53 pages • 1 hour read
Patricia BeattyA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Following their failed attempt to cross the border, Lupita and Salvador find themselves back at the park in Tijuana with little money and no idea about how to get to the US. When Lupita begs a gringa woman and accepts a silver coin from her, Salvador slaps her and throws the money into bushes, but Lupita searches the bushes and finds it again.
The brother and sister end up spending many days in the park as Salvador searches for work so they can buy food. Lupita obediently waits for him each day. As she observes him, she begins to see the toll their hardship is taking on her brother. Despite their desperation, they do not have a plan to cross the border or to make money.
Hearing that vendors sometimes give overripe produce away free, they go to the market one morning. Salvador is greeted by Bartolo, a friend from Ensenada who has come to work for his grandfather in Tijuana. Salvador introduces Lupita as Eduardo, his younger brother, then tells Lupita to go back to the park and wait for him. Salvador returns to the park at night and tells his sister that Bartolo is going to help them cross over the border that night. Lupita asks if Bartolo is a coyote and Salvador responds, “No, but he wants something. Everyone here wants something” (75).
Returning to the deserted marketplace that night, they meet Bartolo. In exchange for his assistance, Bartolo takes Salvador’s cherished knife and the silver cross Lupita’s father gave her. He helps them into the back of a produce truck, where the travelers hide in wooden crates full of vegetables. After hours of driving, apparently including a stop at a border checkpoint, the truck stops at a service station near a train track. They climb out of the truck and run to the tracks, hiding as they wait for a train to stop.
While they wait for a train, they encounter other migrants, including Señor Rosario, who is making his fourth trip from Mexico to the US, this time with his family. He agrees to take Salvador and Lupita under his wing. When a train arrives, he and his family climb into an open boxcar. Rosario counsels Salvador to climb into an empty grain hopper, which is less likely to be searched. Almost immediately railroad guards come down the tracks and arrest Rosario and his family. The chapter ends with Lupita and Salvador wondering if the patrol will search the grain hopper.
The officers do not search the grain hopper, so Salvador and Lupita ride away, aware only that they are headed in the direction of Los Angeles. The train stops on two occasions, and the hopper is uncoupled and recoupled. Before dawn, the car ends up at a small trainyard that seems devoid of people. The two scramble out of the hopper and hide in an adjoining boxcar.
That evening they hear a dog barking and the approach of a man singing a familiar Spanish song. Salvador encourages Lupita to call out to the man. They discover that he is Hector Esposito, a pocho who works for the railroad. The travelers explain their situation, and he takes them in his van to the nearby city of Colton, California. There he introduces them to his brother, Rodrigo Esposito, who runs a café. Rodrigo hires Salvador as a dishwasher, and Lupita is given a job by Rodrigo’s cousin, Elfren Esposito, in his hotel as a chambermaid. They must pay one-third of their wages to Hector for finding them work and one-third for forged federal documents.
Both Salvador and Lupita begin work at their arduous jobs the next day. They become acquainted with other Mexicans as well as pochos and begin to understand the ways of migrant workers in the US. They learn about the practices of la migra and are cautioned about not irritating the pochos for whom they work. Salvador learns several ways of sending money securely to Carmela. Lupita is able to purchase a blue dress, something she wants so she can attend Sunday mass. Part of acclimating themselves to the new gringo culture involves adapting to a new, constant work schedule and accepting the rather aloof behavior of the Americans.
The chapter ends when Linda, a pocho waitress in the cafe, bursts into the kitchen and whispers to Lupita that la migra officers are in the dining room.
Responding to the warning, Lupita grabs Salvador and tells him to run. They are unable to get the attention of another Mexican boy who is working in the kitchen. Once outside, they conceal themselves among trash cans and watch as several of their co-workers are led out in handcuffs. Afterward they go to their bosses and request their unpaid wages. Knowing la migra might return, they decide to walk to Indio and the home of their Aunt Consuelo.
Salvador and Lupita decide they must walk at night and hide during the day. Lupita goes back to pretending she is a boy. She must leave her new dress at the hotel. They speculate about what it will be like to live with Consuelo, who they have been told is wealthy. For this excursion, instead of using the railroad they have learned to walk inland of the freeway, staying close enough to hear the traffic and go to the major intersections to check the route numbers. Stopping at service stations, they fill their canteens with water. They sleep beneath a bridge during the first day and in a little canyon the second. At night they walk through smaller communities and finally come to the Mojave Desert.
On the morning of the third day, they are followed by a pickup truck with two gringo boys who decide to torment them. The boys call out racial slurs and tell them to “[r]un, run” (111). As Lupita and Salvador hide behind a boulder adjacent to the desert, the gringos shoot at the boulder with a rifle until they get bored and drive away. Avoiding the highway, Salvador and Lupita find a dilapidated cabin where they can sleep through the day. Peering through the floorboards during the day, Lupita sees two sleeping rattlesnakes.
Walking through Palm Springs that night, they stop at a gas station to fill their canteens and learn they have 30 miles to walk to Indio. They are warned that the area roads are constantly surveilled by la migra. Finding an abandoned car in the sandy countryside, they sleep in it during the day. The last night on the road, they find a road sign indicating they are 15 miles from Indio. They run away from the road whenever they hear a car approaching.
Arriving in Indio a couple of hours after sunrise, Salvador and Lupita walk to the downtown area. They decide to stop the first pocho they see and ask directions to Consuelo’s address. A young Latina nurse in a lab coat tells them how to understand the address, and the travelers walk down Route 1 away from the town. They eventually come to a cinder block house with a mailbox bearing the name of Consuelo’s husband, Hermilio Ruiz.
