77 pages • 2 hours read
Ruth BeharA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
On December 31, Ruthie returns to Dr. Friendlich. The two paramedics who transport her are not Bobbie and Clay; they do not speak much and do not introduce themselves. After removing the cast, Dr. Friendlich studies an x-ray. He decides to put just Ruthie’s broken leg in a cast; he says that although it is getting better, it is healing slowly. She will still have to stay in bed for at least two more months but can relearn how to sit up and use her left leg. Ruthie is surprised at how hairy her left leg is. The doctor warns her not to try to stand or walk: “You’re not ready yet” (153). Ruthie does not even remember how to stand.
Back at home, Mami weeps in the kitchen. Ruthie believes Mami feels bad for herself, since she has to continue to stay in and care for Ruthie. Ruthie calls her and convinces her to bring shoes so that Ruthie can put one on her left foot. Mami brings many pairs from which Ruthie can choose; she picks platform-style gold lamé sandals. Ruthie asks Mami to wear the right-foot shoe, and when Mami lies in bed alongside Ruthie, they look like “a complete person” (156). Ruthie prays to Frida and asks her if she ever felt like “[A] part of you wants to be healed and returned to normal and another part wants to stay just as you are, quietly in bed […]” (156).
Papi brings Ruthie a typewriter and she uses a manual to teach herself to type. Papi mentions that this ability means Ruthie could be a secretary, but Ruthie says she wants to be an artist. Nevertheless, she persists at typing; soon she can type without looking at the keys. Baba visits one day while Mami grocery shops, and Ruthie types Baba’s story about arriving in Cuba, working at a fabric store, and developing a relationship with her boss, Zeide, whom she would eventually marry. Baba is impressed that Ruthie can type so quickly and tells Ruthie she will be a writer one day.
Mami makes a flan for New Year’s Eve and Ruthie helps to beat the eggs and add ingredients. At midnight, the family gathers around Ruthie’s bed, “gulping down thirteen grapes as quickly as [they] can” (164), a Cuban custom for good luck in the new year. The extended family in the building comes to visit; it begins to snow. Papi wishes aloud for “only good things in this year that has just begun” (164). Mami cuts the flan and they share it happily.
Chicho’s friend Mark is a nurse at the hospital, and he arranges for Bobbie and Clay to visit and help carry Ruthie on a stretcher outside to enjoy the snow. Izzie, Dennis, and Lily come too; they throw snowballs and build a snowman, letting Ruthie place the carrot for a nose. Danielle approaches and says hello, but Ruthie asks Clay and Bobbie to bring her back upstairs.
Ruthie’s right leg is free of its cast by mid-March, but she is afraid to try to walk. Dr. Friendlich tells her she will have to learn to walk all over again. Clay and Bobbie carry Ruthie on the stretcher one last time; Ruthie is sad to say goodbye to them.
Chicho’s father dies in Mexico, and Chicho must return to his family there. Ruthie gives him her embroidered handkerchief from Cuba to remember her. Before he leaves, Chicho elicits a promise from Ruthie that she will try to walk again. When he goes, though, Ruthie doubts she will be able to do that.
Ruthie is too afraid to try to walk when the rehabilitation nurse arrives; the nurse gives up quickly in frustration. The second nurse is kinder but ultimately leaves as well. Then Amara arrives. She is Puerto Rican, lives in the Bronx, has a scar on her face from a street fight, and sports visible muscles. She is tough with Ruthie and compels her to dress in day clothes before hoisting her from the bed and sticking crutches under her arm. With Amara’s direction, Ruthie makes her way to the living room, where Mami sees her and cries. Mami makes Amara a Cuban coffee.
When Amara returns, she coaches Ruthie on using the stairs. Ruthie manages to go up but cannot bring herself to try going down. Amara leaves, telling Ruthie, “Okay, girl, you’ve worn me out. Go back to bed. I guess that’s what you want to be for the rest of your life—an invalid” (182). Ruthie returns to her bed and concentrates on painting, reading, and typing. When Amara comes back, Ruthie tells her she is fine staying in bed. Amara thinks Ruthie’s problem is vertigo and wants to show her a remedy for going down the stairs. Ruthie asks Amara to tell the story of how she got the scar first. Ruthie types the story as Amara tells it. Amara once had to fend off an older male neighbor who wanted to kiss her. She struck him, but he pulled a knife on her in anger and cut her. After Ruthie types the story, Amara convinces her to try to go up one step, then turn and come back down. Ruthie accomplishes this, then two steps up and down, and then three. When she gets to five, Amara tells Ruthie she can go outside, as it is five steps down to the sidewalk from the building. Once out, Ruthie notices the sky, trees, road, and people. Danielle comes and offers Ruthie a dandelion: “For you Ruthie. Welcome back to the world” (187).
Ruthie’s long process of healing continues to inch forward throughout Part 4; Dr. Friendlich says her leg is “healing…but not as quickly as we’d like…” (152). Ruthie’s spirit and zest for living is healing slowly as well. The thought of returning to her bed for two more months does not bother her; she is more concerned that the news causes Mami to weep. Convincing Mami not to give up on her is what motivates Ruthie to work at moving her left foot and ask Mami for a shoe to try on it. Content to stay in bed, Ruthie’s new pastimes are learning typing and writing stories as others dictate them. She is happy to mix eggs from bed on New Year’s Eve and enjoys the celebration. When Mark arranges for her to go out to enjoy the snow, she does, but when Danielle approaches, Ruthie avoids her and asks to return to the safety and security of her room. This suggests that Ruthie’s newfound comfort staying in bed is not an unambiguously positive development; rather, she has grown used to it and now fears the alternative, just as she has grown used to her broken friendship with Danielle.
The removal of Ruthie’s cast confirms that she is now afraid of life outside her bed. Everyone around her is happy—Mami, Aunt Sylvia, Clay, Bobbie, Chicho—but Ruthie is too fearful to try to move. It takes the strength and spirit of a new mentor, Amara, to coerce Ruthie into daytime clothes and out of her room. It is ironic that Ruthie tackled a new and difficult skill—typing—when she is so resistant to relearning basic skills that she knows will afford her more freedom (walking and climbing stairs). This proves the extent of Ruthie’s fear; her anxiety over rebreaking her leg is deep and impactful. Her own happiness builds on itself, though, and propels her from learning to climb the stairs to taking her first trip outside, where she is rewarded with the gift of Danielle’s dandelion; the flower symbolizes not only the rebirth of spring in the city, but also Ruthie’s healed leg, improved spirit, and renewed friendship with Danielle.
American Literature
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Beauty
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Books About Art
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Coming-of-Age Journeys
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Cuban Literature
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Disability
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Diverse Voices (Middle Grade)
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Family
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Fiction with Strong Female Protagonists
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Hispanic & Latinx American Literature
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Immigrants & Refugees
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Juvenile Literature
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Realistic Fiction (Middle Grade)
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