57 pages • 1 hour read
Marsha Forchuk SkrypuchA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
At roll call, other prisoners compliment the girls from Barracks 7 on their clothes. Officer Schmidt wonders why Lida did not keep the shirt for herself. Lida responds that she enjoys sharing. He gives Lida her Ostarbeiter identification paper and orders her to the train for a new work assignment. Lida is unhappy to leave the laundry because bombs often strike the city. The train car is different from what she arrived in; workers and German civilians fill the seats. Zenia, Kataryna, Natalia, Mary, and an older lady named Bibi share Lida’s new assignment. German businessmen pay the government to use the laborers, and Lida wonders what the Germans think of them. Lida sees emaciated Jewish men wearing yellow stars herded onto a truck. Lida is glad no one has discovered that Zenia is Jewish.
Frau Zanger, a stylish, impatient woman, takes charge of the girls. Lida sees evidence of the constant bombing: The city is in rubble, though Germans continue about their business. They travel to the metal factory where Zenia worked. Bombs destroyed an outbuilding, but the main factory is intact. Zenia explains there is a sign for “hospital” painted on the roof. Frau Zanger takes them through the busy, noisy, dangerous factory filled with haggard laborers to a separate room. A white-smocked supervisor orders them to remove anything metal—including Zenia’s cross and Bibi’s wedding band. The supervisor does not want Zenia because her hand is still swollen from her injury, but Zenia insists she can work. They wash carefully and dress in gray smocks and head coverings.
In the next room, a table holds metal bowls made in the factory, cylindrical tubes, metal straw-like material, a hammer, a scale, and a barrel of Schießpulver—gunpowder. Lida is horrified to learn they will be assembling bombs for their enemies when they have been praying that the Allies will win and defeat Hitler, free them from slavery, and fight Stalin. The female supervisor explains the girls were chosen because of their “deft fingers.” She shows them how to assemble the pieces and warns them against sabotage: A man behind a hardened glass partition is supervising them. If there is an explosion, they will die, but the rest of the factory will be unaffected.
The female supervisor observes them closely. Lida measures the explosive powder. Bibi inserts a fuse. Zenia inserts Kordit, or cordite, an explosive propellant. Kataryna tightens all the elements together. Mary uses a hammer-like machine to seal the pieces in place. While Mary works, Natalia sprays icy liquid over the bomb to keep it cool. They eat lunch together, separated from the rest of the factory. The man who brings their lunch has extra Russian soup left. Lida asks him for it, but he pours it down the toilet. Lida weeps at his cruelty. As the girls continue gingerly making the bombs, Lida wonders how many people their work will kill. The fill a rack with bombs by day’s end. Returning to camp, Lida hears American bomb strikes, and wonders who makes American bombs. Juli tells Lida that Luka has escaped from the hospital. Lida is excited and hopeful for Luka, and she and Zenia wonder if they could escape.
Lida hears Allied bombers at night and dreams of bombs, including one in Larissa’s arms. She still worries about who is being hurt by the bombs they make, but the girls slowly get used to the work. One Sunday evening when they gather in the washhouse, Natalia shares a packet of brown sugar she smuggled into camp. The treat is wonderful but makes Lida remember the Nazi woman who gave her candy for information: Lida wonders if her grandmother would still be alive had Lida refused the candy. The sugar reminds Zenia of gunpowder. Natalia and Kataryna wonder if they could smuggle dirt into the factory and substitute it for gunpowder. Kataryna thinks she could finesse the hammer machine and make the bombs fall apart, but Lida notes they are constantly watched.
Allied bombing increases. Lida hears rumors that other German cities are rubble, and the Nazis are retreating. She sees more refugees in the city. Policemen at the camp quit, and those that remain are meaner. Officer Schmidt shoots a prisoner for irritating him. One evening, Juli emotionally gives Lida a pair of women’s shoes. Lida is thankful until she sees a truck full of dead bodies. Most were new prisoners from another workcamp that the Nazis evacuated by train before the Soviets could liberate it. Officer Schmidt thought they were not useful and ordered the Russian soup poisoned—murdering all the OST workers in camp. Had Lida been there, she would have died. Lida feels guilty for benefiting from someone’s death, and vows revenge on the Nazis.
As 1944 arrives, Lida recalls the last new year when she was safe with Larissa and her grandmother. Although she did not have her parents or much to eat, she had love. Lida thinks she should have been more thankful. The war is going badly for the Nazis. German supervisors do not show up at the factory and are replaced by housewives and Hitler Youth. The man who supervises the girls’ bomb-making does not watch them carefully and is often gone for hours. The girls use this opportunity to sabotage the bombs: substituting dirt for gunpowder or wetting the gunpowder so it is useless. Inside the bombs, they leave notes supporting the Allies. Lida feels empowered. One day, the supervisor arrives late, packs up, and leaves. Later, a bomb falls through the roof of the girls’ lunchroom and embeds in the wooden table. Lida orders them to run. They escape across the catwalk to the factory before the bomb explodes. The girls have cuts and scrapes, and Kataryna hurt her ankle, but they are alive. Much of the factory is destroyed, including their workroom. Lida worries what will happen when officers realize the explosion should have been bigger if their bombs were functional.
Outside, a Nazi officer in a gleaming uniform appears and organizes the emergency response. A blonde woman calls out from a car behind him, and Lida sees two blonde girls peek out of the car’s open window. One looks like Larissa. The girl meets Lida’s eyes and seems to recognize Lida—her arms reach out. Lida waves, the girl waves back, and the car window rolls up. Lida wonders if it was Larissa.
