56 pages • 1 hour read
John Ajvide LindqvistA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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While driving across Traneberg bridge, a man named Benny Molin spots Håkan in the road and swerves to avoid hitting him. Molin’s car hits the siderails, and when he exits to yell at Håkan, he quickly gets back in his car after seeing Håkan’s face. The search for Håkan has already begun by the time Molin gets home, takes a shot of alcohol, and finally tries getting some sleep.
The massive manhunt for Håkan begins in Judarn Forest. Håkan is extremely dangerous for several reasons, the most pressing being that he’s somehow alive despite falling and dying, and that he murdered Benke Edwards so brutally—the remains look “mutilated by rats, foxes, perhaps wolverines and bears” (296)—that it’s impossible to identify the body apart from the wedding band Benke wore. After hours of searching, the police conclude that Håkan must be dead. They shift their search to finding his corpse.
After cutting herself all night and sucking on her wounds, Virginia understands that she needs to drink someone else’s blood to feel better. She senses the infection inside her, which she likens to a writhing snake. Virginia knows the sun is her nemesis, and craving rest, drags blankets into the closet to sleep. She determines to distance herself from those she loves. Before falling asleep, Virginia also realizes that she doesn’t need to breathe.
Tommy and his mother journey via subway to a mass in which Staffan will sing in the choir and then deliver a message about guidance. They hear tidbits about the hunt for the murderer from agitated strangers. At the church, Tommy secretly pours a packet of white powder into the christening font.
Oskar wakes up, and after remembering that he’s at Eli’s place, checks to see if Eli bit him. He then feels foolish for doubting Eli and looks for her. The only locked room is the bathroom, and he tries calling out both “Eli” and “Elias” to no avail. Oskar still can’t wrap his head around the fact that Eli—Elias—might be male, especially since they kissed and slept naked together: “No, he wasn’t going to get used to it. She…His name was Eli” (307). Oskar thinks about the derogatory names like “faggot” that Jonny has called him and knows liking a male will be difficult. He then hears his mother delivering his fliers and cries. The instance creates such a surreal effect that Oskar once again feels that he doesn’t exist.
Lacke decides to sell four of his rarest stamps and make good on his dream of moving to the country. He wants to take Virginia with him.
Back at the church, Tommy listens to the minister, Bror Ardelius, speak about salvation. If the minister mentions a specific, predetermined word (Israel), Tommy will go through with his plan. When the minister does, Tommy lights a tinder cube and tosses it into the christening font where he poured the white powder earlier (it’s a mixture of saltpeter and sugar). The minister loses his place in his message, but when he sees smoke coming from the font, he initially considers it a sign from God. He then realizes that something is wrong, yet he doesn’t want to cause panic. Before he can figure out what to do, the congregation, all coughing now, begin rushing out the door. Staffan knows without a doubt that Tommy is to blame. He wants to discipline him, but Yvonne would refuse. He tells himself that he will shape Tommy into an upright citizen once he finally marries Yvonne and becomes Tommy’s stepdad.
Oskar freaks out when he realizes that the expired food in the apartment belongs to Håkan and believes that Eli must have killed Håkan. Determined to leave, he finds a note from Eli by his bag. Eli again asks him not to be afraid, and then asks if they can meet that night. If Oskar writes “yes,” they’ll meet, but if he writes “no,” then Eli will move away immediately. Oskar agrees to meet, then leaves and locks the door.
The chapter ends with a news bulletin about the search for Håkan. The police now believe that Håkan has an accomplice. His body was so badly damaged that it’s impossible for him to be acting alone.
The manhunt for Håkan consumes the public, mostly because people feel anger and fear at the fact that the police have yet to apprehend him. The media uses a picture of a policeman during the hunt attempting to wrangle a prized sheep in Judarn forest. Many of the main characters see this photo, with varying concerns. Lacke, for instance, sees it while on his way to Gösta’s. Oskar sees it while in town, where he also sees Tommy fleeing the church incident. Oskar then goes home, takes the photo, and sets about updating his scrapbook. Jonny, meanwhile, sees it at home, but tosses it and focuses on the photo album from his dad. Jonny decides to keep the album at school for safekeeping. He then considers what to do about getting revenge on Oskar.
Virginia’s body transitions throughout the evening, including a cancer-like growth on her heart that continues growing. The growth is actually a collection of brain cells, though this is impossible from a scientific standpoint. This group of brain cells thinks independently of Virginia. Upon waking, “Her consciousness came to life, and at the same time it was as if something else quickly withdrew” (322). Virginia understands that the disease within her has a life of its own. She also finds that she has better hearing and an acute sense of smell now. With everything going on, she finally utters, “I am a vampire” (326), a conclusion that now sounds normal to her.
Oskar reads the paper and begins piecing the mystery of The Ritual Killer together. He knows the pink sweater found with Jocke is Eli’s. Plus, she left the night they played with the Cube looking sick but appeared healthy the next day, so she must have killed Jocke. Oskar then deduces that Håkan helped Eli by killing people. Oskar asks Eli to come over via Morse code and thinks about what he will tell her.
Tommy and his mother argue about his stunt in the church. Tommy begs his mother not to tell Staffan, and she promises not to, but she wants Tommy to stop acting immature. She then asks if she should marry Staffan, a question Tommy evades. Since Staffan will surely come over, Tommy leaves to sleep in the basement. He unlocks the storage room so that he can hide in it if Staffan comes looking for him.
