35 pages • 1 hour read
Gary SotoA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
In Jesse, fruits are a symbol of God’s promise of a plentiful life. Jesse and Abel often survive on fruit picked from their neighbors’ trees, so fruit literally helps keep them alive. Fruit being of the Earth and Jesse believing the Earth is God’s creation implies a symbolic connection between Jesse’s faith and God’s protection of Jesse (in the form of food). In the Bible, fruit is important metaphorically as well. At one point, Jesse notes an orange that has bitterly survived in a climate unsuitable for its survival. This is a symbolic parallel to Jesse’s own life, in which he remains resilient in the face of external conflicts and environments. When Abel leaves for training camp as part of his draft, Jesse decides to stay in California and pick melons. Though the work of picking melons is physically difficult and monotonous, Jesse sees his job working with fruit in a different light.
With Abel’s life on the line at the end of the novel, Jesse sees his fruit-picking job as a privilege. Thus, the melons become a metaphor for Jesse’s brighter, more secure future. However, the fruit also symbolizes the level of Jesse and Abel’s poverty. They are so poor that their nutrients come from fruit they must steal from others’ property. Therefore, fruit is both a symbol of the injustice of poverty and God’s protection helping Jesse progress in life. Fruit is an important agricultural staple in California. American labor leader César Chávez’s grape workers strike was a fundamental victory in labor-government relations and emphasized the importance of fruit to the Californian economy—thus emphasizing the importance of grape workers to the economy.
In the novel, the sea is a symbol of hope and aspirations. Jesse and Abel are desperate to take a trip to the sea so they can breathe fresh air, a contrast to their dangerous work conditions. Though Jesse and Abel spend time outdoors, they do so in an unforgiving environment. The sea represents a space of peace, a space that the brothers don’t have access to. Their failed journey to Pismo Beach, to the sea, metaphorically demonstrates how society attempts to impede on the brothers’ dreams. Just as their trip is destroyed by the cruel indifference of other people, so too are their aspirations threatened by an indifferent society. Jesse dreams of traveling to other countries that, in his perspective, are characterized by clean air and powerful waves. The sea is therefore a symbol of transcending life’s challenges. It is also, as Jesse notes, the first thing God creates in the Bible. This highlights its importance and implies that Jesse needs to see the ocean as a way of growing closer to God.
Throughout the novel, Jesse notes Glenda’s baby’s long cry—which starts out silent before it erupts into a piercing sound. Jesse notes this cry several times because it is indicative of his own desire to scream out at the world. The baby’s depth of pain implies that the world is naturally an unfair or insecure place. The infant requires constant care and attention, a metaphorical representation of how all people need community and support to thrive. Though Jesse is not a baby, he relates to the infant’s long cry and fears it. Though Jesse is not necessarily aware of how he analyzes the cry, Gary Soto’s repetition of it emphasizes the power of expression, of pain.
By Gary Soto
9th-12th Grade Historical Fiction
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