re going to listen to Casey Kasem’s American Top Forty. As they wait for the broadcast, Bonnie talks about her amicable divorce. May Jane observes that the Cones are still in frequent contact with each other: “Instead of a drawn-out tug-of-war between two people who wanted to destroy each other, the Cones’ divorce appeared to be a gentle rearrangement of housing and time” (309).
Izzy waits impatiently for the announcement they want to hear. Kasem finally says, “Moving up from the number two spot, here is the most popular song in the land, written and produced by Jimmy Bendinger. At number one, Running Water’s ‘Mary Jane’” (311). Mrs. Cone, Izzy, Mary Jane, and Mrs. Dillard join hands and sing the words. They know the song by heart.
The book’s final segment focuses on Mary Jane’s attempts to straddle two different worlds. As a result, the book’s emphasis in these chapters is on Choosing an Identity. Initially, the girl seems to lean even farther in the direction of the lifestyle that Sheba and Jimmy represent. When she goes to a record store with them, Mary Jane is overwhelmed and excited by the new music she’s hearing for the first time. Sadly, her euphoria is brief. When the picture of the power couple hits the newsstands, the Dillards are outraged to see their daughter in the company of a drug addict, his wife, and the Black staff of a record shop in a downscale Baltimore neighborhood. Mary Jane’s parents always desire to maintain appearances at all costs. Since their primary coping mechanism is denial, they shut Mary Jane away to separate her from them and from what they perceive to be a bad influence. The heartlessness of tearing Izzy away from her nanny doesn’t occur to them.
After a brief reunion with Jimmy, Sheba, and Izzy, Mary Jane is sent back to her parents. During the short time that Mrs. Dillard is in the Cone house, she develops a grudging appreciation for her daughter’s capabilities in the kitchen. However, she is also baffled by the appreciation that everyone seems to have for the teen. Just as Mary Jane has developed a new perspective on her parents because of her exposure to the Cones’ lifestyle, Mrs. Dillard sees her daughter in a new light based on the glowing perception of other people. Mary Jane is operating in a different kitchen than Mrs. Dillard’s, and she does so with obvious skill.
One might expect Mary Jane to reject her parents’ narrowmindedness after her summer with her Found Family. However, she makes the surprising move of seeking common ground. Since Mrs. Dillard has virtually nothing in common with the Cones or their guests, Mary Jane appeals to her through two familiar elements: cooking and music. Once back home, Mary Jane points out how well her mother taught her to cook. Part of the reason for the praise Mary Jane reaps as a chef is because of Mrs. Dillard. Because her mother also plays guitar and sings, Mary Jane appeals to her through the avenue of music. When Jimmy’s tape arrives, Mrs. Dillard is hostile, but Mary Jane insists she listen to the song.
‘Mary Jane!’ Jimmy sang, and my mother’s eyes blinked rapidly at the sound of my name. I couldn’t bear to watch her any longer, so I stared at the tape recorder. It wasn’t until the song ended when I finally lifted my head. My skin was instantly chilled, electric, as I saw that my mother was smiling. Her bottom lip quivered, just slightly (303-04).
Though Mrs. Dillard remains a stiff, resistant figure throughout the novel, she has also gone on her own small Journey of Self-Discovery. She realizes she loves her daughter and has come to view her as more than a child who needs constant supervision. Mary Jane is a capable young woman who can care for a child and feed a house full of people on her own. These are traits that Mrs. Dillard would respect in anyone, and she is finally able to see these qualities in her daughter because other people have told her so.
The book’s last scene represents a fusion of two antithetical lifestyles when Mrs. Dillard and Mary Jane go to see Bonnie and Izzy in their new house. Mrs. Dillard has softened enough that she is willing to visit a less upscale neighborhood than her own and enter a house that remains in a permanent state of messiness. Just as Mary Jane has always sung harmony and brought harmony to the Cone household during a turbulent period, she seems to infuse this gathering with that same quality. The catalyst is the song Jimmy has written for her. Everyone has gathered together to hear it top the charts at number one.
A drumroll played. Izzy opened her smiling mouth wider; her eyes were enormous. She reached out and took my hand. I looked to my mother, stuck out my hand, and she took it. Mrs. Cone put out both of her hands and completed the circle so we were all connected (311).
Mrs. Dillard, Bonnie, and Izzy all appreciate the song and the girl about whom it was written. Their connection to one another and their ability to sing harmoniously together is an indicator of another Found Family in the making.