49 pages • 1 hour read
Helen FrostA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Throughout the book, Keesha’s house represents a safe space. It’s a place young people can go and stay for as long as they want. At Keesha’s house, they’re not exposed to abuse or predation. Katie addresses the safety of Keesha’s house through the symbol of knocking. At Katie’s house, her stepfather knocks on her door, but the knocking is perfunctory: He’ll enter without her consent. At Keesha’s house, the knocking represents consent. Katie says, “If Keesha wants to talk to me, she knocks / first, and if I want to let her in, I do. / If I don’t, I don't. It’s my choice” (14).
A key part of safe spaces is empowerment. At Keesha’s house, the teen characters have a semblance of control. They’re not constantly exposed to their flawed or abusive families, nor are they bombarded by external threats. When Harris moves into Keesha’s house, he’s not only protected from the anti-gay bias of his father but the anti-gay beliefs of others. Dontay jokes with Harris about his gay identity, but Dontay can tease Harris because Dontay supports him.
Another central part of safe spaces is mutual concern. The teen characters don’t go to Keesha’s house and dwell on their problems. Rather, they face their issues and help others deal with their difficulties. Harris helps Katie out by giving her rides to work, and Katie helps Harris by giving him the encouragement he needs to stay in school and finish his senior year. The allyship gives the teen characters resources to confront their problems. When Carmen goes over to Keesha’s house, the caring network helps her stay away from alcohol. They accept Carmen for not drinking alcohol, and they don’t try to change her. As a safe space, Keesha’s house also represents tolerance and integrity. Unlike the spaces maintained by adults, Keesha’s house is full of acceptance and flexibility for people’s differences.
The teen characters find themselves searching for belonging because the adults either don’t care about them or can’t properly express their concerns. Harris’s father doesn’t care about Harris as much as he cares about his anti-gay bias, so he kicks him out. Conversely, the mothers of Katie and Stephie care about them, but they don’t know how to reach their daughters. Dontay has an antagonistic relationship with his foster family, and Keesha’s father is abusive. The long list of flawed or inimical adults sets up an adversarial relationship between the teen characters and the adult characters. It’s as if the two live in separate worlds, and Frost reinforces such an argument by giving the teen characters and the adult characters separate parts. As the teen characters compose six of the eight parts, Frost privileges their voices and suggests that young people have more insight than adults. Harris sums up the combative dynamic when he states, “If people we're supposed to count on can't / (or don’t) support us, it’s up to us to find / the friends who can and do” (108). From Harris’s angle, young people must use their resilience and create support networks that counter the weaknesses of adults and the inflexible families.
From other angles, the motif is less antagonistic and more collaborative. Carmen works with her grandmother to get out of juvenile detention and confront her substance use disorder. The presence of Joe complicates the presentation of adults. He’s an adult, and he’s a positive influence, letting the young people use his house as a safe space. While other adults aren’t positive like Joe, they’re not irredeemable. Keesha’s father wants to change, and Dontay’s foster parents adjust to his needs. However, even when adults try to be helpful, there’s a chasm. Stephie encapsulates the gulf when she argues that adults are preoccupied with surface judgments, so they fail to grasp “those private things that no one knows about” (60). As the teens share similar experiences, they can recognize the “private things” and be more helpful to one another.
The motif of self-reliance supports the theme of The Flaws of Families. Several of the teen characters don’t feel like their families support them or care about their safety. As the teen characters can’t rely on their families, they must look to themselves for strength. Harris dismisses his parents and advocates for young people building their own networks instead. Katie refuses to speak to her mother about her abusive stepfather. She figures that if her mother can’t figure out what’s going on, then she’s not a reliable ally. Keesha dismisses her father, stating, “I’m never going to live like that, scared / of what a man will do to me” (7). She leaves her home, and through Joe, she manages a safe space. The success of Keesha’s house indicates that, sometimes, teens are better equipped to help teens than adults.
The motif of self-reliance also supports the theme of The Need for Resilience. All seven of the teen characters must turn to their inner strength to help them overcome their difficulties. Yet many of the teens manage to pair their self-reliance with help from others. Stephie and Dontay reconnect with their families, while Carmen works with her grandmother to overcome her issues. Katie feels a deep bond with Harris and Keesha, referring to them as siblings, but Keesha continues to present herself as a lone figure. Keesha says, “[L]ooks like I’m the driver. I shift gears, / head uphill with all the life I've got—my own” (105). In Keesha’s case, self-reliance becomes something of a crutch. It’s a way for her to feel like she has sole control over her life, avoiding the vulnerabilities of connection. Arguably, Keesha isn’t “the driver,” or she’s not the only “driver.” She has Joe and the other young people in the house. Keesha can and does rely on other people besides herself, just as people rely on her for support.
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