49 pages • 1 hour read
Helen FrostA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Joe’s house belonged to Aunt Annie. When he arrived at his aunt’s house when he was 12, he had bruises and clenched fists. He was afraid, and his aunt let him stay. She died and left him the property, so now he lets young people stay as long as they want. Joe admits that he’s neither Aunt Annie nor a legal foster parent, but he can give young people a safe space.
When Laura, Stephie’s mother, was a teen, she got pregnant, and an “educated” couple adopted the baby. Laura remembers the “joy” of holding the baby and her hectoring parents. Laura won’t lecture Stephie, and though she loves Stephie, she doesn’t believe she can help her. Laura believes Stephie must figure out what to do by herself.
Jason hasn’t spoken to his coach, but Harden hears the rumors and feels unwell. Jason is Harden’s dream player: He made varsity his freshman year, and he is a state all-star. Jason works hard and can play basketball for whatever college he wants. Harden doesn’t think of Jason as a person who avoids responsibilities. He thinks Jason cares about Stephie, but he can’t get over Jason’s talent.
Mrs. Mason, Dontay’s caseworker, thought she put Dontay in a positive place. The foster family is kind, and they are the same “race” as Dontay. The family planned to join the pool, where Dontay could learn to swim. Dontay said he didn’t like swimming or the foster family’s neighborhood. Mrs. Mason doesn’t know if the foster family will take him back or if Dontay can change. However, she believes Dontay has a “good” heart.
Roberta is upset and struggles to keep her composure. She wants to get Carmen out of the juvenile detention center and help her, but she is overwhelmed. She still can’t believe that LaRayne, Carmen’s mother, left Carmen, and she blames Carmen’s new husband, whom Roberta refers to as an “ugly thing.”
Harris complains to Hyde about the anti-gay note in his locker and the boy, Bradley Smith, who pushed Harris during lunch. Bradley’s mother is a lawyer, so Hyde is wary about acting: His mother might sue the high school. Hyde gives Harris a “pamphlet” and tells him to reconsider his style and stand up to bullies. Hyde believes Harris can’t know for certain that he’s gay, and he talks about the “pretty girls” in the world.
Mrs. Goldstein notices that Katie’s grades have gone from As to Cs and Ds. She knows Katie isn’t finishing the reading assignments, and she senses a lack of “heart” in Katie’s writing. Katie is sleepy during class, but she won’t stay after and talk to Mrs. Goldstein because she must get to work. Today, Katie didn’t turn in an essay worth half the midterm grade. Mrs. Goldstein will grant her an extension.
Stephie cries in a gloomy late-night donut shop. Keesha comes in and brightens the atmosphere. Keesha’s piercing eyes compel Stephie to talk about her pregnancy, and Keesha mentions a store that sells used baby items. Stephie and Keesha talk for two hours, then Keesha shows her the house, and Stephie finds a room opposite Keesha’s. Stephie hears people fighting outside and wonders if she can raise a baby by herself. She realizes she can’t buy what she truly needs—“strength,” “patience,” and a reliable partner.
Jason feels like he’s playing two different positions for two separate teams. He wants Stephie to return and to be a star basketball player. Before today’s game, people circulated missing-person posters of Stephie. Last year, a girl went missing until people found her body in the river.
Jason wants to make up for the missed free throw in last week’s game. He and his team have potential, but next year, he could be watching ESPN with Stephie and their baby instead of playing for the college basketball team on ESPN.
While playing basketball, Jason’s environment sometimes becomes “clear and silent,” a signal that he’ll make the shot and everything will be fine. The moment is fleeting, but Jason wishes it would last.
Stephie’s parents find her, and she goes home with them. Keesha has mixed feelings about Stephie, calling Stephie “lucky” because she has caring parents and a devoted boyfriend. Keesha recalls a girl under the Fourth Street Bridge—no parents searched for her. Keesha told Stephie not to tell her parents about the house. Keesha wonders if her father thinks of her. She notices that Tobias, her brother, hangs out with older kids. He’ll do whatever they want.
Dontay goes to Carmen’s house. Carmen’s cousins play while Carmen’s grandmother is on the phone. Afterward, Carmen’s grandmother tells Dontay about Carmen’s situation, and Dontay feels like she blames him.
After a few hours at the library, Dontay goes to Jermaine and Dan’s house, where they listen to music, eat pizza, and drink beer. Dontay worries his caseworker will locate him and try to place him with another “nice couple” who will grow tired of him.
Carmen thinks about the amount of control the juvenile detention center authorities possess. She notices a camera in the corner of her cell. Carmen maintains hope by staring at a tree branch. She thinks of fairytale princesses, but she knows a glass slipper or a prince won’t come along and make everything ok. The authorities give the inmates two sheets of paper, and Carmen writes to stay alive. She has a dream about her grandmother and a squirrel.
Harris needs food and clothes, so he uses the hidden key to go into his house, and gathers clothes, food, toiletries, and a sleeping bag. King, the family dog, wants to play with him, but Harris is in a hurry. He wonders what would happen if his father caught him. Maybe his father would apologize, or perhaps he would take his car, too.
