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42 pages 1 hour read

Samira Ahmed

Internment

Fiction | Novel | YA | Published in 2019

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Character Analysis

Layla Amin

As the novel’s first-person narrator, Layla, a proud young Muslim American and a senior in high school, reveals a maturity and confidence that belies her young age. She is keenly aware of the implications of the newly-instituted government policies directed at the Muslim community. Even before the armed soldiers arrive at her family’s house and tell them they have ten minutes to pack what they can, Layla, well-read in the literature of cultural identity and the history of oppressive totalitarian governments, sees the implications of scapegoating one element of the diverse American culture. 

Influenced by Joan of Arc and Gandhi, Layla understands from the moment her family arrives in the detention facility that resistance is the only option. Despite her age—or perhaps because of it—she believes in the soaring rhetoric of her father’s poetry that at her darkest moments inspire her: “And though you batter my body / commanding me to kneel before you / I resist.”

Though a crusader with an unshakeable faith in the decency of the human character, Layla is more complex than a mere flame-throwing freedom fighter. Yes, she is a savvy organizer who assumes a leadership role in the camp’s fledgling campaign to resist their imprisonment by their own government; and, yes, she has the gift to use rhetoric to inspire; but more than her commitment or even her poise, Layla has a full and caring heart. She suffers when she sees the hopelessness in the internees; their agonies are her agonies. Her relationship with David, a problem under the stringent racist guidelines of new government directives, reveals her need for the consolation and support of love. Their scenes of stolen love are at once tender and generous. Her love for David sustains her and keeps strong her commitment to freedom, even when the showdown with the Director and her long nights in the holding cell all but tell her the cause is lost. Ultimately, however, the strength of Layla’s heart is revealed not in her patience with her parents or in her faith in David, but rather in her decision early on that Jake Reynolds, despite being one of the camp guards, is someone she can trust. She just knows in her heart that he is not working for the Director. At once romantic and pragmatic, idealistic and realistic, Layla sets the template for what author Samira Ahmed sees as the promise of the emerging generation. 

David

David embodies young idealism. He is a heroic freedom fighter who willingly risks his life to a cause that does not directly impact him. As a Jewish American, David is not a target of the government’s new directives. He could easily do what teachers at his school and his own parents advise him to do and sever ties with Layla. That he cannot do so defines his character.

Despite a father highly placed in the government who refuses to help, David relocates to a hotel outside the detention camp and appears daily in the crowd of protesters. Just seeing him outside the gates helps Layla maintain a sense of calm. He sneaks into the camp with Jake’s help and makes sure Layla’s writings get posted. But his love for Layla is not the only driving force in his commitment to bring national attention to the detention camp. Certainly, when David steals those precious minutes with Layla in the camp kitchen, their kisses are passionate and energetic. But their animated conversations reveal David’s respect for Layla’s intellect, her idealism, and her fiery self-confidence. Unlike the example of Layla’s own parents, in which a quiet and passive wife sustains the relationship, here is a partnership built on mutual admiration and trust. 

Although his love for Layla is at once genuine and tender, part of David’s character is defined by his own family: both his father’s and mother’s families were subjected to harsh government oppression, his father’s family in Nazi Germany and his mother’s in totalitarian Yemen. “Maybe politics and borders were supposed to keep us apart,” Layla decides, “but David and I built a safe space, a nest where our differences brought us together” (9). In this, the relationship between David and Layla represents the novel’s best offer of optimism: a world of shared differences, tolerance, and compassion for others. 

Jake Reynolds

Jake is at once the novel’s most complex character and ultimately its moral center. He understands that the camp and what it represents is illegal, immoral, and antithetical to the American way. He maintains a tricky double identity in the camp, appearing to follow orders yet aiding Layla in her campaign to upend camp operations and resist the twisted authority of the Director. This gives his character a depth Layla intuits from the first time she sees him at the train station during the chaos of the family’s relocation.

The key to Jake’s character is his tattoo of a compass. As he explains to Layla, a compass cannot tell a person where they need to go or even where they are. It can only give a person the confidence to go where they want to go. As this metaphor reveals, Jake determines his own path. Though deployed as a member of the National Guard, he refuses to abandon his sense of right and wrong. He carries Layla multiple times out of threatening crowds and ensures she gets back to her family’s trailer safely. He is instrumental in getting Layla’s writings out to David and arranges for David’s secret visits to the camp. There is a hint that perhaps Jake has a tender crush on Layla. That he opts not to burden Layla with his feelings further underscores his selflessness. In the end, Jake’s bold interference during Layla’s brutal interrogation stops the Director’s violent behavior and ensures the camp operations will be halted and the detainees freed.

His murder—dramatically taking the bullet shot intended for Layla—elevates Jake to the novel’s moral center. He emerges as a tragic figure laying down his life for a complex tangle of powerful emotions: political idealism, moral awareness, and selfless courage. 

Ali Amin

Every revolution needs a voice. While Layla’s mother maintains a quiet yet cheerful demeanor, relying on prayer to get her and her family through this ordeal, Ali Amin, Layla’s father, offers a compelling example of resistance that falls just short of his daughter’s heroism. He is the rhetoric of resistance; she, its agent. 

Ali is an academic, which suggests his battles are intellectual and abstract; he lives in a simulated world of debate and argument rather than in the real world. His poetry reveals his intellectual commitment to the power of the solitary voice against aggressive oppression. Indeed, his books are among those the townspeople are burning in a public demonstration at the high school football stadium in the opening pages. The stereotype of the egghead safe and secure in the ivory tower abruptly ends for Ali when the college, using a shoddy pretext, terminates his tenured professorship.

At the camp, Layla watches as her father slowly evolves from his quiet character. He objects to Layla’s risky efforts to agitate against the camp, fearing the Director will come down hard on everyone but on his daughter particularly. It will do no good, he counsels her, to die in the camp. At the silent protest at the main gate, when Layla leads more than 50 internees to demand their human rights, Ali’s poetry inspires his daughter. She remembers his line that compares the voice of righteous and moral indignation to “flashes of thunderous light in the heaven” (351). In this, Ali provides the voice of Layla’s resistance. If Layla provides the energy of resistance, it is her father, a mild-mannered academic dutifully working in the camp’s tiny library, who provides her the inspiration for that resistance.

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