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67 pages 2 hours read

Ruth Ware

In A Dark Dark Wood

Fiction | Novel | Adult | Published in 2015

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Chapters 20-22Chapter Summaries & Analyses

Chapter 20 Summary

Nora can’t sleep, thinking about the group and how badly she wants to leave. As she is drifting off to sleep, she hears a strange noise coming from downstairs. Nora goes out to the hallway to find Flo outside on the landing. Clare comes out of her bedroom as well. Flo says it sounds like a door opening, though Clare says she checked them all.

Clare goes to get Tom, and they all creep down the stairs. The outside door in the kitchen is open, letting in a cold breeze. Flo says she will get the gun to scare an intruder, even though it contains only blanks. Flo enters the kitchen, but no one is there. Clare sees footprints in the snow that blew inside. Tom asks Nora if she is sure she locked the door, which she confirms. Flo accuses Nora of not locking it properly, but Nora does not waver. Flo goes upstairs with the gun, and the others follow.

Nina is now awake as well. Everyone checks to see if their belongings are there, which they are, and they return to their bedrooms. Nora goes to reach for her phone but finds it missing. She remembers having it at lunchtime the day before but not since. Nora and Nina try to go back to sleep. Nora then narrates: “What happened next […] Oh God. What happened next. I’m not sure I can” (185).

The narrative then switches back to the present. The nurse comes into Nora’s hospital room with breakfast. Nora asks if the police outside are for her, and the nurse uncomfortably answers that they are investigating the accident. Nora painfully asks for verification of a death, but the nurse says she can’t discuss it.

Nora becomes agitated and wonders why she can’t remember what happened. The nurse replies that memory loss it is common with head injuries. Nora can only remember herself running through the forest with blood on her hands and clothes. The nurse leaves her, and Nora feels paralyzed, unable to pull herself together: “I don’t move because I am afraid. Because I don’t want to hear the name the police are going to say. And because I am afraid they are here for me” (186).

Chapter 21 Summary

The harder Nora tries to remember, the more she fears her brain is making things up: “But I don’t know if I’m remembering what happened—or what I want to have happened” (188).

The narrative shifts from the present to the night at the house. Nora remembers waking up again to the sound of footsteps on the landing. She opens the door and sees Flo and Clare. Flo has the gun. Tom also peeks outside of his bedroom door. They hear someone coming up the stairs. The group huddles together, with Flo in the middle, gun raised. Flo is shaking, so Nora puts her hand on the muzzle of the gun to steady it. Nora sees a man come halfway up the stairs, but she can’t see his face. Flo shouts, and the gun goes off.

Nora sees the window on the landing shatter, with glass everywhere. The man falls in a heap. Someone turns on the lights, and Nora sees the man slide down the stairs in a trail of blood. Flo whimpers, “Oh my God. The gun […] the gun was loaded!” (191).

The narrative switches back to the present. The nurse has brought a doctor to see Nora. Nora asks the doctor who is dead and why the police are outside her door, but he tells her not to worry. Nora shouts back, refusing to let him patronize her. The doctor sympathizes with her distressed state but explains that he must examine her for now. Nora answers his questions about her name, age, and symptoms. The doctor says it is normal to have memory loss about events just prior to her car accident, but he is a little concerned that her loss extends beyond the collision. He suggests that her memory loss may be stress related.

Nora asks to see the police, so she can find out what has happened. The doctor is reluctant but agrees. Nora takes a bath first, grudgingly accepting help from the nurse. There are cuts and scratches all over her body. Nora sees her face in the mirror, and the severity of her injuries shocks her. She gets back into bed, and Detective Constable Lamarr enters. Detective Lamarr asks about the events leading up to the accident as Nora recounts the hen weekend. Nora asks if she is a suspect, but the detective says they are still gathering information. Detective Lamarr asks what Nora remembers from the night before. Nora tries to ask who died but can’t speak. She begins to cry uncontrollably, and the detective steps out of the room to let her calm herself.

Chapter 22 Summary

The story switches back to the night at the house. Nora rushes down the stairs, yelling for Nina to call for help, but there is no reception. The injured man whispers “Leo” to Nora, and she realizes it is James: “I remember that moment with heart-stopping clarity” (201). Nina is the first to say James’s name, as she rushes down and checks for his pulse. Nina sees that James has a punctured lung and thinks he is bleeding internally. She instructs Nora to put pressure on the gunshot wound.

James tries to speak to Nora again, calling her “Leo.” Flo comes down and faints at the sight of James’s blood. Nina yells to Tom to come take Flo to her room. James tries to speak to Nora and says Clare’s name. Nora shouts for Clare and wonders where she is. James manages to say faintly, “Clare…text…did she say?” (203). When James closes his eyes, Nora begs Nina to do something. Nina runs to get towels from the kitchen and questions Clare’s whereabouts. Nora pleads with James to stay with her and presses harder on his wound. James softly tells her that he is sorry. Once again, he calls her Leo: “Only James ever called me that. Only him. Always him” (204).

The narrative then continues in the present. Nora, now able to recall James’s injuries, cries. There is a knock on the door, and Detective Lamarr enters. Nora asks her if James is dead. Lamarr simply says that she is sorry, so Nora knows that it is true. She struggles to speak but can’t.

