37 pages • 1 hour read
Neil SimonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Lost in Yonkers is set in Yonkers, New York, in 1942. The play opens on an evening in August, when two brothers named Jay and Arty Kurnitz sit in their grandmother’s apartment above the family candy shop, confessing their fear of her to each other. They complain about the heat and recollect that their grandmother carries a cane to help with her limp. Jay remembers drawing an insulting picture of her when he was younger. Grandma is notoriously cold and harsh, the boys suggest.
The boys’ father, Eddie, has cared for them since the death of their mother, who believed everyone on their father’s side of the family is flawed in some way. Grandma beat their aunt Bella so badly that she developed an intellectual disability. Eddie exits the bedroom, where he has been talking with Grandma, several times to deliver instructions to his sons. He seems as nervous around Grandma as everyone else. Jay and Arty talk about Aunt Gert, whose difficulty breathing Jay mocks, to Arty’s delight. Grandma does not tolerate children crying. In contrast, their Uncle Louie has a reputation as a criminal rumored to work for gangsters.
Arty spots Bella on the street. She seems lost, so Arty calls out to her. Eddie overhears his son and criticizes him for yelling. He orders them not to accept any ice creams sodas from Bella and to tell her to rub Grandma’s back. Bella enters the apartment. She is polite and pleasant, asking the boys their ages and telling them she is 35. She admits to getting lost and winding up at the wrong movie theater, where she watched the wrong movie. She offers to take the boys to a movie, though they claim that they already have plans to see the Yankees game. When Bella offers the boys ice cream sodas from the Kurnitzes’ candy store downstairs, they refuse.
Bella asks the boys about their mother, and they remind her their mother is dead. Bella recalls that their mother and Grandma were not on friendly terms. Few people are on friendly terms with Grandma, she admits. She begins to ramble about big families and her siblings (two of whom, Rose and Aaron, died young). She repeats her offer of ice cream soda. When the boys decline again, she accuses them of hurting her feelings and storms off.
The sound of Bella slamming the door draws Eddie back into the room. The boys ask whether they may leave. He tells them not to rush him, reminding them that they have not even spoken to Grandma yet. He tries to speak to Bella, who does not respond, and returns to the bedroom. Once Eddie is gone, Bella reappears with oil and a towel. The boys remember to tell her that Grandma may need a back rub. Bella speaks about her homemade dress, which Grandma hates. She promises to cook dinner for Arty and Jay and takes the oil and towel into the bedroom.
Eddie reappears. He needs to talk to his sons about something but breaks down in tears. He confesses that he hid their mother’s cancer from them to save them from worrying. He spent so much on the hospital, trying to make her final days comfortable, that he ran out of money and borrowed $9,000 from a loan shark against his own rules. He needs to repay the man but has no money. He credits the United States for taking in immigrants. World War II, he says, has created new employment opportunities. He plans to make money by traveling to sell scrap iron, estimating that he will be able to repay his debts in less than 12 months. However, he will need to leave the boys in Yonkers while he is away, so he is looking for somewhere for them to stay.
Eddie has given up their apartment because he can no longer afford the rent. The brothers realize with horror that their father intends for them to stay with Grandma while he is away. They plead with him, but he insists that this is for the best. Though Grandma has not agreed to let the boys stay with her, Eddie says, she is considering it. As a result, they must behave. He returns to the bedroom to talk to Grandma again, and Jay and Arty fret about what lies ahead. Arty tries to think up ways to talk their father out of his plan, suggesting they break something so she refuses to have them in her home. Jay is more cautious, suggesting they do what their father thinks is best to “save Pop’s life” (26). They argue, and Jay tears the collar of Arty’s shirt. Concerned about getting in trouble, they search for a pin, and Arty catches Jay’s finger in a drawer by accident. Jay cries out, drawing their father from the bedroom. He tells the boys off for making a mess. Eddie suggests the boys wait outside, worrying them. They promise they will be happy to live in Grandma’s house and to behave themselves. They claim to be worried Grandma will turn them away.
Bella exits the bedroom and collapses on the couch in a flood of tears, interrupting the conversation. She tells Eddie their mother was mean, but he cheers her up with the news that Jay and Arty may be coming to stay. This pleases Bella, who warns Eddie about Grandma’s capacity for meanness. Eddie assures her that everything will be fine and suggests she lie down, allowing the boys to talk to Grandma. Bella opts to stay.
Lost in Yonkers begins with comedic dialogue between Jay and Arty, who discuss their grandmother’s reputation as an abusive bully. While Grandma is the object of much of the conversation during these scenes, she does not appear onstage until later. Neil Simon constructs Grandma’s character in her absence, allowing him to clearly establish her effect on other people and build her bad reputation. Without stepping on stage, she is present in the fears, emotions, and conversations of everyone around her. Early in the play, Simon also alludes to the ways in which Eddie has kept the boys from his mother due to his fear that Grandma may damage them as she did him. The boys’ tone also illustrates their unfamiliarity with their paternal relatives, as they talk about their aunts and uncle in almost mythic terms.
The boys laugh about Grandma’s effect on her children, joking that each of them has some kind of problem resulting from the trauma of growing up with her. That they joke about such a serious topic suggests an immaturity on their part. More broadly, in this early part of the play, the boys display pronounced childishness, with Eddie entering the living room to chastise them on multiple occasions. This sets up the boys’ Transition From Childhood to Maturity. At this stage of the play, they only know Bella through these stories. They are willing to imitate and mock her because they do not really know her. Later in the play, when they have gotten to know her, their attitude toward her shifts. With their mother recently dead and their father desperately trying to settle the debts he accrued while paying for her care, the boys face a bleak future, forcing them to deal with issues that should be beyond their young ages. Their entry into Grandma’s domain marks the end of their childhoods, demanding that they grow up fast.
Several of the older characters undergo a parallel process of maturation. Bella too demonstrates a clear childishness in these early scenes, repeating the same childlike questions multiple times and throwing a tantrum when the boys decline her offer of ice cream sodas. This sets up her transition to maturity alongside the boys’. While the other characters ascribe her behavior to her intellectual disability, she is not alone in her immaturity. Like his sister, Eddie also displays immaturity by borrowing money from a loan shark to pay for hospital care for his wife. While the loan is a gesture of compassion that helps keep his wife comfortable as she’s dying, it places the rest of his family in dire financial straits and endangers Eddie and his children.
Grandma’s children have struggled to grow up in part because of her domineering nature, which is itself connected to her traumatic past. Eddie’s reluctance to bring his children to his mother’s home introduces the theme of Healing From Generational Trauma. Eddie’s childhood was so traumatic that he has kept his children away from their grandmother, and only now—when he is desperate and grief-stricken—is he willing to turn to her for help. Together, they negotiate the family lore. They talk about the savage beatings dealt out to Aunt Bella—the injuries from which left her with a learning disability. These beatings and the permanent brain damage they caused mirror Grandma’s permanent injury at the hands of German anti-Jewish activists. Through these parallel injuries, Simon illustrates the ways in which trauma passes from one generation to the next.
Eddie’s departure for a job collecting scrap metal for the war effort illustrates The Effects of War, contrasting the financial opportunities the war presents with its disruption of family life. When Eddie announces his plans to the boys, he expresses love of the United States for the opportunities it presents to immigrants, particularly via the war effort. However, these same opportunities are behind his separation from his children, suggesting that the benefits of war come at a high cost to desperate individuals.
By Neil Simon