67 pages • 2 hours read
John MarrsA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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Mia emerges as a dynamic and multifaceted protagonist whose emotional journey drives the narrative forward with a sense of urgency and introspection. A former public relations (PR) specialist from London, Mia brings a unique blend of ambition, confidence, and sharp intellect to the story. Her background in PR underscores her ability to navigate complex interpersonal dynamics and understand the importance of perception and communication. One of Mia’s defining traits is her willingness to confront her flaws and engage with difficult questions head-on. Unlike other characters who may succumb to self-deception or denial, Mia exhibits a rare honesty and self-awareness that sets her apart. Following the discovery of dozens of children’s bodies in the attic, Mia suffers a traumatic fall from the attic and experiences depression, PTSD, and a cycle of intrusive thoughts that shackle her to her own trauma. Although she desperately wants to connect with Finn and Sonny, Mia feels paralyzed by her lingering fears, and, for a few weeks, she neglects her family and becomes overly self-involved.
However, whereas the other characters remain stuck in their own cycles of toxic behavior, Mia’s willingness to take a cold, hard look at herself signifies her depth of character and her capacity for growth and introspection. Unlike Finn, Dave, and Debbie, Mia seeks therapy so that she can understand and break her unhealthy patterns. With the support of her therapist and of Mark, the detective who investigates the case of the murdered children, Mia critically examines her own thoughts and behaviors with the goal of improving herself. In her quest to become a better mother and human being, Mia seeks justice for the children who were murdered.
Mia is not a perfect character; she often indulges her temptation to make snarky comments toward Finn and Debbie and engages in small acts of petty revenge, such as initiating loud intercourse with Finn in Dave and Debbie’s house. Despite her flaws, however, Mia is the only member of the Hunter family who is willing to be honest with herself, confront painful truths, and change her behavior for the better. Throughout the story, her journey toward emotional health and self-discovery is marked by moments of vulnerability, strength, and determination to uncover the truth, and her continuous efforts in this area render the novel’s conclusion all the more ironic.
Finn is a dynamic primary character who undergoes substantial transformation—although not for the better. Initially, Finn is depicted as a perceptive and empathetic individual who is attuned to the nuances of his relationships and surroundings. He also displays a keen sense of observation and deep intuition. These traits are most evident in his ability to read Mia’s moods and interpret her nonverbal cues. Additionally, he is able to discern ulterior motives in seemingly innocuous encounters, as when he accurately discerns the falseness of a supposed emergency maintenance job and divines a reporter’s ulterior motives. Finn’s ability to read situations and people adds a layer of realism to his character, showcasing his astuteness and pragmatism in navigating challenging circumstances.
However, as the story unfolds, it becomes evident that Finn’s ability to read people is a predatory skill that he learned from Debbie. Just as Debbie’s parents used her to lure in children that they would then kill, Debbie required Finn to fulfill the same role when he was a child. When Debbie encouraged Finn to help her stalk and select children, she was teaching him to identify weaknesses and exploit them. Finn implements this skill throughout his marriage to Mia, for he covertly monitors every aspect of her feelings and behavior so that he can find new ways manipulate her. However, because his secret status as a serial killer is not revealed until the very end of the novel, these red flags are designed to blend into the myriad of other details that dominate the mystery-laden narrative.
Finn is also selfish and duplicitous, and he frequently lies to Mia, Sonny, and Debbie and even indulges in an extramarital affair with his ex-girlfriend, Emma, fathering a daughter named Chloe and keeping her existence a secret from Mia. Although he makes no attempt to improve himself throughout the novel, Finn does acknowledge that his affair with Emma is selfish, admitting that “subconsciously I keep a spare as I don’t want to be left on my own” (139). Unlike Mia, however, Finn does not evolve throughout the story. Instead, the aftermath of Debbie’s actions reveal the true extent of Finn’s longtime murderous activities, which mirror those of his mother and imply that Finn does not possess any emotional depth—merely layers of deception.
Debbie Hunter is a dynamic antagonist whose twisted devolution offers a complex portrayal of the impact of trauma and self-deception on identity. Initially introduced as a victim of her parents’ heinous crimes, Debbie’s character development unfolds as a profound exploration of how childhood trauma shapes one’s perception of reality. Her secret patterns of murder and manipulation drive the novel’s core conflict and serve as a catalyst for the story’s darker themes. One of Debbie’s defining traits is her obsession with “saving” children by killing them; this warped perspective of reality stems from her parents’ abuses. As the daughter of serial killers, the young Debbie is used as bait to lure in children for her parents to murder. Her childhood is characterized by the screams of murdered children in the attic and her inability to help them. This trauma—along with guilt over her own unwilling involvement in the murders—instills a twisted sense of responsibility to “save” other children from suffering by murdering them before they have the chance to experience suffering. Although the young Debbie initially acts with pure intentions by saving Precious Johnson from the attic and helping her to escape, Debbie’s motivations are distorted when Precious accuses Debbie of being just as evil as her parents.
