62 pages • 2 hours read
Jack LondonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section refers to death by suicide.
The novel’s protagonist, Martin Eden is large and physically strong from a lifetime of heavy labor; since age 11, he has had to take care of himself and work. Martin is 21 years old, works as a sailor, and lacks a formal education. He’s suddenly thrust into the world of bourgeois society after rescuing Arthur Morse from an assault.
Life at sea added a sway to Martin’s step; he’s somewhat ungainly and awkward on land. His strong-featured face and thick neck are scarred from fights and from being lashed by a rope when he saved a fellow sailor from drowning. Beneath his tough exterior, Martin has great, though untrained, intelligence and is keenly sensitive to beauty. He has traveled throughout the world, from treasure hunting in the South Seas, to spending time with Indigenous people in Tahiti, to surviving dengue fever thanks to a beautiful woman in a colony of people with leprosy. Martin harbors a special love for the South Seas, which he later views as an escape from bourgeois society. Throughout the first part of the novel, his lack of education and vocabulary causes him to struggle to capture the scope of his thoughts and observations.
Martin’s two great and conflicting passions in life are his monomaniacal drive to write and his love for Ruth Morse, Arthur’s beautiful and intelligent sister. Martin’s early goal in the novel is simply to become worthy of Ruth’s love. He loves her from the first time he sees her, but his working-class upbringing poses challenges to their developing relationship. Ruth takes a liking to Martin and oversees his education, unaware of how deeply she plays with his soul. Martin is otherwise an autodidact, learning through books he borrows from the library. He resonates with scientific principles, especially through the works of Herbert Spencer, which unite science and philosophy and give Martin the framework to express his ideas. Martin discovers an innate ability to write and abandons the idea of holding a normal job, which causes friction between him and Ruth when they get engaged. Martin produces his entire body of work within just two years during a creative burst. His most notable works are “Sea Lyrics,” “The Pot,” “The Peri and the Pearl,” “Wiki-wiki,” and “The Shame of the Sun,” the last of which catapults him to literary fame.
Education ultimately alienates Martin from the working class, including his own family, and from the bourgeoisie, whom he considers himself above. He faces starvation multiple times, during which he’s forced to pawn possessions; at one point, he takes a hellish job at a resort laundry facility, where he meets Joe Dawson. He finds a kindred spirit, intellectually and creatively, in the sickly Russ Brissenden. Brissenden warns Martin of the toxicity of public opinion and the fickle nature of mass consensus.
Fame and fortune come too late for Martin, and Brissenden’s warnings about the bourgeoisie and the fickle public prove correct. Ruth leaves Martin because of pressure from her parents after a slanderous newspaper article frames him as a socialist agitator. Martin is a Nietzschean individualist; he despises the concept of socialism, believing in the ideals of strength and self-governance. However, his individualism ultimately becomes his undoing. Brissenden’s death by suicide robs him of the only person he’s capable of relating to. Ruth’s leaving him shatters his idealism and belief in the importance of love. Those who abandon him during his time of greatest need come flocking back once he achieves fame and fortune. Martin is tormented by the thought that they now appear to love him for the very work he created that no one else believed in. He rewards Joe, Maria Silva, and Lizzie Connolly for their faith in him and their appreciation of him as a person, and he ensures the future comfort of his sisters, Gertrude and Marian, despite the way his brothers-in-law treated him. By the end of the novel, life becomes a miserable sickness to Martin. He plans to establish an estate in his beloved South Seas, but unbearable alienation and disappointment in humanity and love deal crushing blows. Inspired by a Swinburne stanza, he dies by suicide to end his suffering.
Martin’s love interest and, eventually, fiancée is Ruth Morse. She’s 24 and a college student studying English at the University of California when Martin meets her at the beginning of the novel. Ruth is beautiful and elegant. Her behavior, values, and attitude are all a result of her sheltered upbringing. She doesn’t understand the struggle of the working class, and she has a misguided view of poverty and an unconscious disdain for its effects on people. Because of her sheltered life, Ruth fails to recognize that she’s falling in love with Martin.
While Martin is attracted to Ruth’s grace and purity, viewing her as an angelic being, she’s unconsciously attracted to Martin’s physical strength, often fixating on his strong, broad neck. In these instances, Ruth feels ashamed of herself and experiences a mixture of disgust and animal attraction toward Martin. Ruth doesn’t consider the ethical implications of guiding Martin’s education, taking it on almost as a hobby. Her efforts to improve Martin help alienate him from his own class, while his poverty and ignoble origins prevent him from ever fully fitting in with the upper class either.
Ruth’s view of art, music, and literature are conventional, learned from popular critics and the dogmatic views of her professors. Martin’s exploration of realism and science in his writing is soon out of her depth. Ruth fails to see the value in his work because she doesn’t understand it, and she underestimates Martin’s effort, value, and strength simply because others haven’t yet recognized him. She breaks their engagement when Martin’s reputation threatens her own, proving Martin’s suspicion that she’s a slave to the common consensus. When he becomes famous, Ruth tries to win him back, but Martin refuses her advances.
Martin meets Russ Brissenden at a social mixer at the Morses’ house. Initially, Martin mistakes Brissenden’s indifference at the bourgeois scene as dullness. However, when they happen to meet on the street after leaving the party, they go out for drinks, and Martin soon discovers a kindred spirit and fellow intellectual in Brissenden. A frail man, Brissenden usually wears an oversized great coat. Martin notices how suntanned he is, though he doesn’t appear to be working class. He learns that Brissenden has tuberculosis, which likely contributes to his self-destructive lifestyle; he recently moved to the San Francisco Bay Area from Arizona, where he’d been living because the hot and dry climate eased his tuberculosis symptoms.