Lamarr hands Nora a cup of coffee and after a time, Nora finds her voice and thanks her. Lamarr says that she is sorry Nora had to find out this way, that they needed to hear her version of what happened, without influence from anyone else. Lamarr asks Nora to tell her what she can remember of the previous night. Nora answers that she remembers the shooting and seeing James. She recounts the eerie Ouija board message and how they later found the kitchen door open. Nora tells Lamarr that Flo thought the gun contained blanks. Lamarr says, “And you were holding it, is that right?” (206). Taken aback, Nora explains that Flo was holding the gun. Lamarr comments that Nora’s fingerprints were on the barrel. Nora explains that she steadied the gun so that Flo would not point it at anyone.

Lamarr asks Nora about her relationship with James, and Nora replies that they were romantically together at school. Nora becomes increasingly nervous as Lamarr questions her, wondering why James’s accidental death warrants such an inquiry. Nora wants to ask if she is a suspect, but she does not want to appear suspicious. Lamarr asks Nora to walk her through what occurred after the gun went off.

The narrative resumes on the previous night. Nina binds James’s injured leg with a sheet and says that their best hope is to stabilize James and get him to a hospital. Nina says that Clare should drive, Nora will direct her, and Nina will ride in the backseat with James. Nora asks for Clare, and Nina tells her that she was in the garden trying to get a phone signal.

Clare enters, looking pale. Nina instructs Tom to get a board to carry James to the car, and he improvises with a door. Tom says that Flo is still unconscious. Clare brings her car to the front door, and they manage to get James into the backseat. Nina realizes that there is no room for her in the back as well, so Nora offers to stay behind.

The narrative returns to Nora in the hospital, trying to continue her recollections to Lamarr. Nora says, “There was a misunderstanding. I’m not sure what happened” (211). Although the events blur together, Nora recalls that Clare suddenly drove away before Nina could get in the car. Nora remembers picking up Clare’s coat, which was hanging over the porch railing. Confused, Nora wonders if it was really Flo’s coat.

Nora’s recollections fragment: She remembers running through the woods but can’t remember what prompted her to start running. Nora cups her fingers as she tries to remember holding an object in her hand. Lamarr tells Nora that Tom’s statement says that Nora was looking at something in her palm before she suddenly took off running. Nora, feeling desperate, says she can’t remember what the object was.

The nurse comes in and tells Lamarr that she is upsetting Nora and must leave. Once alone, Nora wonders how Nina and Clare are doing. Nora thinks about James and realizes that all the bitterness she felt towards him is now gone. She thinks back to how they first became a couple. Clare had pursued James, but when she became ill and Nora took over her role in the school play, Nora and James fell in love. Nora is bereft that just as her anger about the past is gone, so is James.

Chapters 20-22 Analysis

These chapters slowly build to reveal the circumstances surrounding James’s death as well as what happened between Nora and James 10 years prior. At first, Nora remembers little regarding the events that culminated to her hospitalization. Nora desperately asks the nurse, “What’s happened to my friends? Why was I covered in such a lot of blood? My head wound wasn’t that bad. Where did all the blood come from?” (186). Nora’s panicked questioning parallels the narrative’s burgeoning tension and expands on the theme of memory and truth.

As Nora tries to reconstruct the events of the previous night, she wonders whether her memories are genuine or if her has mind invented them: “I am a writer. I’m a professional liar. […] You see a gap in the narrative, you want to fill it with a reason, a motive, a plausible explanation” (188). Nora gradually remembers more details about the shooting. She becomes devastated when she visualizes James bleeding from a gunshot wound. Nora struggles to grasp the big picture and rejects the doctor’s assertion that psychological reasons, not her head injury, are causing her memory loss: “Sometimes the brain suppresses events that we’re not quite ready to deal with. I suppose it’s a…coping mechanism” (192). The doctor’s suggestion casts further doubt on Nora’s stability and culpability.

Detective Lamarr questions Nora, but the combination of past and present trauma overwhelms Nora and interferes with her memory retrieval. Detective Lamarr’s prodding about Nora and James’s relationship also exacerbates Nora’s condition. Nora says, “My knees are drawn up to my chest, and I am panting, and I want to hit my head on my knees and keep on hitting until the memories bleed out, but I can’t, I can’t remember” (214). As Nora continues to try and piece her memories together, she has a physiological response: “My fingers are cupped as though I’m trying to hold on to something small and hard. The truth, perhaps” (214). Nora’s body pantomimes the memory of holding something, and Lamarr comments that Tom witnessed Nora looking at something in her hand just before she took off after Clare’s car.

Once alone, Nora dives deeply into her memories of James when they were young and in love, memories that she tried to suppress. She thinks back to when they lost their virginity with each other, a call back to the hen party quiz question that made Nora so nauseous on the way to the shooting range. As Nora replays the details of how they met and became a couple, she realizes that she is letting go of her anger towards James: “It has defined me for so long, my bitterness about what happened. And now it’s gone—the bitterness is gone, but so is James, the only other person who knew” (216).

These chapters bring the theme of memory to the forefront, with Nora struggling to distinguish the truth in her recollections. Unsure of herself, Nora questions whether she is a liar. This connects to the concept of an unreliable narrator, which the author directly highlights. Just as Cliff gradually reveals the true identities of the characters, so too does she unveil the truth behind Nora’s memories as well as the character’s actions

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