63 pages • 2 hours read
Alice WinnA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Sexual acts between men were still criminalized in England during the early 1900s. Although the law was rarely enforced, instead used as an add-on crime to incite humiliation or shame in those accused of other offenses, it still caused fear and shame in gay men and children for over four centuries. In Memoriam thus explores the societal stigma that Ellwood and Gaunt face as they navigate their feelings for one another.
From the start, Ellwood and Gaunt both hide their feelings for each other for their entire childhood and even into their time together in the military. Ironically, gay relationships still occur, with Gaunt noting that “what boys d[o] together in the dark [i]s only acceptable if obscure. It [i]s unspoken, invisible, and, crucially: temporary” (13). In other words, everyone knows that sexual relationships are happening, like that of Ellwood and Maitland, but it is kept private and never spoken of. The boys at school casually mention that men who are “sodomites […] ought to be shot” and how the boys will eventually turn to “marriage and respectability and the putting aside of boyish, immature desires” (10, 62). As a result, Preshute mirrors much of society by presenting sex between men as criminal and done only by immature youths or deviants, with everyone turning to heterosexual marriage to fit into society.
In addition to school jokes and shame surrounding gay relationships, there are also the very real implications for gay men that Gaunt and Ellwood experience in the war. When Gaunt and Ellwood write letters while Ellwood is still at school, Maitland desperately asks Gaunt to stop to protect them both. Despite the fact that their letters do not openly express their feelings for each other, Maitland fears their discovery. Similarly, after Ellwood and Gaunt embrace after surviving battle, they are caught by Burgoyne, who immediately sends them on a death mission as punishment. Even the implication of a gay relationship is met with shame, punishment, and even death, forcing gay men to hide their feelings.
The full effect of this social stigma on Gaunt becomes clear through his conversations with Devi, Pritchard, and Maud. When Devi and Pritchard bring up his sexuality in the prisoner camp, Gaunt becomes overwhelmed with anxiety: “Gaunt didn’t know what to do with his face, his hands, he had forgotten how to breathe” (241). Similarly, when Maud suggests a philosopher who argues for gay relationships, “Gaunt’s entire body [i]s numb and tingling. He kn[ows] his mother [i]s somewhere in the house, perhaps within earshot […] Gaunt t[akes] a deep, shuddering breath” (329). The stigma against gay relationships has a deep impact on Gaunt, who—at the very suggestion of his sexuality from three of the people closest to him—is overwhelmed by anxiety.
However, as the conversations with these three continue, there is hope for Gaunt. Devi and Pritchard immediately make it clear that they do not care; to Gaunt’s surprise, “neither Pritchard nor Devi look[] disgusted. In fact, they both look[] just as they always did: Devi, laughing and mischievous; Pritchard, placid and comforting” (241). When Maud has a similar reaction, there is hope for Gaunt and for society, with it becoming clear that not everyone ascribes to the prevailing societal opinion of him. While the novel emphasizes the precarious situation for gay young men like Gaunt and Ellwood, there is ultimately hope through characters like Devi, Pritchard, and Maud.
Through Ellwood and Gaunt’s journey, In Memoriam conveys the many effects that war has on both those on the frontlines and those left behind. Throughout the war, millions of soldiers are killed and injured, often gruesomely described by Winn to convey the inhumanity and horror of it.
Gaunt and Ellwood receive physical injuries that will stay with them for the rest of their lives: Gaunt in his destroyed chest and bruised lung and Ellwood in the physical deformation of his face. Ellwood’s disfigurement is a metaphorical representation of the impact of war. Initially, he keeps his bandages on even after he is told that he can take them off, embarrassed by his injury and not wanting to upset those around him. However, as he becomes more bitter and angry at society, he casts his mask off, noting how “[h]e want[s] people to stare at him in the train station. For children to cry. He want[s] to hate them all so thoroughly he w[ill] never think of them again” (356). While society wants him to return and live a normal life—showered with medals and proud of how he fought—he wants them to recognize the truth: that the war has had a lasting impact on him, in innumerable ways, as represented by his destroyed physical appearance.
