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56 pages 1 hour read

D. H. Lawrence

Lady Chatterley's Lover

Fiction | Novel | Adult | Published in 1928

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Character Analysis

Connie Chatterley

Constance “Connie” Chatterley is the protagonist of the novel, and much of the plot is presented from her point of view. Connie is born into a well-off and intellectual Scottish family; as a young girl, she is exposed to travel, art, intellectual conversation, and unconventional political beliefs. Connie is often quite docile, soft-spoken, and agreeable. For much of her marriage to Clifford, she focuses on taking care of him and attending to all of his needs. She has a strong tendency toward nurturing and is interested in having a child.

However, Connie can also be stubborn, idealistic, and sensitive; she falls in love with Mellors during their affair even though they have very different perspectives and experiences. Connie is intellectual and interested in ideas, but also becomes frustrated when she is denied the opportunity to enjoy her body and physical sensations. When she listens to men talking about philosophy, she thinks that she “quite liked the life of the mind, and got a great thrill out of it. But she did think it overdid itself a little” (35). Connie is also quite sensual and thrives when she is connected to her body and the natural world.

Over the course of the novel, Connie changes from someone who is resigned to an unhappy life to someone who is determined to pursue happiness even at great cost. At first, Connie does not see anything changing within her marriage or her future; Clifford is never going to recover, and since they are never going to have children, there is nothing hopeful to look forward to. She is simply going to have to nurse her husband, day after day, until one of them dies.

Connie’s development begins when Mrs. Bolton comes to care for Clifford, giving Connie some of her time and freedom back. This freedom leads her to recover a connection to the natural world and eventually establish a relationship with Mellors. This relationship, and especially the sexual pleasure she experiences, empowers Connie to be much more hopeful about the future. She decides that she wants to have a child with Mellors, divorce Clifford, and live with the man she truly loves. These plans, combined with her pregnancy, give Connie the courage to leave her husband and to tell the truth about who her lover is: She comes to “f[eel] she could keep silent no longer” (314). By the end of the novel, even though she has not fully achieved all of her desires, Connie is a much more empowered and assertive woman who is on the way to living the life she wants.

Clifford Chatterley

Clifford Chatterley is an important secondary character in the novel. He eventually comes to act as the novel’s antagonist, since he creates conflict and stands between Connie and her desire to achieve her goal (i.e., being with Mellors). Clifford is an upper-class Englishman who is born into an aristocratic family and inherits an estate that has been in his family for generations.

Before the plot of the novel begins, Clifford is severely injured while fighting in World War I, and is paralyzed for life. He is reliant on a wheelchair to move around, he needs someone to help him with all daily tasks, and he is not capable of having sex or fathering children. Clifford has also been deeply traumatized by his wartime experiences: “[S]lowly, slowly the wound to the soul begins to make itself felt, like a bruise” (50). Clifford is quite spoiled and demanding, believing that the upper classes are inherently superior to the working classes. He does feel a strong connection to his ancestry and heritage, and wishes that he had a son.

Because of his entitlement and the infantilization he experiences due to his injuries, Clifford can be very demanding, needy, and controlling. He eventually transfers his almost obsessive tendencies from Connie to Mrs. Bolton. Clifford can sometimes be portrayed as quite villainous, especially as the plot progresses, but it is unclear if his character actually changes or if Connie’s perception of him changes. Clifford is partially a victim of circumstances outside of his control, and he can be sympathetic because of his loneliness and physical vulnerability. However, Clifford cruelly refuses to divorce Connie because he wants to punish her for having a relationship with a working-class man. He tells her coldly that, “I follow my own inclination, and I’m not inclined to” (316). Clifford’s character experiences a negative arc over the course of the novel, as he becomes more controlling and domineering.

Oliver Mellors

Oliver Mellors is an important secondary character, as his relationship with Connie drives the main conflict of the plot. Mellors works as a gamekeeper on the Chatterley estate. He lives alone since he is estranged from his wife and has little contact with his daughter.

Mellors was born into a working-class family, but has been able to acquire a good education and has spent time abroad and among the upper classes while serving in the army. He has a quiet elegance and refinement that leads characters like Hilda to notice that “he was instinctively much more delicate and well-bred than herself” (260). Mellors sometimes speaks in a local dialect and sometimes in more standard English, reflecting his ambiguous class position. He enjoys sex and finds it difficult to avoid becoming enmeshed in romantic and sexual relationships, even though he would prefer to avoid the emotional complexities that they engender.

Readers gain limited insight into Mellors’s character since his inner thoughts and feelings are only occasionally included. At first, he seems quite cautious about his relationship with Connie and is reticent to express his emotions for her. This reserve reflects Mellors’s awareness that it will be hard for them to pursue a life together, and also his fatalistic sense that the world is only going to get worse. Mellors eventually agrees to divorce his estranged wife and plan a future with Connie; he also comes to feel hopeful about him and Connie having a child, even though he initially fears “it seems to me a wrong and bitter thing to do, to bring a child into this world” (231).

By the end of the novel, Mellors has developed into a man who can much more freely express his love for Connie, and who sees the world in a hopeful way; as he tells her, “[T]hough I’m frightened, I believe in your being with me” (320).

Mrs. Bolton

Mrs. Bolton is a secondary character who comes to live at Wragby Hall to work as Clifford’s personal nurse. Mrs. Bolton is a working-class woman who has lived in the village near Wragby Hall; she is in her mid-forties when she comes to live with Connie and Clifford. Mrs. Bolton was widowed as a young woman and raised two children alone; she eventually tells Connie that she has continued to love and miss her husband for decades.

Mrs. Bolton and Clifford become very close, and she entertains him by telling him all of the local gossip. Mrs. Bolton often comes across as a somewhat crass and unrefined woman who likes to gossip, but she is also shrewd and observant. She is able to quickly deduce that Connie is having an affair with Mellors, and she chooses to keep this information secret.

At the end of the novel, when Connie reveals her affair and tries to ask Clifford for a divorce, Mrs. Bolton is also kind and non-judgmental, even though it might seem more probable that she would side with Clifford. Mrs. Bolton tells Connie, “I’ll be faithful to Sir Clifford, and I’ll be faithful to you, for I can see you’re both right in your own ways” (317). Mrs. Bolton shows that characters are seldom entirely good or entirely bad.

Hilda

Hilda is Connie’s sister, and a secondary character in the novel. Hilda marries an older man and lives an intellectual life, but eventually goes through a divorce. Hilda is initially more independent and assertive than Connie; she stands up to Clifford and tells him that he must hire a nurse because caring for him is ruining Connie’s health. Hilda does not like Clifford, and sees Connie as trapped in an unhappy marriage.

However, despite her progressive political beliefs, Hilda proves to be unsupportive of Connie’s relationship with Mellors. Hilda also takes a personal dislike toward Mellors and is rude to him when they meet. Hilda has liberal and progressive beliefs about some things, but she cannot see outside of existing class structures. She is also protective of her sister and tends to believe that Connie is being manipulated.

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