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52 pages 1 hour read

Jo Baker

Longbourn

Fiction | Novel | Adult | Published in 2013

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Symbols & Motifs

Bags and Boxes

Bags and boxes, as containers of goods and property, symbolize economic status in the novel and represent economic exchange. The amount of luggage a character has when they travel indicates, on one level, their economic status, encapsulated in the number of their worldly good. Elizabeth Bennet has much baggage when she travels to Kent, as does Lydia when she visits Brighton, but when Sarah goes to Kent, she has only a small bag. When she wishes to escape to London, all her possessions fit into one lockable wooden box that she can carry. When the housekeeper at Pemberley shows Sarah to her room, Sarah sees “[a] stranger’s locked box was tucked under the right-hand bed” (310), a parallel to her own. This servant’s box is the only bit of privacy and selfhood that maids are allowed in their life of service.

James’s canvas bag, highly portable, symbolizes his itinerant life, the past he keeps hidden when he arrives at Longbourn. When she ends her employment with the Darcys, Sarah trades the servant’s wooden box for a knapsack like James’s, symbolizing her choice of a new path in life and her love for him. She notes: “Without the box to weigh them down, her little things seemed to weigh almost nothing at all” (321). In a world where people are defined by their possessions and their wealth, Sarah’s lack of possessions gives her freedom and mobility that other women don’t have.

Sarah’s Hands

Sarah’s hands serve as a visible reminder of the toll of hard labor upon the body. Her discomforts contrast with the ease enjoyed by her employers, evidence of her hard work and a symbol of her class difference. Sarah’s hands are described as hard and rough, often reddened, sometimes blistered and burned when she is curling the hair of the Bennet girls. The chilblains are further evidence of the discomfort she suffers in the service of keeping others in ease and luxury; the itching and irritating chilblains represent her dissatisfaction with the wearying and endless work. When she dresses the Bennet girls, Sarah takes care that her rough and blistered hands do not snag or stain the delicate fabrics, an outright symbol of the different labor that defines their class. At Pemberley, when her job entails dressing Elizabeth and tending to her clothing, Sarah’s hands reflect the change in station: “Her hands grew softer with the softer work” (313). At the very end, when they return to Longbourn, Sarah’s hand in James’s signals her status as his partner and the mother of his child.

Seashells and the Sea

For both Sarah and James, the sea represents distant, exotic locales far different than the rural agrarian society they know. Sarah’s longing to view the sea signifies her wish to see beyond the small village where she grew up; the sea represents the freedom she wishes she had. For James, crossing the sea means entering a new and unpleasant life when he enlists in the army and ships off to war; the world he finds is far different, and distant from, the farm where he grew up. When Sarah searches through James’s pack in the stable loft at Longbourn, the seashells she finds are a marvel to her; they represent the treasures of faraway places, all the wonders of the world that she hasn’t seen. They also represent the secrets James is keeping from her, the experiences of his past that she doesn’t know of, good or bad. In the scene where he leaves the Spanish family that has nursed him back to health, the seashells take on a different valence; James collects them as a reminder of his time there, expressing his wish only to preserve the good memories,. When Sarah at last reaches the sea on her quest for James, it represents a culmination of her search, and a kind of reward for her travels; she has found the freedom she sought.

Clothing and Fabrics

Descriptions of fabric and clothing serve a literal function in the novel to demarcate class and wealth, but they also signal one’s usefulness. The Bennet girls are compared to birds and butterflies, implying they have a largely decorative function. It’s important to them to have new and lovely things to display their wealth and standing and attract admiration from others. Sarah, in contrast, has only the most functional dresses, worn from use, and when Jane and Elizabeth Bennet give her a cast-off, one of their old day gowns will, for Sarah, be a special item she saves for festivals and dances. Mrs. Hill also receives a cast-off gown from Mrs. Bennet; getting clothes was often a perquisite for servants, especially housekeepers, but Mrs. Hill notes how impractical the gown is for her work, which makes the gift more thoughtless than useful and underlines the invisibility of domestic labor and the servants who perform it. The differences in clothing also emphasize the class distinctions and hierarchies upon which British society of this time was based.

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