A little girl answers when they knock on the door. Following her is Aunt Consuelo, an overweight, gray-haired woman. She is shocked to see them since she had written and told them not to make the trip. Taking them into the kitchen, she explains that the Ruiz family, all eight of them, live in extreme poverty because they receive la ayuda, government welfare. Hermilio, with physical disabilities relating to back and lung problems, does not work. Consuelo tells the travelers to sleep.
That afternoon when she awakes, Lupita meets her Uncle Hermilio, who spends most of his time drinking at a cantina and playing cards with his friends. He is sullen and disagreeable, suggesting the Torres children need to leave quickly. Looking at Lupita, he says, “Another kid? We have six of our own, your sister sends us more” (123). Understanding they are looking for work to send money to her sister, Consuelo realizes she can supplement her own family’s income by allowing Salvador and Lupita to stay with her and pay rent. She says she can find work for them harvesting crops in the fields with her. This placates Hermilio.
The middle section of Lupita Mañana focuses on several new concerns the migrants encounter and must learn to navigate.
One principle that emerges swiftly and clearly is that all help comes at a price. While they knew they might have to pay a hefty fee if they employed a coyote to lead them across the border, Salvador and Lupita discover that they must provide something in return for any benevolence they receive. The first painful incident involves Lupita surrendering the silver cross her father gave her and Salvador giving up the inscribed pocketknife that was a gift from Dorotea. They hand these treasures to Bartolo, who hides the travelers in a produce truck to cross the border. When they approach Hector Esposito, a railroad employee, to ask for help and information, he takes them to his relatives in Colton, California, where they get work as a dishwasher and chambermaid—with one-third of their salary perpetually going to Hector. They express surprise about this and are told to be grateful since without Hector’s help they probably would have been captured and deported. When they ultimately arrive at Consuelo’s home, they are told they are unwelcome until it dawns on their aunt that they can pay her $140 a month for room and board. When their Uncle Hermilio mails money to Carmela on Lupita’s behalf, he keeps the change from the postage. Even her eight-year-old cousin Irela forces Lupita to buy her an ice cream sundae in exchange for guiding her to stores where she can buy clothes better suited for a girl. Beatty’s continued focus on these exchanges indicates they are standard expressions of an accepted cultural reality that might surprise and dismay those outside Mexican American society.
These chapters also introduce and explore the concept of pochos and pochas: American citizens of Mexican descent. The slang word “pocho” can be translated as “poser” or “in the middle,” which implies such individuals are not fully Mexican and not fully American. The narrative illustrates that there are real distinctions between the Mexican nationals and pochos. Migrant Mexicans typically fear pochos might take advantage of them and even turn them over to the Immigration and Naturalization Service (which has since come to be known as ICE—Immigration and Customs Enforcement). Lupita is stunned that pochos might turn Mexicans over to the INS and asks Concha, another unauthorized immigrant chambermaid, why they would do such a thing. Concha replies that pochos turn them in on a whim or because of any casual disagreement, and she says, “I am always afraid. […] Day and night I am afraid. Do not be bold. Pray for yourself and be careful” (101). When a pocha waitress warns the brother and sister that INS is conducting a raid, Lupita eventually decides that blanket judgments cannot be made about pochos as a group. Because of Linda, Lupita believes that “[s]i, there were good pochos” (107).
For Lupita and Salvador, there are several new sources of fear on the US side of the border, such as (sleeping) rattlesnakes and gringos who chase and shoot at them. Their greatest constant fear, however, is la migra, “immigration,” the Spanish term for INS agents. The continual influx of Mexican migrants into the US means the routes traveled and work destinations of these immigrants are also hotbeds of la migra enforcement. The quick test that la migra uses to determine whether a person is an immigrant or a pocho is the ability to speak English. Beatty makes it clear that immigrants are constantly engaged in a cat-and-mouse game to catch and deport unauthorized immigrants. The constant possibility of arrest by la migra is the backdrop of all decisions made by the travelers. Thus, they cannot ride public buses, cannot go to the post office to mail money to Mexico, and cannot draw attention to themselves in public places. La migra continually seeks out workplaces and events where they are most likely to encounter groups of unauthorized immigrants.
Readers might note that Beatty discusses only Mexican migrants. The author never mentions citizens of other Central and South American countries, whose experiences in coming to America would be quite similar and also might pose some interesting distinctions.
These chapters also record Lupita’s encounters with a number of American realities that are quite distinct from the life she knew in Ensenada. Some of these, like freight trains, highway overpasses, and tunnels, have to do with an advanced infrastructure. Equally startling to Lupita, however, are the cultural shifts in behavior and expectations. Her first pocho employer tells her there is no such thing as an afternoon siesta in the US. The way gringos treat one another and go about their daily routines surprises Lupita as well:
These gringos did not smile at one another or stop to chat. They seemed to go about their business as quickly and seriously as possible. Even eating in Señor Rodrigo’s café, which should have been a great pleasure, was speedily done. Si, Concha was correct in saying that gringos were very strange indeed (102).
These middle chapters demonstrate that bad things can happen very quickly in the migrant community, such as when the Rosarios, whom the Torres children were depending on for guidance, are suddenly arrested. While working for the Espositos, the dependable livelihood they are building swiftly comes undone when la migra raids the cafe and hotel. This makes all relationships tentative. Possessions can also disappear with no recourse, such as when Lupita’s new clothes purchased in Colton must be left behind when she walks to Indio.