Gaunt and Ellwood also suffer from lasting psychological damage because of the war. Gaunt’s nightmares, from which he repeatedly wakes up screaming, show just how much he has been affected despite his efforts to remain strong and detached. In camp, he rarely sleeps, with both Hayes and Ellwood noting how exhausted he looks. Then, in prison, he chooses to sleep in the hallway rather than wake up the other men with his screaming. Similarly, Ellwood begins to experience nightmares after Gaunt is gone: “Like everyone else in his ward, Ellwood was plagued by nightmares” (312). Ellwood’s descent into bitterness and anger are also indicative of the lasting effects of the war. For years after, he holds extreme hate toward the people of England, becoming regularly intoxicated and lashing out at Gaunt and his mother. Ultimately, he is unable to reintegrate into English society due to the psychological effects, ending up in Brazil with Gaunt.
Winn also examines the effect that the soldiers’ deaths have on their surviving families. When Gaunt and Pritchard speak with Mr. Roseveare, he brings up his sons, and “to Gaunt’s shock, Mr. Roseveare’s eyes fill[] with tears […] [T]o see an elegantly dressed diplomat in his fifties break—so quickly and easily—that was not an effect of the War that Gaunt had foreseen” (290). Mr. Roseveare, a man who preaches the honor of his sons and the pride he feels in their fighting, still breaks down in grief when he remembers their deaths, conveying the idea that wartime grief and loss have a devastating impact on society as a whole.
Through historical fiction, Winn portrays fictional characters and their experiences through the very real World War I. Through Gaunt, Ellwood, and Mr. Roseveare, she suggests that the impacts of war are wide-ranging and deeply scarring for all involved.
In Memoriam explores how what an individual wants can sometimes clash with what is expected of them by society as a whole, in both love and war. Both Ellwood and Gaunt must learn to navigate society’s expectations for them as young men, with their attitudes toward both romance and World War I undergoing significant shifts as they gradually learn to embrace their authentic feelings and desires.
Through Gaunt’s attempts to seduce Elisabeth, he explores whether he has any romantic attraction to women, as he knows that the societal expectation is that he will marry a woman and start a family: “He wondered if he could marry her […] He would hold her hand in restaurants. It would be romantic when they touched each other. People would admire their affection” (238). Despite his own personal feelings, he places stress on how they would look as a couple to the public—touching in public, to the “admiration” of those around them—rather than how it would make him feel personally. This description exemplifies how Gaunt must separate what he truly wants for himself from what society thinks he should desire.
Similarly, Ellwood spends much of his youth assuming that he will marry Maud, seeing it as an easy way to do what is expected of him while still spending his life near Gaunt. When he goes on leave, he offhandedly proposes to her multiple times, thinking how he “d[oes]n’t want to marry, but he d[oes]n’t want anything much, so what d[oes] it matter?” (176). In other words, with Gaunt presumed dead, Ellwood has little interest in anything in his life, deciding that he might as well appear to outwardly conform to appease the expectations of society. Like Gaunt, he gradually learns to value societal expectations less and less as the novel progresses, eventually leading him to embrace an open relationship with Gaunt and a new life in Brazil.
Both of the young men also wrestle with societal expectations surrounding the war. When the war begins, Ellwood eagerly believes in society’s ideals of aggressive masculinity and wartime heroism, wishing to prove himself on the frontlines. As he grows more disillusioned with the war, he becomes more open in his anger and disgust toward civilian society, rejecting the social conventions by writing anti-war poems and displaying his wounds. While Gaunt is less open in his dissent, he nevertheless also struggles with fighting in a war that he does not truly believe in, only bowing to the social pressure to enlist after he is harassed in the streets.
By the novel’s conclusion, both Ellwood and Gaunt have found ways to live more authentically, embracing their true personal desires. In Brazil, they no longer try to pretend to be interested in women, instead living together. In a similar manner, they do not hide from their war trauma and disillusionment, with Gaunt offering Ellwood comfort and understanding, accepting his choice to remain far away from England.
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