72 pages • 2 hours read
Gregg OlsenA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Shelly gives birth to Nikki in February 1975. She has little experience with babies and stays with Les and Lara for what is supposed to be a few days after the baby is born but soon stretches into months. Randy eventually tells Shelly she needs to return to their home in Battle Ground. He confides in Lara, “Shelly is only nice to me when there are other people around” (38). He begins sleeping in their car. Shelly is only concerned with money and convinces her father to start sending Randy’s paycheck to her directly so he can’t leave with what she considers to be her money. Despite his love for his daughter, Randy is fed up and leaves to visit his family. The couple tries to repair the damage, but they can only keep the peace for two more weeks, and Randy files for divorce. Shelly steals money from Randy, leaves Nikki with Lara, changes her number, and disappears.
A year later, Shelly returns to retrieve Nikki but provides no explanation for her absence. She begins to tell her young daughter that Randy abandoned them. Nikki will not learn until much later that her father actually tried to contact her many times over the years.
Shelly lives with Nikki in an apartment in Vancouver. Les and Lara are suspicious about whether she is taking good care of Nikki and go to check up on them. There, they find stolen goods from their family cabin and meet Shelly’s neighbor, a man named Danny Long. Shelly and Danny are in a romantic relationship and eventually move to a house in Battle Ground left to Shelly by her Grandma Anna. Shelly soon announces that she is pregnant with her second child and Danny is the father. The two of them wed in June 1978, and Samantha (Sami) is born in August 1978. She instructs Nikki to call Danny “Dad.”
Danny fires back at Shelly more than most people in her life have but is kind to the girls. Shelly and Danny have explosive fights, and their marriage ends in almost the same way that Shelly’s marriage ended with Randy. In 1983, Shelly meets Dave Knotek and announces that he is now the girls’ “Dad.” They prepare to move from Battle Ground to a small town nearby called Raymond. Nikki recalls waking up one night, realizing she is being smothered with a pillow over her head. Shelly suddenly appears and tells her it is all a dream, but Nikki knows the truth: Her mother is trying to see if she can kill her.
Raymond is in Pacific County, a particularly gray and wet part of Washington State where most industry is based around physically laborious products such as timber and oysters (and, more recently, marijuana). Dave Knotek was born and raised in Pacific County. He was considered a “hellion” of the family growing up but enlisted in the US Navy before returning to his hometown of Raymond.
In April 1982, Dave meets Shelley at a bar called The Sore Thumb. He asks for her number, and she gives it to him. The Sore Thumb burns down the next night. Dave and Shelley quickly begin dating, and he meets Nikki and Sami. Shelly is in danger of losing Grandma Anna’s house because she behind on mortgage payments, and Dave promises to try and help her save it. She confides in Dave that she has been diagnosed with cancer. Although she appears to be in good health, Dave worries about who will care for Nikki and Sami if she dies. Dave and Shelly marry in December 1987. Their wedding is attended by Shelly’s best friend, a hairdresser named Kathy Loreno.
Shelly’s father is happy to see her married again so that she will not ask him for more money. Les never fully forgave his daughter for her false rape accusation, but she apologizes without meaning it and tells him she is trying to be a better person. Shelly still talks badly about her father behind his back, but she tells him she has cancer and that she appreciates him more now as an adult.
Despite her young age, Nikki recognizes immediately that Shelly and Dave’s marriage is bound to be rocky. She witnesses her mother spew hateful insults at her new stepfather because he does not make enough money or care enough about the family, all while he points a shotgun at himself. He then drives off, returning later to find Shelly being sweet and loving and promising there won’t be any more fights.
Far more passive and submissive than her previous husbands, Dave does not hurt or swear at his new wife. Shelly, however, screams and become physically violent with him. She eventually begins to sever ties with his family when she notices that he often escapes to be with them. Dave realizes the best way to survive the marriage is to avoid Shelly and be away from the house as much as possible. When asked later why he didn’t leave, he says that it is because he knew Shelly would have hunted him down.
