60 pages • 2 hours read
Sarah DessenA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section includes depictions of sexual assault.
About six months earlier, Annabel attended an end-of-the-school-year house party. She arrived late after dinner drama with Whitney, who barely ate her salad and none of her chicken. After making sure her mom was calm after Whitney’s outburst, Annabel found Emily and Sophie at the party. While Emily was in a good mood, Sophie was moody and upset due to a recent fight with Will. Annabel and Emily scout the party, grabbing beer and playing pool with Nick and Michael, senior boys they knew from school.
When Annabel left to find water for Nick, who was a little too drunk, she heard someone call her name from a bedroom. She stepped inside, thinking Nick moved. Someone grabbed her wrists, and she couldn’t find the light. The guy said, “Shh, Annabel. It’s just me,” and pulled her into the room (263). She told him to stop, but he clamped his hand over her screams and then sexually assaulted her. While Annabel struggled, he threw her down, pinning her with his arms. In a daze, Annabel was raped by her attacker, who turned out to be Will, but she couldn’t tell in the dark.
Though she didn’t cry, she zipped her pants when it was over, and Sophie burst into the room. Annabel couldn’t explain the rape or her shame, fear, and confusion, and Will just stated that Annabel appeared and he “didn’t know” after that. Though Annabel hoped Sophie could tell something was wrong, she called Annabel a slut and didn’t believe her when she said it wasn’t what Sophie thought. Sophie screamed that Annabel fucked her boyfriend, that she’d always been jealous of her. Annabel wanted to protest, but she shrank into herself, about to vomit, and hurried outside while onlookers watched.
Annabel called Sophie multiple times after, but she was ignored. When her mom and Annabel saw Sophie at a store, Grace didn’t know about their past and encouraged Annabel to say hello. Annabel tried to mend the situation and explain what happened, but Sophie exploded like she did at the party, telling her to never talk to her again. Annabel worried that no one would believe her anyway and that maybe keeping the secret was better than the shame, exposure, and blame she could receive. Sophie terrorized other girls who even flirted with Will, so Annabel doubted Sophie would believe the truth.
Annabel finishes the fashion show, feeling sorry and empathetic for Emily. She senses that Emily knows about how Will raped her and guesses Emily endured the same trauma as her. After her parents’ proud comments at the show’s end, Annabel lies that she’s heading out for pizza with the other models. She actually goes to Bendo, a local club, to meet Owen for their date.
She arrives at Bendo, still tense about Emily, and Owen notices that she’s acting unlike herself. Annabel tells him multiple times that she’s fine, though she feels guilty for not being honest. Feeling like a fraud, Annabel focuses on Rolly, who is excited about finding his dream girl, the one who punched him while he was working in his self-defense class. This time, he works up the nerve to talk to the girl, calling her his “destiny.” Annabel recognizes the girl as Clarke, and Rolly begs her to introduce them. She doesn’t offer her history with Clarke, but she is wary and states that they were friends long ago, but no longer. When Rolly pleads, Annabel agrees and approaches Clarke to introduce him. Though she says to Clarke that she’s aware she hates her, Clarke responds, “You think I hate you?” (285). Clarke starts to explain that isn’t the problem between them, but then Rolly interrupts, and Annabel leaves the two to chat.
Ted, one of the band’s members, invites Annabel and Owen backstage. They meet Truth Squad, a local hit band. They chat with the animated band, but when they’re ready to perform, Annabel can’t shake the image of Emily or the guilt of not being sincere with Owen about her feelings. Stressed and nauseated, Annabel excuses herself to go to the bathroom and races outside, where she retches but doesn’t throw up.
After Annabel vanishes from Bendo, she doesn’t contact Owen, hoping to avoid a confrontation. On Monday at school, Owen asks her what happened and states he waited for her after the concert. He’s angry and worried. Annabel is unsure how to explain her trauma from the rape, which was reopened by Emily. Even to Owen, Annabel can’t share the traumatic experience, so she explains she had a lot of “stuff” going on and had to leave. Owen tells her that she can tell him anything, but Annabel admits she isn’t the honest type, that she’s not upfront and bold like he believes. She reflects that they both wished she could have changed, but she’s not capable of transforming into the brave, honest girl he wants.