The girls return to camp. Lida thinks about Larissa, possibly—horribly—living as a Nazi. A bomb hits the train and smoke fills their locked car. A young Hitler Youth lets the girls out. Mary and Bibi rip off their OST badges and run away. Lida wonders if she, Zenia, Natalia, and Kataryna should also escape, but knows there is nowhere to run to, and they could be shot. They return to camp to discover that it was bombed, and buildings are on fire. Juli is glad they are alive. She takes them to the hospital. Juli treats their wounds and other injured workers since the medical staff ran away. Barracks 7 is in ruins, as is the laundry. Inge is dead. The officers’ Kantine is on fire, but Officer Schmidt shoots anyone who tries to steal food. He is one of the only Nazis left guarding the camp. Juli says the Nazis are retreating and the Front is advancing. Zenia, Natalia, and Kataryna sleep while Lida watches Juli to the wounded.
When Juli finishes, she enters the doctor’s office and retrieves a pistol. Lida is stunned. Juli walks out into the compound and shoots, hitting Officer Schmidt. Juli shoots again and misses. He returns fire, fatally hitting Juli as she shoots a third time, hitting and killing him. Before dying, Juli tells Lida to flee. Lida is devastated. She closes Juli’s eyes and says a prayer. Lida, not wanting to waste Juli’s sacrifice, returns to the hospital hoping the other girls will escape with her. A Hitler Youth intercepts her.
Skrypuch keeps tension and emotion high as Lida witnesses acts of appalling cruelty and experiences both physical danger and emotional trauma. Lida’s reflection on the last year reveals the changes that captivity has wrought on her self-concept. The theme of the inhumanity of war is prominent in this section, but flashes of humanity and goodness exist amidst the cruelty, as several characters display different forms of courage and self-sacrifice. The motif of food continues to illuminate the theme of humanity within the inhumanity of war.
Lida feels scared and insecure as she begins the delicate, dangerous, and demoralizing work of making bombs for the enemy. Officer Schmidt’s reassignment of Lida reveals his cruelty: Bomb-making is a bitter pill to swallow for Lida. Although she must stay useful, she is aware of its cruel irony: Her skilled hands once mended and created beauty, and now they help create bombs that bring death and destruction. Lida’s new assignment is especially torturous because her work potentially keeps Hitler in power and ensures her lifelong slavery.
Bomb-making in the frequently bombed city exposes Lida to physical danger but ironically keeps her safe from two deadly events. While Lida is out of camp, all the OST workers are poisoned, and later, Barracks 7 is bombed by the Allies. These horrible events, along with the factory and train bombings, reveal the inhumanity of war and its impact on helpless non-combatants caught in the conflict. As the tenor of the war changes, and the Nazis retreat, those remaining at the camp become more brutal: compensating for their losses by exerting more desperate and deadly control.
Lida also experiences psychological trauma. Lida is wracked with guilt at the thoughts that she caused her grandmother’s death, that she is hurting people with the bombs they assemble, and that she is benefitting from the dead worker’s shoes. These feelings of guilt reflect Lida’s humanity and compassion and her feelings of helplessness.
Lida’s emotions reveal some of the emotional toll caused by both her captivity and the violence and destruction around her. She is fearful of and angry at the acts of inhumanity perpetrated by the Nazis. Lida recognizes that she has left her childhood behind. Looking at her photo on her identification paper, she thinks she looked “so young and innocent” (123). Lida understands that she has lost this innocence. She has experienced pain and suffering and now has firsthand knowledge of the cruelty and evil that exists in the world. Lida thinks Marika is lucky that she “died innocent” (134) before experiencing the horrors Lida has witnessed. Lida is also rocked by the sight of the girl who might be her sister. Lida’s emotions are conflicted. Finding Larissa has been Lida’s raison d’etre. If Larissa is living “as a Nazi” (158), however, she has become an enemy in Lida’s eyes. Lida notes that Juli, though not a blood relative, has become a “sister of [Lida’s] heart” (166) through their shared trials. Lida finds that her connection with Juli is as meaningful as her connection to her family.
Lida’s feelings of guilt and helplessness transform into vengeance and purpose after seeing the truckload of murdered OST workers. She and the girls courageously commit to helping the Allies as much as they can within their purview. The act of rebellion makes Lida feel “exultant” and hopeful in an otherwise powerless situation. Other characters perform acts of courage as they attempt to affect change and assert independence. Luka escapes. Juli, after tending to all the wounded laborers, sacrifices herself so they can escape, showing physical, moral, and mental courage. Lida again reveals her own altruism, as she plans to help the wounded before making her own escape.
Finally, food again emphasizes the inhumanity of the Nazis’ treatment of their enemies. Food, like the Russian soup, not only discriminates against those the Nazis think of as inferior, it becomes weaponized in these chapters. The lunch server at the factory pours extra soup down the toilet signaling his superiority and control in contrast to Lida and the girls’ powerlessness and dependency. The Nazi woman used food to tempt young Lida into giving information about her family, resulting in the death of Lida’s grandmother. The Russian soup at the camp is the method of mass-murder of the “useless” workers. Starving enslaved laborers looting food are shot. It is bitterly ironic that what should provide sustenance and life is instead leading to death.
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