Dave and Shelly Knotek move their family to a rental home in the town of Old Willapa. The house, which they call “The Louderback House” in honor of the original owners, is situated at the end of a private road near the woods. Shelly loves the house, but her violent tendencies begin to escalate. She beats the girl with household items: spatulas, electrical cords, and more. She hits the girls’ heads against walls and locks them in closets or their rooms. Although the house is connected to city water, she tells the girls they had to save water and not shower. She even takes away the girls’ Christmas presents a few days after Christmas each year, claiming they do not deserve them, and hides them away with traps so she can tell if the children go looking for them.
Nikki and Sami wear extra layers to bed at night in case their mother forces them outside in the middle of the night. Nikki wears opaque tights to school to cover the bruises and cuts her mother has made. Despite knowing she could have told an adult, Nikki never did: “I didn’t want the attention. I didn’t want people to think I was weird. And no one ever asked. Not even once” (57). Both Nikki and Sami know their mother’s behavior is wrong, and they bond in their shared misery.
Shelly loves to take photos of her daughters and hang them on her walls, and Sami remembers her doing this as being particularly painful given the extreme abuse they experienced. While they would have fun with their mother while decorating sometimes, this was only when Shelly felt like being warm and charming.
Nikki and Sami are also subjected to a form of punishment Shelly calls “wallowing.” In the middle of the night, Shelly wakes the girls, tells them to strip naked and go outside, and then tells Dave to spray them down with a hose while the girls crawl on their hands and knees. This happens even in freezing temperatures. Afterwards, Shelly drags the girls into a scalding hot bath.
Sami notices that Nikki often has it bad when it comes to punishments from their mother. Nikki is aware of this, too. Sami is able to digest the abuse she sustains and still act loving towards their mother, whereas Nikki struggles to accept the abuse. She fight and rebels harder than Sami. Four years younger than Nikki, Sami figures out that being her mother’s ally is to her advantage if she wants to avoid the worst abuse.
One time, Shelly locks Nikki in her room using a butcher knife in the door frame. Informing Nikki that she is ugly and useless, she eventually locks Nikki into her closet. Given the level of abuse in the house, Nikki finds some relief in being locked away. Shelly brings her a bucket to relieve herself and tells Sami that under no circumstances is she allowed to speak to her sister, but Sami tosses pinecones at Nikki’s window when she wants to communicate with her. Taking advantage of the situation, Nikki reads paperback books that she finds in the closet.
After Shelly frees Nikki, it isn’t long before she is back to torturing her oldest daughter. Shelly pushes Nikki through a plate glass door. Shocked, Shelly apologizes and treats Nikki to a nice dinner out and a haircut. As Sami recalls, her mother should have taken Nikki to the hospital but knew the doctors would see her daughters’ wounds. The girls’ grandmother, Lara, says that neither Nikki nor Sami would speak ill of their mother, only sometimes calling her “weird.”
Shane Watson, Shelly’s nephew and her brother Paul’s son, receives many kind and loving letters from Shelly. Shane’s mother was a Native Alaskan girlfriend Paul impregnated. Shane’s early life was chaotic due to Paul’s erratic presence and his mother’s substance abuse. Shelly applies for benefits so that she can take Shane in. When he comes to live at the Knotek’s house, he is friendly, positive, and kind. Nikki and Sami like him a lot, and he calls Shelly and Dave his mother and father.
Not long after he arrives, Shelly puts Shane to work doing chores. He becomes as scared of Shelly as Nikki and Sami are. When he does not do his chores to her liking, Shelly steals his belongings, tells him to sleep on the floor, forbids him from showering, and takes all but one set of his clothes. Shane and Nikki grow especially close due to their close age and shared experience of feeling like outsiders at home and at school. Later, Lara recalls visiting them and learning that Shane was sleeping on the basement floor on an old mattress. When Lara challenged Shelly, reminding her that he needed his own bed and room, Shelly shrugged and made excuses.