A few months later, Annabel and her mother are preparing for Christmas. Her mother excitedly exclaims that Annabel was chosen as the star of the department store’s spring commercial too, after the success of her fall campaign. Grace says she’s a “role model” for young girls in particular, but Annabel thinks she wouldn’t inspire anyone. She fails to tell her mother again that she wants to quit modeling.
Annabel’s life has changed over the last few months; she doesn’t speak to Owen anymore, isolates herself, and focuses on her schoolwork and family. Emily, unlike Annabel, presses charges against Will for rape and sexual assault. Annabel is amazed at Emily’s strength, never expecting that people would support her if she came forward, but Emily appears strong at school. In fact, Emily is surrounded by friends and support—though Sophie becomes despondent over the accusations. Sophie doesn’t confront Emily and instead quietly spends time alone. Will’s trial is forthcoming.
Annabel misses Owen, but she prepares for Kirsten coming for Christmas and appreciates Whitney’s recovery. Due to her communications and film classes, Kirsten has become less talkative and more to the point with efficient communication. Annabel wishes she could communicate like Kirsten, especially with Owen. Kirsten’s short film wins the college competition. Meanwhile, Whitney gets involved with organic cooking, tends to her growing herbs, and continues writing her history. She fills notebooks with ideas and cooks healthy meals for the family, and Annabel is pleased with her progress.
She also listens to Owen’s numerous CDs he burned her, unable to handle silence after so much time spent with him. Annabel still saves the CD titled “Just Listen” for last.
On the last day of school before Christmas break, Annabel eats lunch in the library, as usual. Emily finds her and explains that although their relationship has been weird, she remembers Annabel acting hurt after the party last year after being alone with Will. She assumes that Will raped her too, and Annabel is frozen. She doesn’t respond to the conversation, not even when Emily offers her the lawyer’s number who is representing her against Will. Emily tells her that her story can help if she decides to call the lawyer. Annabel remains silent, and Emily apologizes, then leaves. Annabel thinks she is about to vomit, but she cries instead.
Annabel runs into Clarke in the bathroom. She asks if Annabel is okay since Owen is wondering. Clarke is dating Rolly now, so she chats with Owen. When Annabel says she didn’t think Clarke cared about her, Clarke flips the situation, stating she believed Annabel hated her since she ditched her. Clarke states Annabel tried to fix their friendship only once, and she was mad after she chose Sophie and the pool boys. Annabel understands her perspective, and though Clarke asks again if she’s okay, she admits she doesn’t know and doesn’t want to discuss it. Clarke gives Annabel her phone number in case she changes her mind.
Kirsten arrives, and the family teases her about how she used to talk constantly. She admits she’s working on communicating more concisely and listening. Annabel agrees in her mind that not enough people listen, thinking of Owen’s CDs, which she has almost finished. When they arrive home to Whitney’s homemade stir-fry, Kirsten and her sister are civil and complimentary after not speaking for months.
After dinner, Whitney invites Kirsten and Annabel out with her friends. They attend a coffee shop open mic night with girls from Whitney’s therapy group, surprised that Whitney signed up to share her writing. Moira, her therapist, appears and listens to Whitney’s piece. Annabel and Kirsten tear up at Whitney’s story, an emotional portrayal of her being the middle sibling, broken and darker than her sisters. She describes when she broke her arm at 11, falling from her bike, Kirsten helping her home, the hospital casting, and realizing that being in the middle means she holds them together and isn’t the overlooked shade of gray. Annabel is touched and inspired that Whitney shared a personal story with strangers. She thinks that maybe she could call the attorney or Clarke.
In the big reveal chapter, Dessen describes the party and the traumatic rape scene. Writing in a “less is more” fashion, Dessen uses less immersive imagery and leaves the crime itself implied after Will unzips Annabel’s pants. Though an emotionally heavy chapter, Dessen uses sparing details—such as Will’s hands on her mouth and pinning her down, and the repeated line “Shhh, Annabel. It’s just me”—to convey the conflict, focusing largely on Annabel’s thoughts and feelings instead (263). The power dynamic is clear, as Annabel pleads with words like “Don’t,” before Will puts his hands over her mouth. She does not consent to Will’s sexual advances, and her shock and helplessness are conveyed in her not being able to cry in the aftermath.
