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69 pages 2 hours read

Amitav Ghosh

In an Antique Land: History in the Guise of a Traveler's Tale

Nonfiction | Book | Adult | Published in 1992

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Themes

The Impacts of Colonialism and Globalization

In an Antique Land uses its dual narratives to examine the changes colonialism caused historically, while questioning what the impacts of modern globalization—the process of increasing international interaction and integration across the world—are. Accordingly, the impacts of colonialism and globalization form a key theme in the work, as it does throughout much of Ghosh’s writing.

Colonialism’s influence on the Indian Ocean trade routes begins with Portugal’s naval domination after 1509. Subsequently, wealth was redirected into Europe, making the area less wealthy. Ghosh also emphasizes the more subtle change of spreading the colonial worldview: This is presented as the belief that military and scientific prowess are the standards by which a nation (or group of nations) must be judged. Ghosh argues that, due to colonial rule, the essentials of this worldview were internalized by postcolonial nations, including Egypt. He states the Egyptians place themselves on a “ladder of Development” (237), where they are lower than the modern Western-centric standard, making them insecure interacting with their “shamefully anachronistic” (200) objects and technology.

Ghosh’s argument with Imam Ibrahim demonstrates the impact of the colonial mindset, as he frames their reliance on “realist” terms as “the only language we had been able to discover in common” (237). Ghosh holds that these insecurities and sense of inferiority are consequences of colonial domination, thereby destroying the possibility of alternate means of comparison. Moreover, through using this language, both men implicitly reinforce colonial ideology as they must compete for who is more like a Western power. Ghosh thus seeks to establish that colonialism’s impacts continued into his time and extended beyond material damage. Colonial power structures, he argues, are still essential to the way postcolonial nations view the world and themselves.

Ghosh expands on this argument by linking the colonial mindset to the changes to Nashawy and Lataifa, where the wish to “modernize,” as instilled by a fear of inferiority combined with the economic opportunities made available by globalization, have dramatic results. Even before he discusses the movement of people to Iraq, Ghosh highlights movement towards change within the village, exemplified by people eschewing old authorities and traditional medicine for radical teachers and modern medicines. The cash influx from Iraq provides a unique opportunity for an area already wishing to change, one which is capitalized on to improve their standing on the “ladder of Development” (237). The result is that “Everything’s changed” (115) between Ghosh’s visits. Cumulatively, Ghosh examines how colonialism instilled a fear of being less-advanced than Western nations and how the opportunities from globalization played into these fears, prompting massive changes in the village.

However, Ghosh reveals an attitude of uncertainty towards these changes. He emphasizes the human cost of the work in Iraq, which is illustrated by Nabeel’s wish to build a larger house for himself. Nabeel places himself in danger in Iraq to work on a house he cannot be in and, due to global instability, cannot finish. This negative analysis of globalization’s impacts connects to Ghosh’s broader argument that “development” in the sense of colonial priorities should not automatically be regarded as the highest goal. It is through the culture of the Indian Ocean trade routes that Ghosh seeks an alternative worldview.

Personal Histories within the Historical Narrative

Throughout In an Antique Land, Ghosh focuses on personal histories within the broader historical narrative. In doing so, he tries to provide a story for those who are otherwise anonymous, both past and present, and to argue for the importance of this form of study.

Ghosh illustrates what the historical narrative means by using the metaphor of a stage-play in which the key historical figures are “a recognizable face in the cast” (13). This presents the idea of history as a “story,” with protagonists and a “plot” (i.e., the events that have led to the present). Ghosh uses the Geniza letters and his experiences in Egypt as a “trapdoor” (15) into seeing those not usually included in this story. Much of the book is thus Ghosh trying to pursue this goal, a process he frames as unravelling a mystery, the answer to which is understanding who his historical subjects were as people.

Ben Yiju is a clear example of Ghosh’s historical approach. He takes scraps of evidence (like the manumission of Ashu) and forms theories from the documentary evidence, like the possibility of a cross-cultural love between Ashu and Ben Yiju. By attempting to recreate the personality and trajectories of people in the past, Ghosh attempts to endear these ordinary people to the reader and to invite them to become emotionally invested in their story. Ghosh thus emphasizes that the usually-anonymous individuals in history were humans also deserving of study.

