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Morgan and Larry meet by chance one morning, and though they try to avoid talking about Jocke’s disappearance, bring up how only Gösta can do something. Near the underpass where Jocke disappeared, they watch a gym class walk by and laugh at how militant the teacher is (presumably Mr. Ávila).
Oskar walks with his teacher, Marie-Louise, trying his best to avoid Jonny and Micke as the two seem to be planning something. He has been dating Eli for several days, so asks his teacher about love, and what love between two males entails. The question catches his teacher off guard, but she promises to return to the subject later. Oskar also asks if someone can be both a boy and a girl, though his teacher suggests that only animals can do this. When the female students overtake him and the teacher, they monopolize the teacher’s attention and walk away with her.
Suddenly, Jonny grabs Oskar and tells him they’re going to make him take a bath. Oskar is afraid of falling through the ice, and though he yells for help, there’s no one around to hear him. Once the boys get to the portion of the pond where the ice is melting, Oskar wrestles free, grabs the ice hockey stick, and hits Jonny hard with it on the ear. Jonny doubles over in pain and throws up, while Micke backs away. Seeing Jonny in pain, Oskar immediately regrets harming him. A grown-up skates toward them, until a group of students near the hospital begins screaming, and the man doubles back.
Mr. Ávila, having spotted Oskar and his bullies on the ice (he doesn’t initially know who the kids are), rushes toward them after seeing one of them injured. When he hears one of his own kids scream, however, he rushes to the sound, fearing the worst. He directs the kids away, and sees a frozen head visible under the ice.
Håkan receives another visit from the police, who have been trying to get him to communicate despite him not being able to talk yet (he’s having many surgeries to try and reconstruct his face). While Håkan ponders what circle in Dante’s Hell he deserves to be in, he hears devastating news: the body he placed in the lake has surfaced.
Oskar’s school informs his mother of the fight, and she makes him speak to his father. His father suggests they spend some time together that weekend, which excites Oskar. They make plans to meet up, and then Oskar cries while on his way to strength training.
Meanwhile, the group from the Chinese restaurant visit Gösta. No one wants to enter his apartment because it smells horribly. They muster up courage and enter, trying not to puke. The group informs Gösta that not only has Jocke’s body surfaced but that he’s a victim of foul play. They implore him to go to the police, but he adamantly refuses. While getting sloppy drunk with him, they assure him that they’ll all make things right.
Eli appears when Oskar leaves the pool after his strength training. She’s back to looking sickly, but Oskar asks her if she wants to hang out anyway. They return to their apartment complex and sneak into the basement. Oskar tells Eli about hitting Jonny. Though proud, when he flicks on the lights he notices how cat-like Eli’s eyes look before they suddenly adjust to the light. As they walk through the connected basements, Oskar tells her about Jonny’s hideout and the glue-sniffing, and he notices Eli messing with the lock on the door before they head back out and return to his basement section. Someone hears them and they hide, and then Eli finds a plastic sword and knights Oskar with it for his bravery.
Oskar suddenly produces a real knife and cuts himself, wanting to form a blood bond with Eli. She says she’ll infect him if they mix blood. When Eli notices his blood oozing out, her countenance changes: “A ghost flew into Eli’s face, distorting it into something so different from the girl he knew that he completely forgot about catching the blood that dropped from his hand” (213). Oskar is visibly scared and thinks Eli looks like a monster. She only reinforces this by moving back on all fours, trembling, and begging him to leave immediately. He backs away in fright, but watches as Eli crawls to his fallen blood and licks it up. She then implores him again to leave, but rushes from the basement herself. Oskar looks at the blood on the floor, tastes it, and spits it out.
Håkan contemplates yet another surgery he’ll soon have, amazed at how much time and money the police are spending on someone “worthless.” He then remembers his pre-Eli life, how the public found out about his pedophilia via magazines he used to get in the mail. The school he worked for fired him, and one night someone firebombed his house. He began drinking incessantly after that in an attempt to kill himself. Other self-destructive acts included fondling little boys in public, actions that of course got him beaten by parents and/or citizens. While drinking at a playground one day, Eli sat next to him. She informed Håkan that he would stop drinking and start working for her. At the time, “He had done everything [for Eli] without wondering if Eli was ‘evil’ or ‘good’ or anything else. Eli was beautiful and Eli had given him back his dignity” (215-16). While thinking about Eli, Håkan suddenly realizes that he left her pink top with the body found in the lake in Blackeberg.
Elsewhere, Eli watches women exercising at the pool. She then grows claws on her hands and feet, and jumps into a tree to wait for prey. At the same time, Virginia leaves Gösta’s apartment. She’s tired of listening to Lacke talk about Jocke. Lacke finally feels bad, and upon mentioning this, the guys tell him to go and tell Virginia how he feels. He rushes drunkenly outside to apologize. As Virginia cries about Lacke’s seemingly uncaring nature, Eli jumps onto her back and Virginia falls. Virginia feels blood sucked from her body while struggling to make sense of what’s going on. Lacke sees Eli attack Virginia (though he doesn’t know who or what the “attacker” is) and rushes to her aid. He kicks at the “blob” on Virginia’s back until it detaches, and he sees that it’s a child. Eli flinches from pain and rushes off.
This section appears within the larger Chapter 10 portion.