Of all the people Martin meets throughout his attempted rise to the upper classes, Brissenden is the only one who understands him. In addition, Brissenden takes a particular interest in Martin’s writing and philosophy. Martin, in turn, considers Brissenden the most capable writer he has ever encountered, though Brissenden himself has no interest in literary magazines or publication. He believes that beauty itself is its own aesthetic reward. On an intellectual level, Martin and Brissenden are somewhat opposed. While Martin is a Nietzschean individualist, Brissenden is an avowed socialist. However, this difference becomes fertile ground for robust debate and deepens their friendship. Brissenden introduces Martin to a bohemian intellectual circle in San Francisco—one of the highlights of Martin’s life—as well as a socialist meeting, which Martin doesn’t enjoy.
Brissenden is affluent and liberal in spending money on his friend, taking Martin to dinner and ordering them both copious amounts of whiskey, Martin’s drink of choice. This helps Martin through periods when his debts threaten to starve him. Reading Martin’s writings, in addition to their frequent conversations, spurs Brissenden to write his magnum opus, “Ephemera,” which Martin believes to be the perfect expression of form and substance in writing. Martin implores Brissenden to publish it. Against Brissenden’s wishes, Martin sends it off to publishers. Martin receives the notice that “Ephemera” has been published during a period when he can’t reach Brissenden and discovers that his friend has died by suicide and that his body was already shipped back East. “Ephemera” becomes an overnight hit, causing a great stir in the literary world, preceding Martin’s own fame. Brissenden’s death contributes to Martin’s increasing disillusionment with life and sets the precedent for Martin’s suicide at the end of the novel.
A working-class girl who falls in love with Martin, Lizzie Connolly has dark hair and dark eyes, and even Ruth notices that she’s beautiful. Lizzie is a parallel to Martin and a foil to Ruth. Like Martin, she’s naturally intelligent and lacks only a proper education to raise her from her working-class social situation. In contrast to Ruth, Lizzie has lived a hard life. Like Martin, she had to work from a young age, as is evident in the scars on her hands from working at the cannery.
Lizzie meets Martin at a theater. During the production, she catches his eye, and after the show, she (and an unnamed friend) flirt with him. While Ruth rejects Martin for his lack of success and future prospects, Lizzie remains devoted to him for who he is as a person, something that Martin realizes after he achieves literary fame. Lizzie confesses that she loves Martin so much that she’d die for him. Although he can’t return her love, Martin is grateful that she values him for himself. Consequently, before leaving the San Francisco Bay Area at the novel’s end, Martin funds Lizzie’s education, setting her up in night classes to ensure her future success. Martin briefly considers taking her with him to the South Seas but decides he’s too world-weary and tired of life to be a good partner to her.
A working-class girl who falls in love with Martin, Lizzie Connolly has dark hair and dark eyes, and even Ruth notices that she’s beautiful. Lizzie is a parallel to Martin and a foil to Ruth. Like Martin, she’s naturally intelligent and lacks only a proper education to raise her from her working-class social situation. In contrast to Ruth, Lizzie has lived a hard life. Like Martin, she had to work from a young age, as is evident in the scars on her hands from working at the cannery.
Lizzie meets Martin at a theater. During the production, she catches his eye, and after the show, she (and an unnamed friend) flirt with him. While Ruth rejects Martin for his lack of success and future prospects, Lizzie remains devoted to him for who he is as a person, something that Martin realizes after he achieves literary fame. Lizzie confesses that she loves Martin so much that she’d die for him. Although he can’t return her love, Martin is grateful that she values him for himself. Consequently, before leaving the San Francisco Bay Area at the novel’s end, Martin funds Lizzie’s education, setting her up in night classes to ensure her future success. Martin briefly considers taking her with him to the South Seas but decides he’s too world-weary and tired of life to be a good partner to her.
A working-class Portuguese widow, Maria Silva helps Martin survive difficult times. The novel describes her as a “virago,” an epithet meaning a dominant, hot-tempered woman. Martin initially detests her temper, foul language, and drinking habit but soon comes to admire her tenacity and constant struggle to provide for her children. Maria’s kind heart shines through her tough exterior as she takes a liking to Martin, frequently feeding him when poverty threatens to starve him.
Maria is dazzled by Ruth and her brothers’ bourgeois affluence when they visit Martin; people of that class don’t often come to her working-class neighborhood. She makes a scant living by washing clothes and selling dairy products from the two cows she keeps in the yard. One evening, she and Martin share a jug of wine, and he gets her to admit that her dreams are to buy her children shoes and to one day own a dairy farm. Martin grandiosely promises to make these dreams come true when he becomes famous; Maria is shocked when he does. Although Maria venerates Martin for his generosity and his association with the upper class, her opinion of him is marred somewhat when she witnesses his prowess at doing laundry, a clear indication of his working-class background.
By Jack London
Action & Adventure
View Collection
American Literature
View Collection
Books About Art
View Collection
Books Made into Movies
View Collection
Books on U.S. History
View Collection
Class
View Collection
Class
View Collection
Community
View Collection
Education
View Collection
Fate
View Collection
Historical Fiction
View Collection
National Suicide Prevention Month
View Collection
Philosophy, Logic, & Ethics
View Collection
Politics & Government
View Collection
Popular Study Guides
View Collection
Poverty & Homelessness
View Collection