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57 pages 1 hour read

Tiffany D. Jackson

Let Me Hear a Rhyme

Fiction | Novel | YA | Published in 2019

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Background

Authorial Context: Tiffany D. Jackson

Tiffany D. Jackson is an author from Brooklyn, New York, where some of her novels, including Let Me Hear a Rhyme, are set. Her other young adult novels include Monday’s Not Coming (2018), Allegedly (2017), Grown (2020), White Smoke (2022), Whiteout (2022), and The Weight of Blood (2022). She is also the author of the children’s picture book Santa in the City (2021). Many of Jackson’s novels explore the myriad challenges that teens of color face, including segregation and racism, balancing school and work, romance, being accused of crimes, violence, and more. Jackson’s novels include different protagonists, settings, and challenges, but many of the main characters are teenagers of color who demonstrate resilience and courage in the face of adversity. Jackson has also worked in the film industry and wrote and directed a short horror film called The Field Trip (2009).

In the Afterword to Let Me Hear a Rhyme, Tiffany D. Jackson says that the novel is one of her most personal works, due to the physical setting, time period, plot details, and thematic content. Jackson says there is a lot of “her” in the novel, and she identifies with several of the novel’s characters. Jackson was a teenager in Brooklyn when Biggie died, and Steph’s depth of grief for Biggie, who represented a larger community and not just himself, mirrors her own grief. She identifies with the girl in the crowd after Biggie’s funeral procession, who asks the police why they’re attacking people who were just trying to celebrate Biggie’s life. Jackson also identifies with the girl who refuses ice cream from Mack, because she knows he makes his money selling drugs that ravage the same community he’s pretending to “help” with ice cream. Let Me Hear a Rhyme displays a deep and multifaceted concern for community.

Cultural Context: 1990s Hip-Hop Culture

Let Me Hear a Rhyme takes place in Bed-Stuy, Brooklyn, in 1997 and 1998, shortly after the death of the famous Brooklyn hip-hop artist Biggie Smalls, also known as Notorious B.I.G. Biggie’s murder was impactful due to his young age of 24 years old, the fact that his murder was never solved, his popularity, and his representation of his community of Brooklyn through his music. Many fans felt that Biggie’s death changed hip-hop forever, because hip-hop lost one of its greatest artists to a tragic murder. Biggie achieved so much by the age of 24, and many imagine that he could have achieved even more if he was allowed to keep living.

Although Biggie’s murderer is still unknown to the public, many people believe Biggie’s death was a result of the conflict between east coast and west coast hip-hop artists at the time. While the “hub” of 1990s hip-hop music was Brooklyn on the east coast, it was California on the west coast. Music executives seemed to encourage conflict between east coast and west coast hip-hop artists, and some speculate that Biggie’s death was orchestrated in part to fuel this conflict and sell more records. Tupac Shakur, who was born in New York but grew up in California, was also murdered prior to Biggie, and some speculated that Biggie or his associates were behind Tupac’s death. Some also speculate that Tupac’s still-living associates were behind Biggie’s death. This culture of hearsay, gossip, and conflict between people from different geographical locations is criticized heavily in Let Me Hear a Rhyme. Jackson’s novel argues that this conflict did not have a clear winner, because both sides suffered massive losses as a result of the conflict. Tupac and Biggie, two of the best hip-hop artists of all time, both died in their twenties due to senseless violence. Let Me Hear a Rhyme also argues that hip-hop is not meant to be a violent genre, but a genre that spreads love and inspiration.

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