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56 pages 1 hour read

Jennifer A. Nielsen

Mark of the Thief

Fiction | Novel | Middle Grade | Published in 2015

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Chapters 11-20Chapter Summaries & Analyses

Chapter 11 Summary

At the gates of Rome, which are intended to keep out barbarians, Felix has a private conversation with Nic, offering him olives and questioning him about the bulla and his mark, a blood-red circle of fire trailing smoke. According to Felix, the mark means Nic is in trouble, noting that the barbarians may be inside the gates. When red-cloaked guards approach, Felix warns Nic to relax, but they grow suspicious. As Nic silently reflects that Caela will need to set herself loose, she begins banging fiercely inside the wagon. Alarmed, the guards tell them to move on and put her in a cage. Realizing that Caela can read his thoughts, Nic communicates that they are safe, and she calms down.

As they cross the Tiber River and ride through Rome, Felix points out landmarks—the aqueduct that brings water into and sewage out of Rome, the fine buildings, including the Flavian Amphitheater, statues of gods and the emperors. Reflecting that the city is built from the materials he mines, Nic asks if they are in Elysium. Felix replies that Nic is part of the city. As they approach the amphitheater, Felix points out a bronze statue of Nero, who he says almost destroyed the empire. Nic is certain he has entered “the greatest city in the world” and has “come home” (72).

Chapter 12 Summary

At the amphitheater, Felix instructs Nic to lead Caela underground and informs the other workers that only Nic is to handle her. Felix pays Aurelia a small sum, and her sad glance makes him wonder if he has misjudged her. Entering the hypogeum, Nic notes the heat and stench of sweaty men and animals. Caela hesitates, but Nic assures her that she is safe.

Later, Nic asks if Caela will be fed, and Felix replies that “she will have her chance to eat” (77). As they walk around the city, Felix notes that the Roman people are always on the brink of becoming a mob. The praetors keep them under control but are dangerous themselves. Felix points to Palatine Hill, the center of Rome’s seven hills and its most sacred place. He recounts the battle between the twin sons of Mars, Romulus and Remus, and their battle for Rome, settled by Romulus murdering his brother. Rome’s origins lie in “violence, betrayal, and blood” (79). Nic asks for assurance that Caela is safe. When Felix replies that she will have to fight the gladiators, Nic realizes that he has betrayed her.

Chapter 13 Summary

Felix brings Nic back to his one-room home, which seems luxurious to Nic. Felix gives him a new tunic, food, and drink, then asks to see the bulla. Because he needs help, Nic shows it to him, though he remains suspicious. Felix does not detect its warmth, vibration, or glow. Nic acknowledges that the bulla belonged to Caesar, and they discuss Caesar’s claim that he was a son of Venus.

Felix affirms that Caesar’s claim was true. Venus favored Caesar until he grew to believe more in his own power than hers and discarded the bulla, her gift to him and a means of drawing on immortal power. Shortly after, his own senators murdered him. After his death, a comet called the Divine Star, believed to be Caesar’s soul rising to join the gods, remained in the sky for seven days. According to Felix, the mark on Nic’s back is that comet, and he now bears the emperor’s magic. Nic privately recalls the whispered warning in the cave that the bulla would curse him.

Felix warns him that the empire is vulnerable. Tacitus knows this, but he does not know how to fix it. Nic can neither keep the bulla as his own nor rid himself of it. Felix advises him to give it to Tacitus, so Radulf can advise him on how to use it. Nic reveals Radulf’s intentions, and Felix tells him to wait until after the games, then present it to Tacitus.

Chapter 14 Summary

Nic spends a fitful night beside Caela trying to think of a way to save her, himself, and Livia, but he forms no clear plan. Assigned to feed the animals, he is surprised when they look straight at him. He increases their rations, especially Caela’s. Felix arrives, demanding to know how the Senate has learned about Nic. He tells Felix about Crispus and Valerius, and Felix warns him that no one is harmless and not to reveal the bulla.

Crispus arrives to speak with Nic. His father wanted to come, but he did not to avoid arousing suspicion. As they walk through the merchant stalls, Crispus remarks that the games become larger each year to give the people the fierce, bloody show they crave. He asks Nic to see the mark. Nic admits that it is the Divine Star. Crispus tells him the griffin gave him magic, and he wants to see what Nic can do.