Ghosh is also keen to show that the historical narrative is incomplete without an understanding of personal histories. This is demonstrated through the study of Bomma, which Ghosh describes as giving him “an insight into the uses of History” (270). Ghosh questions a local of the Magavira village on Bomma’s name, knowing to do so because of his investigation. The response that the name was no longer used because it “belonged to a time when very few people in the community had been educated and fishermen had ranked at the bottom of the social ladder” (272) gives a unique insight into life there. Ghosh learns both about the past of the village—one of poverty and irrelevance—and its current wish to redefine itself, part of creating a “History to replace the past” (273). Had he only examined the historical narrative shown by the village, he may not have understood this change in status and its importance. By showing this, Ghosh demonstrates how his study of Bomma allows for a greater understanding of the setting in which he lived.

Ghosh also attempts to rectify the trend for “unimportant” people and their lived experiences to be lost in the historical process. As a result of the “narrative forming process” and the study of history itself, Ghosh shows that people are removed from the context they lived in. Ghosh highlights the example of the vast difference between Bomma’s life and the current evidence of his life to show the separation that can develop between history and experience. Moreover, Nabeel is framed as a modern example of the dangers of historical narratives: The broader story of refugees fleeing Iraq makes Nabeel, the individual, vanish “into the anonymity of History” (353).

Ultimately, Ghosh stresses the importance of studying anonymous figures of history. By investigating the lives of ordinary people, in the past and the present, unique insights can be gained into their culture. Equally, not doing so gives an incomplete picture of the past.

The Complexities of Cultural Identity

A third key theme in In an Antique Land is Ghosh’s examination of how modern identities interact with each other, something he mirrors with how they had interacted in the past across the Indian Ocean trade route. In doing so, Ghosh closely examines the complexities of cultural identity.

The picture Ghosh paints of the culture on the Indian Ocean trade route is one of a “startingly diverse network” (277) of merchants and peoples working peacefully alongside each other. His argument is based off of his reconstruction of Ben Yiju and Bomma’s lives, who themselves exemplify the multicultural links of the trade routes as they are a Tunisian Jewish merchant and an enslaved Indian man from a fishing caste. Additionally, Ben Yiju’s letters show him as “wholly indifferent to many of those boundaries that are today thought to mark social, religious and geographical divisions” (278). From this information and his studies of Indian culture, Ghosh suggests that the pacifism on the route was a “cultural choice” (287), maintained until the arrival of the Portuguese navy, which caused “the extermination of a world of accommodations” (237).

Ghosh questions whether this world could be revived in the book, but does not produce a definitive answer. In the early stages of his journey Ghosh states that he thought the cultural understanding he perceives in Ben Yiju and Bomma’s world was “still alive, and, in some tiny measure, still retrievable” (237). However, his experiences in Egypt make him begin to doubt this. Many Egyptians focus on questioning his identity, often with hostility. Most often, their hostility surrounds cremation, something Ghosh states he was asked about “almost daily” (168) and that was followed on several occasions by calls for him to “civilize” (126) his people.

Ghosh grows to worry that he could never explain his experiences as an Indian to the Egyptians, even to the empathetic Nabeel. His fears reach their height following his argument with Imam Ibrahim, as their inability to escape colonial mindsets means they can have no productive dialogue. In one of the final moments in the book, Ghosh seems to conclude pessimistically as he remarks on the apparent compete separation of the past from the present. He states, “there was nothing I could point to within his [the interrogator’s] world that might give credence to my story….Nothing remains in Egypt now to effectively challenge his disbelief” (339-40).

However, he also suggests another possibility. By researching topics “put aside” as folklore instead of religion or history, Ghosh discovers the continuing existence of Sidi, historical figures venerated by Jews and Muslims across Africa and Egypt, an existence he claims is “in defiance of the enforcers of History” (324), which he views as pushing towards greater separation. He does not use this still-existent legacy of the multicultural past to definitively state there might be a resurgence in cross-cultural dialogue, but he doesn’t deny the possibility either. Ultimately, Ghosh presents the reader with his experiences and historical studies, leaving them to question and conclude for themselves what the future may hold.

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