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47 pages 1 hour read

Jonathan Escoffery

If I Survive You

Fiction | Short Story Collection | Adult | Published in 2022

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“Odd Jobs”Chapter Summaries & Analyses

“Odd Jobs” Summary

Trelawny is in Miami, living out of his car, a bright red 1987 Dodge Raider. A recent college graduate, he has yet to find a job and has been kicked out of his father’s house. He performs a series of odd jobs, including working with exotic animals, catering, and working on a reggaetón video, but is not able to support himself. He answers a Craigslist ad from a woman named Chastity who wants to be given a black eye. She is in Saga Bay, near to where he has been parking his car. Recently, a security guard tapped on his window and asked if he had been living out of the vehicle. Although Trelawny denied it, the duvet cover and dishes in the back seat made it obvious. The security guard had been a classmate of his in high school, and he remembered Trelawny having gone to a “fancy” college. The guard comments that he had been smart enough not to fall for the illusion of security that education could provide. He tells Trelawny that he can stay for one more hour, but that his boss is a jerk, and he’s not willing to lose his job by allowing Trelawny to stay for longer. Trelawny looks at his empty gas gauge. Wherever he moves the car, it will be towed, and he will lose it for good.

Trelawny arrives at Chastity’s house. It is air-conditioned and features a series of pictures of her looking younger, including one taken at her quinceañera. On noticing a book that is the property of Florida International University, he asks if she is a student. Her reply is that she wants to “skip the chit-chat” (79). Trelawny is aware of his race—she could shoot him, claim that she had been “standing her ground,” and get away with it. Anxious, Trelawny attempts to back out of their agreement, though he does not want to be perceived as a Black man fleeing her house. However, when Chastity mistakes his hesitation for a negotiation tactic and offers him $80 instead of the agreed $40, he says that he’ll do it.

She tells him that it’s okay to just slap her; he doesn’t need to use a closed fist. She tries to goad him into hitting her by insulting him, and the two end up speaking tensely about race. She admits that her father doesn’t want his daughters bringing Black men home, and when he comments that many white parents are like that, she corrects him. She is “Latina, brown.” She finally gets Trelawny to hit her. In order to do so, he has to harness an inner rage at both the racial politics of Miami and at his family. He recently hacked up his father’s ackee tree with an axe, an action that offended his brother as well. It was this act of destruction that caused his father to kick him out. Trelawny had known, though, that their rift would soon widen when his father openly admitted that he preferred Delano, as he thought Trelawney was a failure.

After Trelawny hits Chastity several times and asks her to hit him back, he goes to the kitchen to make a sandwich. He is struck by how plentiful the food is in their fridge. As he is eating, the family comes home. On finding an unknown man in their kitchen, they assault him.

“Odd Jobs” Analysis

This story’s subject matter, a woman hiring Trelawny to strike her in the face, is both fraught and emblematic of Escoffery’s interest in making his reader uncomfortable in order to ask them to reconsider how they understand race, class, and gender. This tactic is one that Escoffery employs repeatedly in this collection, but nowhere is it more evident than within “Odd Jobs.” Through the continued, in-depth look that the reader has into Trelawny’s post-college years, Escoffery continues to explore how socioeconomic status and race interact and affect identity. In this short story, Trelawny’s red Dodge Raider also emerges as a symbol of poverty and the lack of opportunity for many immigrants of color. The heated conversation between Trelawny and Chastity builds on previous stories’ explorations of race and racism in the United States.

Intersectionality, Socioeconomic Status, and Race is one of the collection’s key themes, and in many ways, this story stands out as one of the pieces most interested in the intersection of class and race in post-crash Miami. Trelawny, although a recent college graduate, cannot even find an unpaid internship in his field. He therefore has to take on a series of odd jobs, many of which he finds via Craigslist. The unskilled positions do not make use of his considerable intellect, skills, and talents, and it becomes clear that for individuals without a safety net such as those from Trelawny’s immigrant community of color, the post-crash landscape is exceedingly difficult to navigate. The car that he lives out of thus becomes a symbol of all that is unequal and unfair in the United States.

This narrative, although the author does not explicitly say so, is markedly critical of the “American Dream.” None of Trelawny’s family members experience financial success, belonging, or a sense of hope after they immigrate. Instead, they struggle both to make ends meet and to fit in culturally—the themes of Immigration and Cultural Identity and Immigration and Fraught Family Dynamics both capture how socioeconomics contributes to instability in multiple senses. That Trelawny, a college-educated, hardworking young man would be reduced to living in his car and working truly “odd” jobs for small amounts of cash is indicative of the structural inequality that Trelawny’s character is repeatedly willing to call out by name.

The character of Chastity further complicates how socioeconomics and race interact in defining identity and perceived identity. Although Trelawny initially calls her white, Chastity tells him that she is “Latina.” Although Trelawny did answer Chastity’s ad, which requests someone to hit her in the face, he struggles to hold up his part of the bargain. It is not until she reveals her parents’ unwillingness to allow their daughter to bring home Black men that he thinks critically about her family’s affluence in contrast to his family’s poverty. This critical evaluation, finally, allows him to harness enough rage to slap her. Interestingly, he also wants Chastity to hit him, reflecting how a portion of his rage toward his father and the unequal system in which he cannot succeed has turned inward. Trelawny, having internalized at least partially the prejudices he faces daily, wants to punish himself as much as he does others.

If this scene makes the reader uncomfortable, it has done its job. In this story, Escoffery prompts his readers to consider issues such as Florida’s “Stand Your Ground” law, which was cited by killer George Zimmerman after shooting the unarmed, Black teenager Trayvon Martin; notably, this event rocked both the Black and Latinx communities in South Florida not long after the events depicted in this story take place. (Trelawny mentions this law by name as he expresses fear that Chastity’s family will return home and find him in their house.) Escoffery wants his readers to wrestle with the intersection of race and sexual politics too. Accordingly, this story in particular plunges the reader into a situation that brings a range of interacting biases and prejudices to the surface.

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