Last night brought eight inches of snow, so school is canceled. Katie reads a magazine, drinks coffee, and remembers the last time she felt safe. It was 10 years ago with her overworked father. He put her in a purple snowsuit and took her sledding. The same year, Katie’s mother told her that her father “went off the deep / end” (56). Katie didn’t understand the phrase, but she now knows what it means. Last month, her stepfather tried to abuse her, and she fought him, giving him four deep scratches. She feels like she has gone off the deep end, so no one can reach her.
Part 3 features adult perspectives, and many of the adults are not helpful, which, advances the major themes of The Flaws of Families, The Need for Resilience, and The Quest for Belonging. The name of Part 3, “On Their Own,” reinforces the underlying attitude of some of the adults, creating a boundary between them and the teens. The name of Part 3 is also the name of Laura’s poem. Stephie’s mother declares, “She’s out there alone / And I can’t help” (36). Laura’s initial inactivity also exacerbates The Flaws of Families, The Need for Resilience, and The Quest for Belonging. By not reaching out, Laura reinforces Stephie’s perception that she can’t be pregnant and stay with her family. The displacement compels Stephie to find acceptance at Keesha’s house. At the same time, Laura’s poem isn’t a representation of Stephie’s entire family, as Stephie’s dad looks for her, finds her, and welcomes her back. Jason’s coach and Dontay’s caseworker, Mrs. Mason, are not overtly antagonistic, but their perspectives are inflexible. The coach can’t grapple with Jason occupying a slot other than basketball star, and the caseworker can’t put herself in Dontay’s place and understand why the foster family upsets him. Mrs. Mason’s notion that placing Dontay with a family of the same “race” also highlights a disconnect from what people need, as if one source of likeness is enough to make Dontay happy. Hyde is conspicuously inimical and cowardly when it comes to sticking up for his students, instead fearing the bully’s lawyer mother. He represents anti-gay bias, telling Harris, “There’s lots of pretty girls out there” (40).
Some of the adults have a positive impact on the teens and try to connect with them. As Keesha’s house is technically Joe’s house, Joe helps the teens find acceptance by opening up his home to them. At Joe’s house, the teens can separate themselves from their adverse homes. Joe magnifies the theme of resilience in that he offers a space where the teens don’t have to stay strong. At his house, the teens have a supportive community, so they don’t need constant displays of toughness. Around one another in a safe space, they can be vulnerable. Like Joe, Carmen’s grandmother, Roberta, wants to be an ally. Roberta says, “Lord, give me strength to carry all / the burdens people tryin’ to put on me” (39). Roberta’s poem indicates that adults require strength, too. Mrs. Goldstein tries to reach out to Katie, but “[s]he doesn’t want to talk” (41). Katie feels like she’s gone “off the deep end” and “no one’s pulled” her out. She’s not ready to accept assistance from an adult, particularly while feeling betrayed by her own mother, who sided with her abusive stepfather. Instead, Katie continues to rely on Keesha, Joe, and her own fortitude. Katie represents a wholehearted independence based on survival: She has already physically fought off her stepfather, and she just wants to make it through work and school long enough to escape. Before she becomes an adult, the house offers a truly safe space where she can rest.
As in Parts 1 and 2, each poem features symbols specific to the character but applicable to the other situations. In Chapter 28, Katie turns “the deep end” into an irrevocable moment. The phrase represents a permanent change. When Katie’s stepfather tries to assault her, Katie leaves four significant scratches on his shoulder. Katie says, “I guess I went off the deep end that time, / and as of today, no one’s pulled me out” (57). Her predatory stepfather forces her to make a consequential choice. In a sense, each teen has their own “deep end.” Stephie’s “deep end” is her pregnancy, Jason’s is whether to choose fatherhood or basketball stardom, Keesha’s is her abusive father, Carmen’s is her second arrest, Harris’s is his father’s anti-gay beliefs, and Dontay’s “deep end” relates to his overbearing foster family. The “deep ends” aren’t equal in terms of their precarity, but they contain some degree of adversity, forcing the characters to make critical decisions that propel their narratives and, at least temporarily, isolate them from their families.
Frost doesn’t romanticize resilience or the experiences in “the deep end.” When Stephie’s parents find her, Keesha says, “[E]veryone lives happily ever after, I guess” (48). The flippant tone indicates jealousy. Keesha wishes she had parents who could help pull her out of the figurative “deep end.” Keesha states, “I’m strong—no tears run down my face” (49). She’s strong, but praising her resilience is problematic because neither she nor the other teens should be in a situation that requires exceptional quantities of perseverance. Keesha doesn't court or promote marginalization or trauma: Her subtle envy of Stephie’s situation indicates she'd rather feel safe and loved, which adds further dimension to the idea of “Keesha’s house.” Keesha would rather not need to live away from home, but she cannot bear her abusive father, or his substance use disorder. Though Keesha helps to manage a safe space for teens like herself, she would rather have a loving family.
Books that Feature the Theme of...
View Collection
Books that Feature the Theme of...
View Collection
Childhood & Youth
View Collection
Coming-of-Age Journeys
View Collection
Family
View Collection
Grief
View Collection
Pride Month Reads
View Collection
Safety & Danger
View Collection
Teams & Gangs
View Collection