Although Annabel knows the rape wasn’t her fault, she understands Sophie’s character wouldn’t believe her. Because of Sophie’s harsh distrust of other girls, she believes Annabel slept with Will purposefully. Themes of communication and listening, truth, silence, and conflict intertwine with the reactions to Annabel’s rape. Will lies that Annabel came onto him, and Annabel speaks up saying that it isn’t what it looks like, but Sophie doesn’t believe her and freaks out rather than listening. Their communication could have been effective if Sophie would have listened, emphasizing the book’s themes of speaking up and listening. Likewise, if the Greene family communicated more openly, Annabel’s parents would notice her struggling in the aftermath of the rape. Unlike in the past, she rejects watching the history channel with her dad. She can’t handle thinking about the past due to her memories, but Andrew never questions her excuses of being too tired to watch with him. The night Annabel is raped, she returns home from the party, fixes her hair, and pretends she’s fine when her dad asks her to watch the history channel. This scene relates back to Annabel thinking that her family can’t notice when something is wrong with her, only with Kirsten and Whitney, as she expressed to Owen. Likewise, Annabel’s continued silence perpetuates her parents’ view that she’s fine.
Though Annabel thinks it’s healthier to keep her rape a secret and worries that people won’t believe her after Sophie spread rumors about her being a “whore,” she realizes that she could heal if she admits Will harmed her. The repeated cycle of her trauma symptoms that occur whenever she sees or thinks of Will, particularly throwing up, could lessen if she learned to deal with the trauma. The stress and denial of keeping the trauma inside, much like Whitney denying her eating disorder at the beginning, only hinders Annabel’s healing. Still, Annabel can’t explain to Owen that seeing Emily at the fashion show and hearing the rumors about her and Will triggered her. The message of honesty’s importance heightens, as Annabel and Owen’s conflict over her leaving the concert with no explanation leads to them not talking for a few months. Annabel’s inability to share the truth creates a larger conflict for her and leads her to lose the one boy she’s ever loved and her sole confidante. Annabel feels Owen “saved” her with his friendship, his company, and then romance, but she can’t repay him by being honest. The truth is too large for her to face until she becomes stronger in her coming-of-age moment in later chapters when she listens to the “Just Listen” CD.
Annabel’s journey illustrates that emotional progress and healing trauma are not linear or simple. She was coming out of her shell and feeling happy again with Owen, but a trigger causes her to turn inward and isolate herself again. This pattern continues, even after Emily comes forward and presses charges against Will. Though Annabel feels inspired by Emily, she still doesn’t have the courage to admit she was also raped. Her pain and isolation reveal that her silence—an effort to keep the peace—is truly a character flaw that hurts her and others more than it helps. During this period, a contrast between silence and sound happens too; Annabel remains silent, even as Emily and other girls prepare for the trial against Will, but she can’t stand silence in general now due to Owen. She needs music to drown out the world, just like Owen.
After moments when Emily and Clarke reach out and support her, Annabel realizes that people care about her and that they would believe her if she spoke up. Emily encourages Annabel to testify, and Annabel continues her pattern of silence as she processes Emily’s offer. Instead of vomiting like usual, though, she reacts with intense sobs. Dessen uses vivid, embodied language to describe this catharsis: “full-out sobbing that hits you like a wave, pulling you under. […] I cried and cried […] I felt raw inside […] my sobs sounded primal and scary, like something I would have turned off if I’d been able to” (316). Annabel’s body is reacting differently—tears rather than throwing up—which represents her growth. Unlike in the past, she considers talking to the lawyer and sharing her deepest secret.
Whitney sharing her writing is an important moment for Annabel because it provides her a blueprint and inspiration for telling her own story. If private, quiet Whitney can share her darkest thoughts and feelings with strangers, then maybe Annabel can admit the truth of her trauma to people who care about her. Whitney and Kirsten also break through their long silence and find closure. They are brought closer through pain, not pushed further apart, which is a lesson Annabel needs to learn and put into practice too. Because her sisters reunite, she learns that just because there are pain, anger, or challenges, that doesn’t mean things can’t be fixed.
By Sarah Dessen