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Music is a recurring motif thoughout Lovely War; it brings human connection, solace, and joy. At the parish dance in Poplar, James is drawn to Hazel, “drinking in her music like water and tasting how she dissolved herself in it like a sugar cube” (19). Her beauty is clearly interwoven in the beauty of the music she is creating; James is drawn to her and to her piano piece, and this is the beginning of their decades-long romance. Later, music comforts a heartbroken Hazel after James tells her that he doesn’t want to be with her; she plays Beethoven’s “Pathétique” and “Adagio cantabile,” and “she understood now, in way she never had before, the sorrow and longing wrapped up in Beethoven’s Piano Sonata. […] This was what she’d needed. This salve for her wounded soul” (359).
Music also provides solace for Aubrey. When he and his division travel through France on a freezing night, the band begins to sing together, tapping on the sides of the carriage to add beat and rhythm: “The whole car sang now. Freezing cold, stiff as oak, heading off to war, and terribly far from home. Aubrey felt his cheeks smile and his belly warm. […] No matter what happened, they’d keep on singing” (97). Music also brings Colette and Aubrey together; her singing draws Aubrey into the YMCA hut to discover the owner of the soulful and angelic voice. He writes “Dinant” for her, a piece full of melancholy and tragedy, which moves her to tears. Music remains central in their relationship as they move to New York together to perform and record music.
Letters symbolize connections between characters who are separated by distance and war. James tells Hazel, in a letter, that “your letters bring more cheer than I can express” (90). Through the trauma of military training and then trench life, James and Hazel dream up details of their future life together, tell each other anecdotes of their lives, and reveal details of their families, friends, favorite books, and funny memories. Hazel and James also exchange regular letters with their respective families, who are desperately worried for their children’s well-being.
James receives letters from the trenches, such as from his friend Billy, when he is recovering in England. James reads Billy’s letter with shaking hands, revealing the extent of his trauma and distress merely hearing about the events at the front.
When Aubrey arrives to see Colette, he pens a detailed letter for her explaining his silence; Joey’s death and the risk to Aubrey’s own life forced him to flee Saint-Nazaire. This letter, articulating details too painful for Aubrey to articulate aloud, breaches the broken trust between Colette and Aubrey, allowing them to resume their relationship.
Physical and mental scars received during the Great War are a recurring motif in Lovely War. They symbolize characters’ bravery and sacrifice. Hazel risks traveling across war-torn France to see James for half a day; the train she is in is bombed, and broken glass causes significant, disfiguring scars. James loves Hazel’s scars, as they “were a reminder that she came back” to him (434).
James carries psychological scars that afflict him for the rest of his life. “There were nights when James woke up sobbing. Freak moments when a flashing light or a car engine backfiring set his body shaking” (433). Similar to the way that James is loyal to Hazel in spite of (or because of) her scars, Hazel is always there, ready to “comfort and listen” (433). Aphrodite suggests that imperfections and scars in mortals are like “mortar, filling in the cracks” of a brick building; the mortar “provides the strength” (446). This analogy encapsulates Aphrodite’s belief that scars strengthen love, rather than undermining it.
Beauty
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Civil Rights & Jim Crow
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Music
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Mythology
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Required Reading Lists
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Romance
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Sexual Harassment & Violence
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War
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World War II
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