Chapter 15 Summary

Nic insists that he cannot do magic. Crispus replies that he has not learned to use it and that Valerius can protect Nic and teach him how to use it. According to Crispus, Nic is not the first to wear the mark; Radulf has found all who bore it, sucked out their magic, and killed them. Nic asks for Valerius to free Livia from the mines. Crispus agrees to report the request and get back to him.

After Crispus departs, Felix irritates Nic by assigning Aurelia as his protector. His resentment toward her escalates until she traps him against a wall and tells him that she resisted being sold into slavery while he is unwilling to pay the price for freedom. He tells her that he would never leave without his sister, and Aurelia softens, telling him that she has nobody. Nic understands that Aurelia’s hardness is a protective wall. He asks her about Felix’s motives, and she replies that he reports to Tacitus. Aurelia helps Nic realize that he will be killed whether he keeps the bulla or turns it over. Caesar’s curse is that he has no viable choice.

Chapter 16 Summary

Aurelia leaves shortly after their conversation, leaving Nic disappointed, since she was the one person who was honest with him. Nic longs to escape overnight with Caela. The enslaved people work all night, and the sun rises before Nic can even return to Caela’s cage. The bulla grows heavier, a sign that its magic is becoming stronger. The amphitheater begins filling for the venatio.

Nic is assigned to work a lift that brings the animals from their underground cages to the arena. He surprises himself and the other enslaved people with his strength and realizes he must be using the bulla’s magic. He works the lift throughout the venatio, which is to be followed by the criminals’ executions. Another enslaved person tells Nic that the criminals will be set loose unarmed in the jungle arena and hunted by the animals. Caela will be sent in at the end to make a good show before she is inevitably killed. Nic must use his power to save her. Among the prisoners led in for execution is Sal.

Chapter 17 Summary

Sal sees Nic and begins shouting that he “never killed that slave boy,” pointing Nic out to the guards (111). Nic ducks out of sight, aware that if the guards catch him, the Divine Star on his back will be revealed. He hears the criminals released into the arena and begins running to Caela’s cage, desperate to save her and Sal, who Nic feels responsible for since he chose not to kill him for trying to escape the mines. Felix and two soldiers block Nic’s path. Felix apologizes as the guards grab him. He will be sent into the arena with the criminals, and after he is dead, the bulla will be presented to the emperor.

He is tied to a horse and released into the arena along with Caela. The hunt begins, and the crowd begins chanting for the bestiarius to be unleashed. Nic recalls Aurelia’s earlier advice to “think like a Roman” and draws on his strength to break his bonds (116). He commands the horse to escape the animals attacking them. Emerging into a clearing, he sees Radulf glaring at him.

Chapter 18 Summary

Radulf shouts orders to the guards, who run for the doors, swords drawn. Nic steers into a dense part of the jungle. Sal jumps out, and Nic gives him the horse, instructing him to go into the clearing and prove his innocence. Ignoring Sal’s question as to why Nic is helping him, Nic asks where Livia is. Sal knows only that she was taken after he was arrested. Nic hopes it was Valerius who took her and looks for Caela, repulsed by the audience’s cheers and the knowledge that the show is only half over.

The bestiarius finds him, but Nic snaps his spear and runs on, finally finding Caela. The bestiarius chases after him and stabs Caela with a second spear. As the bestiarius charges again with a mace, Nic warns him to stay back and then thrusts his arm down. The entire arena begins to shake. The bestiarius is knocked off balance. Nic wonders if he is becoming one with the bulla and experimentally raises and slams down his arms, then feels exhausted. The entire arena begins to collapse. The bestiarius falls through the ground as the crowd charges the exits in a panic. As Caela flies them out of the arena, Nic realizes that everyone now knows what he has.

Chapter 19 Summary

Nic directs Caela to fly toward the Tiber as the soldiers pursue them. As they pass over the city, an arrow flies by. Nic orders Caela to fly higher, but she is struggling. Nic sticks out his arm to stop an arrow meant for Caela and is struck. Losing his grip, Nic falls; Caela briefly catches him with her talon but then releases him. He falls along the bank of the Tiber as Caela vanishes. He yanks out the arrow and begins running, ducking into the Cloaca Maxima, the sewer river. Two soldiers are sent to follow him. He runs in any direction that allows him to avoid the soldiers. Eventually, he loses them but realizes he is also lost in the maze of sewer tunnels. Recalling his mother’s parting words to take care of his sister, Nic keeps looking for a way out.