Lacke and Gösta drink in Gösta’s apartment. Lacke tries calling Virginia, but she doesn’t answer. He tells Gösta about his plan to leave Blackeberg for good. Suddenly the doorbell rings. Gösta answers the door and invites Virginia in. Virginia had earlier made up her mind to kill Gösta, and now that she stands in front of him, she allows the animal within her to take over. Right before she’s about to bite him, however, Lacke says hi, startling Virginia. Lacke notes a strange look in her eyes. Lacke and Gösta pull Virginia into the apartment despite her protestations. Suddenly, the cats all begin hissing and attack Virginia. Lacke fights some off, killing them, while Virginia fights others. Lacke manages to get Virginia outside, but the cats continue ganging up on her, and in a last ditch effort, Virginia throws herself down the stairwell.
Later, the police obtain a picture of Håkan. The police hope the photo will help them by making use of the public—the police want anyone who has seen Håkan to phone in.
When Eli arrives at Oskar’s, she asks Oskar to invite her in—Eli requires an invitation for each new entrance (the previous entrance was Oskar’s window). Oskar wants to know what will happen if he refuses, so Eli walks in. A few moments later, she begins bleeding out from her pores. Racked with guilt, Oskar quickly invites her in and the bleeding stops. Eli then gives Oskar her bloody clothes and showers. When she returns to the living room, she disrobes. Oskar looks at her naked body and realizes that she has no genitals. Eli explains that she used to have a penis but now has nothing.
Eli hasn’t had friends for over 200 years, and after he harps on his being biologically male so that Oskar understands, he apologizes for making Oskar feel weird. Oskar admits that he figured out Eli was born male previously, but he wants to stop talking about it. Oskar goes to the restroom and sees a tadpole-like creature—presumably from Eli’s body—wiggle into the sink and die. When he returns, the boys make small talk. Eli mentions that he sleeps for months at a time sometimes, while other times he sleeps during the day and wakes at night. Oskar suddenly loses his temper and accuses Eli of murdering innocent people. Eli takes offense, informing Oskar that he has heard Oskar pretending to kill people when stabbing trees. Though Oskar feels that his violent acts are make-believe, Eli suggests that Oskar would kill if he could get away with it because, like Eli, he wants to live without people hurting him. Eli implores Oskar to put himself in Eli’s shoes, then Eli kisses Oskar.
While kissing Eli, Oskar begins seeing various scenes from Eli’s past. The older man from the castle rolls the dice and chooses Eli. The man, along with a doctor, straps Eli to an operating table and sever his genitals. Then the man drinks the blood, and bites Eli’s body. Oskar also sees a scene in which Eli’s mother washes clothes in a river. When the scene shifts back to Eli’s torture, the pain becomes too much and Oskar falls backward. Eli catches him, and when Oskar comes to, he can’t remember who or where he is. He finally remembers, and Eli apologizes for making him relive nightmares. Eli decides to leave, and when Oskar tells Eli to wear some of his clothes, Eli goes to the closet and returns wearing Oskar’s mother’s dress. Oskar informs Eli that Håkan is missing and the police are searching for him. Eli looks visibly shaken and warns Oskar to stay indoors after nightfall.
While Eli and Oskar talk, Lacke and Virginia head to the hospital via ambulance to give her blood. Meanwhile, a squirrel notices Håkan emerge from a badger’s den.
Håkan makes his way toward Blackeberg, a plot that suggests a showdown between Håkan and Eli is imminent. As always, Håkan’s focus is Eli, so his movement toward where Eli lives makes sense. Håkan craves connection, and Eli is his maker. Lindqvist dials the horror elements up in this section with Håkan evading the police and the public fearful of the murderer’s whereabouts. Like Eli, Håkan cheated death, which makes him a target. His existence is outside the laws of nature (he died already yet somehow is alive), and humankind can’t accept that.
Virginia fully transitions into a vampire. In a frightful, stomach-turning scene, she goes to kill Gösta but ends up attacked by his cats:
Lacke grabbed the cat that was sitting on her [Virginia’s] head, but the cat dug its claws in even deeper, sat there like it was sewn on. Its head fit inside Lacke’s hand and he yanked it from side to side until he—in the middle of all the noise—heard a snap (337).
Lindqvist provides additional gory details to this fight: “[Lacke] took two steps, aimed a kick at Miriam. His foot sunk into her bloated belly and Lacke felt no revulsion, only satisfaction, when that sack of guts flew from his foot, was crushed against the radiator” (338). These gruesome depictions of dying cats add a layer to the horror fiction witnessed thus far. Like earlier descriptions of Håkan’s burned face, these descriptions unsettle readers and get under the skin, forcing readers to live the horror that’s on the page. In addition, these scenes confront mortality head-on. Part of the mystique of vampire lore is that living forever seems attractive. From the beginning of time humans have searched for a fountain of youth. The cats, whom Egyptians considered gods, are warriors defending the limits of mortality for mankind.
This section also returns to the topic of Eli’s gender. From Chapter 14 forward, Lindqvist refers to Eli as a male, underscoring Eli’s biological gender. Eli’s gender is far more fluid and complicated than his biology; he never says that he identifies as male or female. When Eli chooses clothing in Oskar’s closet, he chooses a yellow sundress. Oskar wants to tell Eli to put male-presenting clothes on, but Eli doesn’t. Therefore, not just sexuality but also gender identification are at play in the novel.
Eli’s past also comes full circle when Eli shows Oskar visions through a kiss. Oskar witnesses the pain Eli endured while becoming a vampire. This pain, though too much for Oskar initially, will later help Oskar identify more with Eli. Though Eli implores Oskar to “Be me a little” (351), Oskar still struggles with making sense of who and what Eli is. By struggling with Eli’s identity, Oskar reveals that he’s also struggling with his own identity. Oskar knows that being gay will set him up for more bullying, and he sadly notes that it’s easier to be a vampire than be gay in contemporary society. The idea of being someone else through a kiss draws a connection between metaphysical sharing of the spirit, physically letting someone into their space, and the physical act of sex and intimacy.