49 pages • 1 hour read
Mildred D. TaylorA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Cassie talks with her father about Hammer’s lecture on white boys. To her surprise, David backs up his brother. He cautions his daughter, “There’s gonna be white boys looking at you too—for no good, but they’ll be looking. I don’t want you looking back” (179). When Bud leaves that evening, Mary is still upset with Hammer for his interference. He does his best to apologize and mend fences with his sister-in-law, but this doesn’t change everyone’s opinion that marriage between Black and white individuals is a bad idea.
On Saturday, the entire family is out in the fields sowing cotton seeds. They are visited by the new county extension agent, Mr. Peck, and Sheriff Dobbs. The sheriff has come to introduce the new agent and vows to find the white men who were responsible for beating Farnsworth. The sheriff attributes the violence to union agitators in the vicinity. In passing, he mentions a knife fight between Jake Willis and another Black man over a card game. Willis is the inquisitive stranger who took an interest in Hammer earlier. Hammer says he doesn’t know the man.
After their visitors leave, David confides to Hammer that he will allow a meeting in his barn for the Black contingent of farmers in favor of unionizing. When the group assembles, everyone is so mistrustful of white farmers that they don’t want to merge the groups but will adopt a wait-and-see attitude.
A few days later, David announces that he will need to find seasonal work on the railroad as he did in previous years. The income from the cotton won’t be enough to sustain the family and pay all their bills. Mary is upset but realizes that there is no other alternative. Before he leaves, Hammer manages to patch up his differences with Cassie. He explains that his advice is only meant to keep her safe. On Saturday, David leaves with Hammer, and family morale slumps as a result.
By mid-April, Cassie’s constitution reading lessons with Lee Annie have progressed so well that the old woman announces she wants to vote. This decision appalls both Mary and her mother-in-law, Big Ma. Lee Annie says, “I’s sixty-four years old and I figure I’s deserving of doing something I wants to do, white folks like it or not” (195-96). By June, work in the fields continues steadily, and news reaches the family of the new Spokane County hospital being built nearby. Stacey announces that he’s going to try to get work there. Cassie and her younger brothers accompany him to the job site. While there, they run across Jake Willis, who is also looking for work. Something about the man makes Cassie uneasy. Stacey approaches two plantation owners, Mr. Harrison and Mr. Crawford. Harrison vouches for Stacey, but Crawford has no work available now. Harrison then offers Stacey a week’s work of whitewashing a fence for five dollars. Stacey is overjoyed, but Mary refuses to let him take the job. She insists that Stacey is needed to help run the farm in his father’s absence.
As the summer wears on, Cassie feels like Stacey is growing away from her. His voice has changed, and he seems more rebellious. He also doesn’t want his little sister following him around. One day, Cassie overhears Stacey talking to his friend Moe about Jacey Peters, the girl he likes. She’s been seen talking to the rich white boys, Stuart Walker and Joe Billy. Their conversation is interrupted by the news that Bud has returned and has brought his daughter Suzella. When the family assembles to meet the new arrival, all the men are struck by Suzella’s beauty. She is tall and slender with gray eyes, a creamy skin tone, and auburn hair. Her father has already reconciled with his wife, and Bud has only come to drop off Suzella for the summer.
Even though Suzella is kind to Cassie, the latter is jealous of all the attention the new arrival is getting. One afternoon, the Logan children and their guest go fishing. Since Suzella lives in New York, this experience is new for her. Cassie thinks, “I wanted things to be as they had been, but Suzella was just making things worse, and I looked forward to the day when she was packed and gone” (223).
One day, after her reading lesson with Lee Annie, Cassie finds Wordell playing the harmonica in the woods near the stream where Suzella is frolicking with the Logan children. In frustration, Cassie pours out her resentment to Wordell. His only comment is, “Ya wrong and ya know it” (228). After Sunday school, Cassie notes bitterly that Suzella is at the center of an admiring throng of churchgoers. Cassie also notices Jake Willis eyeing Suzella even though he is as old as David. Back at home, Suzella asks Cassie why she doesn’t like her and concludes it’s because she is part white, which she says isn’t her fault.
The family learns that Moe’s sharecropper family is now in worse shape because their milk cow just died. Big Ma takes one of the Logan cows to them so their children can have fresh milk, and the Turners receive the loan of the cow with gratitude. Mr. Turner and Moe show the Logans their bumper cotton crop, and Moe has big plans of cashing himself out as a sharecropper. Just then, Deputy Haynes and Mr. Peck arrive. Peck has some bad news. Apparently, there was a miscalculation in how much cotton was to be planted. He instructs the Turners to plow up a large percentage of their cotton field. Moe is extremely upset and challenges the order until the deputy strikes him. Peck sadly says, “I know how y’all feel and I don’t like this no more’n y’all do. But it’s gotta be done. Ain’t nothin’ ‘gainst y’all. This here’s happening to colored and white alike, and plenty of other folks gonna come under the same hardship” (239).
In the days to come, many other sharecropper families are forced to plow up their cotton. Luckily, the Logans own their land and aren’t subject to the same rule. By July, many white and Black sharecroppers grow angry at their losses and consider organizing a union. Wheeler has returned from Washington and claims the plow-up order didn’t come from the government. Apparently, the big plantation owners had overplanted their own acreage. Because they were over quota, they forced their sharecroppers to reduce their crops to compensate. The wealthy owners will still pocket more for their cotton crop, leaving their sharecroppers with nothing.