After attacking Precious in a burst of self-defense, Debbie feels a bizarre sense of satisfaction over her first attempt to take a life. In an attempt to justify her behavior, Debbie tells herself that Precious is better off dead than in the attic and concludes that she can “save” others by removing them from the world. From that moment on, Debbie engages in a lifelong pattern of stalking, abduction, and murder, all of which she justifies under the guise of protecting innocent children from suffering further. Debbie’s role in the narrative is pivotal, as her actions drive much of the plot’s suspense and moral ambiguity. She also serves as a mirror, reflecting the theme of self-deception and illustrating how individuals can deceive themselves into believing that their harmful actions are really benevolent and beneficial attempts to serve the greater good.
Throughout the story, Debbie undergoes a transformation that blurs the lines between victim and perpetrator, showcasing the complexity of human nature. Initially portrayed as a victim of her parents’ atrocities, Debbie descends into becoming a serial killer, and this devolution challenges traditional notions of morality and culpability. Her transformation also highlights the novel’s exploration of identity and the impact of trauma on shaping individual beliefs and actions. As the narrative unfolds, Debbie serves as a cautionary tale about the dangers of unchecked trauma and the potential for individuals to become what they despise most due to their unresolved psychological wounds. Overall, Marrs uses Debbie’s character to offer a nuanced examination of the human psyche, and he delves into the interplay between trauma, self-deception, and the distorted desire to help others.
Dave is a static secondary character who primarily serves as a red herring. Through Marrs’s conceptualization of Dave’s character, the author capitalizes on the common assumption that most serial killers are male, thereby creating the impression that Dave is the serial killer instead of Debbie. Ultimately, although Dave is not the actual killer, he is a willing accomplice in Debbie’s crimes and has little purpose or identity beyond his relationship with his compulsively murderous wife. The narrative gradually reveals that Dave was raised in an abusive and impoverished home, where he was alternately bullied and neglected by his parents. At school, his classmates taunted him because of his undiagnosed dyslexia and a prominent birthmark on his face. The young Dave was therefore desperate for love and approval, and his relationship with Debbie offered him what he craved. Because Debbie is the only person who ever loves or supports him, Dave becomes indebted to her at a young age.
Afraid of losing his only source of affection, Dave supports Debbie’s behavior even when her activities repulse him. His inability to leave or to challenge her highlights his cowardly nature and the ease with which Debbie manipulates him throughout their marriage. Dave is also shown to be afraid of difficult conversations; for example, when he believes that he is dying of cancer, he vows not to share the news with Debbie. Although he claims that he is hiding the truth to protect her, Dave’s thoughts reveal his real motivations, for he admits, “She has enough on her plate without adding me to her list of worries. I can’t watch as her heart breaks” (180).
In reality, Dave cannot bring himself to have a painful conversation with Debbie or witness her grief. His desire to spare himself the pain of confrontation is also evident in his suicide when he tricks Mia into believing that he will murder her. When Mia pleads for her life and implores Dave to think about his grandson, Dave changes his mind and dies by suicide instead. He is unwilling to confront the reality of Mia’s fear or to watch Debbie be revealed as a serial killer. These issues combine with his refusal to endure a slow, painful death from cancer, and ultimately, in death as in life, Dave sacrifices himself to avoid conflict and protect Debbie.
Sonny is the child of Mia and Finn and represents different things for each of his parents. Mia sees the infant Sonny as perfect and pure, and in her mind, his very existence shines a spotlight on her own perceived flaws and inadequacies. Sonny’s presence also forces Mia to reflect on her own childhood and her parents’ failings, which she fears that she may unintentionally emulate. Paradoxically, it is because Mia desperately wants to be the mother Sonny needs that she feels unable to touch or engage with him until she has improved herself. Although these fears initially paralyze Mia and prevent her from connecting with her child, Sonny also serves as a catalyst for Mia’s foray into self-improvement and motivates her drive to become a better person and parent. Mia also sees Sonny as the living embodiment of all the murdered children in the attic. Whenever she looks at him, she imagines all the other children who had loving mothers. Her love for her son sparks an obsession with uncovering the truth about the murders, and as a mother, Mia feels a sense of duty to pursue justice for the victims and their families.
By contrast, for Finn, Sonny represents a fresh start. Although Finn follows in his mother’s footsteps as a serial killer, he also deludes himself into believing that Sonny presents an opportunity to avoid his parents’ mistakes. Now that he has a chance to be a father, Finn believes that he can offer Sonny a healthier and more stable childhood than he had—even as he encourages his son to play with the bones of his own murder victims. Like Debbie, Finn uses Sonny to further his own agenda, raising him to view murder as a normal behavior. Thus, while Mia sees Sonny as a motivation to improve herself and seek justice, Finn uses Sonny to recreate the cycle of violence and delusion perpetuated by his parents and grandparents.