Oskar journeys to his father’s house while thinking about Eli. He has decided not to see Eli any longer. He can only describe his last experience with her as “horror,” and he knows that Eli is everything people are supposed to be afraid of. Before leaving, he had taken his Snow Racer and raced down Ghost Hill, past Ghost House. Though the kids in the city are all afraid of the house, when he races past it, Oskar simply sees “an ugly shack of sheet metal” (224).
Afraid that Eli will follow him, he keeps time by looking at familiar landmarks and also pondering just how weird Eli is. Eli speaks strangely. She turns old and sickly then youthful again. She’s flexible, and of course she asks for an invitation inside someone’s home. Everything points to Eli being a vampire. Oskar hardly believes it, and he knows no one else will believe him. He finally pulls into his destination (Södervik) and sees his father waiting. Oskar’s mother always says that his father is childish, but Oskar loves spending time with his father and considers him the ideal embodiment of masculinity. He and his father briefly catch up, then his father drives a moped with Oskar attached via skis.
Håkan’s latest surgery is meant to repair his vocal chords. Though this fascinates him, he still doesn’t plan to betray Eli. He has also had a surgery to place flesh on his eyelid so that he can now close it. A policeman again visits him with news that they are closer to identifying him. Also, the policeman thinks that Håkan is protecting someone because the bite marks found on Jocke are those of a child. Moreover (though the policeman doesn’t say), they found a child’s footprints in the snow near the burning woman’s house. Håkan wonders if he’ll ever see Eli again.
Virginia’s injuries are not severe, so the hospital releases her. She wants to sleep, then go to work the next day as a way to forget about her attack. She’s unable to sleep, however, and suffers from a hunger she can’t satiate. Food makes her nauseous, and she can’t keep water down. She eventually dozes off, but when she wakes up in the morning, sunlight burns her skin. She likens the feeling to a prick from countless needles. Despite the pain, she dresses quickly and rushes off to work.
The sun feels like it’s literally attacking Virginia, but she makes it to the store and immediately feels better because the artificial light inside doesn’t hurt her as much. Everyone is shocked to see her, and she notices that her attack is in the paper. Despite her coworkers imploring her to return home and rest, Virginia wants to occupy her thoughts with work. As she shells shrimp, she recalls a conversation with Lacke from the previous evening. Lacke insists that Virginia’s attacker is a vampire, while Virginia thinks it is just a twisted kid. Virginia then cuts her finger on accident on the sharp, frozen shrimp. When she sucks her finger, she delights in the taste of blood. Then she passes out.
Jonny has lunch with his older brother, Jimmy. Jimmy is involved in shady dealings with scary people, but Jonny likes hanging out with him anyway. Jonny has a scar from when Oskar hit him that might leave permanent damage to his ear, and Jimmy wants to know what he’s going to do about it. He offers to handle Oskar himself, but Jonny knows things will get out of hand if Jimmy gets involved. Jimmy then gives Jonny a photo album that their father—who’s separated from their mother—gave to Jimmy. It’s the only thing Jonny has that ties him to his father (his father left when he was still a baby).
In Södervik, Oskar and his father arrive home, and though his father seems like he wants to talk about Oskar’s fight, he deflects and talks about ice skates instead.
Back in Blackeberg, Lacke tries asking around about a strange child but realizes that people think he’s weird. He then buys chocolate for Virginia and visits her, but she doesn’t let him in. The entire ordeal is strange to him because Virginia never asks who’s at her door. She simply opens it. Despite her saying she’s fine and simply needs rest, he can sense that something is wrong with her. Lacke sits outside of her apartment, dumbfounded. Virginia, meanwhile, considers just how miserable she feels. She has burn marks from the sun, and there’s a gnawing restlessness inside her. When she drops something and picks up a shard of glass, she cuts herself and feels better. She licks her blood and the restlessness goes away. By the end of the night, Virginia realizes that the blood makes her feel better and so cuts herself with a knife repeatedly and licks her blood.
Tensions rise Chapter 10. Oskar contemplates love between two men (a nod to the possibility that Eli might be male); Oskar’s bullies threaten to push him into freezing water and he fights back, severely hurting Jonny; Lacke and Virginia’s relationship strains; and Eli attacks Virginia but can’t finish the attack, thus infecting Virginia. At this point in the narrative, various storylines play fully with rising action and catharsis. Oskar’s attack on the ice signifies that his bullies are not going to yield, and that Oskar, too, will not yield and is in fact getting stronger. This can only end climactically, as the end of the narrative will reveal. Even Oskar knows that a stalemate between him and his bullies is unlikely.
Given what readers know about Eli and his illness, Virginia’s attack sets up more rising action. Eli is unable to kill Virginia due to Lacke’s interference, which means Virginia’s infection from Eli’s bite will more than likely turn Virginia into a vampire. Now Blackeberg will have to deal with more than one monster in its midst, thus upping the stakes. This section also raises the stakes when Oskar begins to understand who—or what—Eli is. Oskar sees firsthand how Eli changes when Eli smells blood. The thought frightens Oskar and he determines not to see Eli anymore. Oskar, however, invited Eli into his home. Oskar, who previously maintained that fairy tales were more than likely just that, must now deal with the fact that he intimately knows a vampire. Oskar’s methodical rumination about Eli in this section underscores the duality between good and evil. Oskar likes Eli, but he doesn’t like the evil within Eli.