Although Nikki knows from observing other mothers outside of their home and on television that Shelly is not normal, she explains her mother’s behaviors away. As an adult, Nikki reflects on the fact that, as child, she depended on her. She also remembers, “I loved my mother because I didn’t know I had a choice. I had to love her” (77). Shelly’s abuse and punishments act as tests to see how far she can push her children’s love for her. When Shane arrives, she abuses him, forcing him to “wallow” as well. She humiliates Shane and Nikki for minor mistakes by making them strip naked and slow dance together. Dave ignores their misery. Later, Shelly’s daughters see Shelly’s use of nudity to torture them as rooted in power dynamics rather than sexuality: If she controlled their bodies, she could control their ability to run away.
Although both Nikki and Shane try to resist Shelly’s demeaning abuse, doing so only makes their punishments worse. One day, while Dave is out of the house, Shelly decides to force Nikki and Shane to strip down and sit outside with their backs against one another in the freezing cold. To distract themselves from the cold, they play a game jokingly titled “Kill Mom.” They are not let back into the house until well after dark. Shelly often asks them to draw her a bath, and they muse about throwing her radio into the bath with her. When she does ask them to draw her a bath, however, neither of them can bring themselves to hurt her.
Part 2 is framed by Shelly’s transformation into young adulthood, when she becomes a mother to Nikki and Sami and eventually a pseudo-adoptive mother to Shane. Nikki and Sami’s separate experiences, despite their closeness in age, highlight the differences in their approaches to their mother, and the futility of each. Nikki, often targeted by her mother’s rage, continues to rebel and resist, and doing so makes her punishments worse. Sami goes on along with her mother’s erratic behavior, lessening her punishments while also alienating herself from her sister.
Olsen sets up this family dynamic early on in the book so that the reader has a sense of how both girls survived their childhood, and how they have bonded together despite the significant level of trauma they suffered. Olsen devotes much of the second part of the book to describing just how arbitrary Shelly’s degrading, humiliating physical violence and verbal abuse can be as a means to cement the image of young Shelly that the reader encounters in the first part of the book: violent, volatile, and dishonest.
Motherhood does not change these essential parts of her personality. In fact, Olsen illustrates how Shelly’s violent and abhorrent behavior has not been tempered by motherhood but rather exacerbated by it. Despite the range of approaches taken by all three of her husbands, no one is able to ground Shelly or keep her from tormenting the family. Olsen zooms in specifically on Dave as a character, especially his avoidant, submissive, and even apathetic approach to his family. This is not only because he is married to Shelly for the longest time, but also because he is complicit in the abuse Shelly’s children endure. Quotes from him after the fact reveal his frailty and fear when dealing with her severe mood swings and violence. Olsen portrays him as complicated yet cowardly. While he does not blame Dave for Shelly’s actions here, he makes clear that this passive behavior allowed Shelly to remain abusive for years and years.
Dave’s submissiveness becomes even more difficult to justify when Shelly forces Nikki and Shane to partake in nude activities with one another. Despite the deeply unsettling nature of these experiences, Dave does not speak up on behalf of his stepdaughters. These episodes also reveal what Shelly desires most, and what will eventually determine many of her disturbing actions to come: that she degrades others to demonstrate her power over them. When Dave does not intervene, it becomes clear that he is not an ally, especially not for Nikki and Shane. The children’s survival will have to come from their own efforts.
The entire book is written as narrative nonfiction, or nonfiction that is so deeply researched that it is written as though it were a novel, as seen when Olsen describes towns like Raymond and Battle Ground. This approach gives the reader a more cinematic view of the story, particularly during the more difficult scenes such as the “wallowing” scene. Olsen also occasionally adds quotes from Nikki, Sami, and Lara in particular to remind the reader that this is, in fact, a true story. These quotes act as a reminder that, no matter how bleak the story becomes, Shelly’s daughters do survive their mother’s extreme and disturbing abuse.