Chapter 20 Summary

Nic spends two days lost in the sewers, overwhelmed with pain and hunger. Sal was right: He is cursed. Recalling Aurelia’s warning that the emperor would turn on him, Nic remembers that she lives underground. He pushes on until his strength fails. As he feels the magic leaving him, he wonders how Radulf steals others’ magic. After resting, he continues on.

Each grate he passes is sealed. He considers trying to break one open using the bulla but remembers the damage he caused in the amphitheater. He does not know if the magic, and he himself, is good or bad. The bulla had unleashed destructive magic in the amphitheater, but it also saved his life, and he still needs it. Frustrated, he curses and kicks the wall, and Aurelia appears, warning him that it is “dangerous for any slave to have such a temper,” especially when he “has the power to use his temper against fifty thousand people” (137).

Aurelia is suspicious of him, but he insists that he would never hurt her. When he places his hand on the sewer wall for support, it shakes, and Aurelia braces for a fight. Asking for her help, Nic takes a step toward her, and she kicks at him, her foot connecting with his wounded arm. After Nic collapses, Aurelia apologizes and tries to help him up, then realizes his arm is infected and that he is burning with fever.

Chapters 11-20 Analysis

Nic’s arrival in Rome ushers in the next stages of his hero’s journey. During this cluster of chapters, he faces temptations and challenges related to wielding the bulla and its magic, which will intensify across the novel. He comes close to death, literally and figuratively, and connects with an unlikely mentor in Aurelia. This section begins with Nic arriving in Rome, a figurative “lion’s den,” since his possession of the bulla makes him a target of those who are wrestling for control of the city. He will also be thrust into a literal animal den—the venatio. This section ends with him deep below the city, burning with fever and in mortal danger. In ancient hero epics, notably Homer’s Odyssey and Virgil’s Aeneid, the hero descends into the underworld in search of insight and information. This journey is referred to as a katabasis, which Nic experiences when he seeks shelter in the underground sewers and encounters Aurelia, who will provide valuable guidance at various points in the novel.

Nic begins learning more about the bulla and its magic. Though Nic already knows it had once belonged to Caesar, Felix confirms the claim that Caesar was descended from Venus and that the bulla’s power comes from the gods. Nic experiences its effects and those of his Divine Star across this section, as they confer great strength on him in times of need and enable him to communicate with animals. Both the bulla and the Divine Star hold magic, but at this point, Nic does not yet know the relationship between them, and it still remains unclear at the end of the novel, leaving the question open for a later book. Nic has not yet made the connection between his emotions and his magic and thus does not know how to control it. This makes the bulla and star dangerous for him, since he is not able to channel his strength. The dent he causes in the caravan and his ability to break his own bonds alarm both himself and Aurelia and make him appear as a threat. His power becomes destructive on a much larger scale at the games when he causes the arena to collapse, injuring many Romans and revealing that he holds magic. One of Nic’s key challenges is to learn how to control his emotions and the magic tied to them, lest he face The Corrupting Influence of Power.

Future temptations begin to surface in this section through Nic’s relationships, as he will eventually have to decide whether to use his power to save himself or remain loyal to his sister. The question of who he can trust also remains open. Felix, Valerius, Crispus, and Aurelia each provide him with information and knowledge, but their motivations are unknown. Nic struggles to accept that he is dangerous, insisting that he is not a threat. His conversation with Aurelia before the games helps him realize that his power makes him inherently dangerous, as much to the Roman people as to those who seek the power Nic holds. The strength of his accidental magic and its destructive consequences force him to confront this reality. Part of Cultivating Personal Agency and Self-Control is to embrace free will; it is up to Nic how he will wield his power, who will benefit from it, and who he will harm with it. He can choose to master it or become enslaved by it, as others are and have been.

Nielsen establishes the book’s main setting as equal parts appealing and menacing with Nic and Felix’s walks through Rome. Like Nic’s magic, Rome can be both beautiful and terrible, depending on the perspective. Beholding the majestic buildings, Nic wonders if he is in Elysium, the blessed home of heroes in the afterlife. The city holds wonders beyond anything he has experienced or seen, and they enchant him. The physical beauty of Rome and its accessibility to all who live there, regardless of class, inspire Nic to love the city and feel at home there despite its sinister elements. Having mined the materials that built it, Nic feels himself to be part of its beauty, but that beauty was also purchased at the price of conquest and enslavement, and the two cannot be disentangled from each other. A question that will remain open at the end of the novel is the implications of this double-sided nature.

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