On their way home from a summer bible class, the Logans and Suzella cross paths with Stuart Walker, driving his Hudson. He stops the car and starts to address Suzella courteously, thinking she is white. She fails to tell him that the Logans are her cousins. He expresses a desire to call on her, but she deflects the request and walks on. At home later in the day, Cassie tells her mother about Suzella’s encounter. Mary lectures Suzella about the need to avoid white boys. Afterward, Cassie accuses Suzella of thinking she’s better than anybody else. For her part, Suzella explains how isolated her life in New York is. Her parents can’t socialize with people of either race because everybody excludes them. Suzella and her mother find it easier to pass as white when they’re in public. She wishes she had a support group of family and friends like Cassie does. The latter still can’t see what Suzella has to complain about.
A few days later, Cassie learns that the white boys have been asking where Suzella is staying. Someone told them she is a Logan cousin, and Stuart isn’t pleased to hear that news. At the same time, Cassie finds out that Jacey Peters is pregnant and that Stuart is the father. She thinks, “Had the father been Black, Mr. Peters could have seen to it that the boy married Jacey and Jacey’s future could have been saved, but with a white boy there was no recourse” (262). Stacey is furious because he has a crush on Jacey and would like to kill Stuart.
Late that same night, neighbors come to tell the Logans that some white men burned down the house where the union organizers were staying. John Moses was killed, but the rest got away. Without Wheeler and Moses’s leadership, the interest in unionizing fades, and the integrated meeting does not occur. In the middle of the summer, the cotton crop looks good, but Stacey confides to Cassie that the money they get won’t be enough to cover all their bills. He plans to leave town and get a job but promises to talk the matter over with David, who is due to come home for a visit in August.
Unfortunately, the family receives a letter saying David must keep working and can’t return. By now, the cotton is ready to harvest and must be taken to the local gin. There, Mary talks with Granger. The top price for cotton is 11 cents a pound, which isn’t much. Granger offers to buy the Logan acreage, but Mary politely declines. After everyone has retired that night, Stacey calls Cassie to the porch, where he gives her his favorite knife. He and Moe are going to find work somewhere else. In the morning, the family finds a note from Stacey announcing that he’s found work for $8 per week.
The timeline in this segment parallels the growing season for cotton. As such, it focuses on The Struggle for Economic Independence. The reader becomes aware of the backbreaking labor required to bring in a cotton crop and also learns how little reward is being offered for all that toil. David is forced to take seasonal work on the railroad and must stay away for months at a time. Stacey tries to earn money on the hospital project, but Mary refuses to let him take any job away from the farm, where he is needed. Once again, Granger appears to tempt Mary with an offer to buy the farm at a time when the family desperately needs money to keep afloat.
Even more poignant is the plight of the sharecropping Turner family. Because of a miscalculation in planting instructions, they are ordered to plow up a large portion of their cotton crop, which was nearly ready for harvest. This news is especially upsetting for Moe, who had big dreams of earning enough money to break his family’s cycle of financial dependence on the Montier family.
The desperation of the farm workers ties into the theme of The Importance of Unity when union organizer Morris Wheeler returns to town. He exposes the scheme of the wealthy landowners to take government money earmarked for their sharecroppers and make the latter bear the brunt of the crop reduction rules. This news stirs up enough anger among all the farm workers to impel them to unite in a common cause.
Despite this hopeful sign of unification, Maintaining Separate Worlds continues on a personal level. In this segment, several people test the notion of complete separation between Black and white people. Before he leaves, David reinforces Hammer’s warning about Cassie’s friendship with Jeremy: “Jeremy seems to be a right fine boy and maybe he’ll grow up to be a right fine man, but you can’t never forget that he’s white and you’re black. You forget it and you likely to find yourself hurt” (178).
Another test for racial separation presents itself when Bud returns with Suzella. Cassie is hostile toward her light skinned cousin. She resents all the men’s attention toward the newcomer and is uncomfortable with someone who has failed to maintain segregation. Suzella registers Cassie’s rejection and says, “Cassie, you can’t just not like me because my mother’s a white woman. My mother’s simply my mother and my father my father, and I love them both just like you love yours. Don’t blame me for something I can’t help” (234).
Cassie seems to find the idea of love between Black and white people unfathomable. She becomes even more aggravated when her cousin briefly flirts with Stuart, who doesn’t realize that Suzella’s father is a Black man. Assuming she is a white visitor to the region, Stuart accords her the respect he would reserve for a Southern belle. For her part, Suzella doesn’t correct his mistake, which infuriates Cassie:
All you had to do was open your mouth and say, ‘These here are my cousins and I’m staying with them.’ That’s all. ‘I said I was sorry.’ ‘Uh-huh. Well, sorry don’t make it right.’ She looked at me and shook her head. ‘You don’t understand’ (257).
Later, Stuart will be embarrassed by his mistake and will seek revenge against Bud. Ironically, Stuart, who is white, has no problem taking sexual advantage of Jacey, who is Black. David and Hammer repeatedly stress this fact to Cassie before she reaches an age where she might attract the notice of white boys. Cassie thinks:
Had the father been black, Mr. Peters could have seen to it that the boy married Jacey and Jacey’s future could have been saved, but with a white boy there was no recourse. All the shotguns in the world gave Mr. Peters no power where a white boy was concerned (262).
The fear and mistrust of white men and their predatory sexual habits relating to Black women only widen the gulf between Black and white people. This tactic serves the planter class well in its divide-and-conquer strategy to maintain the status quo. The segment ends with the ultimate demonstration of disunity as Stacey runs away from home.
By Mildred D. Taylor
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